I began to suspect something was wrong with the gothic building when its family fled in the middle of the night, the children screaming, the mother crying. They never came back to pack up their furniture. No family stays long. Animals avoid the place. Once, I thought I saw a woman's silhouette pacing through the upstairs room... but that seems impossible; no one was living there at the time. A new occupant, Anna, has just moved in. I paid her a visit to warn her about the building. I didn't expect us to become friends, but we did. And now that Marwick House is waking up, she's asked me to stay with her. I never intended to become involved with the building or its vengeful, dead inhabitant. But now I have to save Anna... before it's too late for the both of us.

    She's able to tell the story behind any object simply by touch. It’s a gift that comes in handy when her only brother, a detective with the Atlanta Major Crimes Division, is murdered. Determined to find his killer, Mia reaches out to the one person in Atlanta she believes can help her—Dave’s ex-partner, Jack Burton. Unfortunately, Burton is also the prime suspect. Together, Mia and Jack create a partnership that breaks all the rules, skirts every law, and lobs as many sparks and landmines at each other as if they were adversaries–which half the time they are—all while attempting to ignore their undeniable mutual attraction. Can two people so different—one intuitive and inexperienced, the other cynical and by-the-book—work together to solve the murder? And can they do it before the killer turns his attention to Mia?

    Lying in her bed, young Sylvie Mason overhears her parents on the phone across the hall. This is not the first late-night call they have received, since her mother and father have an uncommon occupation, helping "haunted souls" find peace. And yet, something in Sylvie senses that this call is different than the rest, especially when they are lured to the old church on the outskirts of town. Once there, her parents disappear, one after the other, behind the church's red door, leaving Sylvie alone in the car. Not long after, she drifts off to sleep only to wake to the sound of gunfire.Nearly a year later, we meet Sylvie again struggling with the loss of her parents, and living in the care of her older sister, who may be to blame for what happened the previous winter.As the story moves back and forth in time, through the years leading up to the crime and the months following, the ever inquisitive and tender-hearted Sylvie pursues the mystery, moving closer to the knowledge of what occurred that night, as she comes to terms with her family's past and uncovers secrets that have haunted them for years.

    Eerie things have been going on in and around his church, including tremblings in the underground crypt and a variety of gruesomely murdered bodies showing up in nearby streets. Across the square from the cathedral lives Katherine Taylor, a beautiful young American woman who is making phenomenal money as one of the highest-priced call girls in Switzerland; she's a bit too introspective for her own good and, unfortunately, much too observant of her clients' peccadilloes. Rochat's and Taylor's lives collide with Jay Harper, a British private eye who has been sent to investigate the killings and other strange doings; alas, he has no memory of who hired him or precisely why he was chosen for the job. And now all the clues are pointing skyward, where fallen angels are said to haunt Lausanne.

    Fearing her daughter might be next, single mom, Violet Parker, is desperate to find the monster behind the abductions. With her savings dwindling and just three weeks left to sell her first house or lose her Realtor job, Violet is ecstatic when a handsome jeweler hires her to sell his century-old, Victorian masterpiece until she sees the dilapidated dwelling. Now, if she could just convince her only buyer to stop rejecting vintage homes as if they're haunted. Short on time and long on worry, she refuses to give up her dream of a fresh start in Deadwood. But with a malicious coworker trying to get her fired, a secret admirer sending her creepy messages, and a sexy stranger hiding skeletons in his closet, will Violet end up as one of Deadwood's dearly departed?

    The year is 1869, and the Civil War haunts the city of Philadelphia like a stubborn ghost. Mothers in black continue to mourn their lost sons. Photographs of the dead adorn dim sitting rooms. Maimed and broken men roam the streets. One of those men is Edward Clark, who is still tormented by what he saw during the war. Also constantly in his thoughts is another, more distant tragedy--the murder of his mother at the hands of his father, the famed magician Magellan Holmes...a crime that Edward witnessed when he was only ten. Now a crime reporter for one of the city's largest newspapers, Edward is asked to use his knowledge of illusions and visual trickery to expose the influx of mediums that descended on Philadelphia in the wake of the war. His first target is Mrs. Lucy Collins, a young widow who uses old-fashioned sleight of hand to prey on grieving families. Soon, Edward and Lucy become entwined in the murder of Lenora Grimes Pastor, the city's most highly regarded--and by all accounts, legitimate--medium, who dies mid-seance. With their reputations and livelihoods at risk, Edward and Lucy set out to find the real killer, and in the process unearth a terrifying hive of secrets that reaches well beyond Mrs. Pastor. Blending historical detail with flights of fancy, Things Half in Shadow is a riveting thriller where Medium and The Sixth Sense meet The Alienist--and where nothing is quite as it seems...

    At its heart was a beautiful, enigmatic woman called Pandora Gibson-Hoare, a photographer of genius whose only legacy is a handful of photographs and the clues to a mystery.Just weeks after four students cross the threshold of the derelict Fischer House, one of them has committed suicide and the other three are descending into madness.Nick Mason's sister is one of them. To save her, Nick must join ranks with Paul Seaton--the only person to have visited the house and survive. But Paul is a troubled man, haunted by otherworldly visions that even now threaten his sanity.Desperate, Nick forces Paul to go back into the past, to the secret journal of beautiful photographer Pandora Gibson-Hoare and a debauched gathering in the 1920s, and to the dark legacy of Klaus Fischer--master of the unspeakable crime and demonic proceedings that have haunted the mansion for decades.Because now, the Fischer House is beckoning, and some old friends have gathered to welcome Paul back. . . .

    There he finds a manuscript, and from the moment his mother catches him in the act, Gerard Freeman's life is irrevocably changed. What is the invisible, ever-present threat from which his mother strives so obsessively to protect him? And why should stories written a century ago entwine themselves ever more closely around events in his own life? Gerard's quest to unveil the mystery that shrouds his family, and his life, will lead him from Mawson to London, to a long-abandoned house and the terror of a ghost story come alive.

    A former cop, drummed out of the force because of a scandal, she is an expert at disguise and cool under pressure. But when fellow hitman Jack arrives on the scene, Nadia’s very private existence is seriously challenged.A series of victims are being murdered seemingly at random all over the US — different areas, different walks of life, different MOs. There is nothing to tie them together except a random page torn out of a single book, "Helter Skelter". Does the Helter Skelter killer — as the hysterical media now dub him — have a real connection to Charles Manson? Or is there something even more sinister at work?Is this, in fact — as Jack believes — the carefully planned exit strategy of a fellow professional killer, determined to leave the life, but equally determined to clear up an old mistake or two? And, if so, who is the real victim? Now, the highly suspicious and secretive hitman community will have to break their cover — at least, to each other — and help take down this killer before the cops and the Feds discover his true connection to their own secret, exclusive society.

    At the turn of the twentieth century, a former spy is called into service to hunt down a vampire killer...Once a spy for Queen Victoria, James Asher has fought for Britain on every continent, using his quick wits to protect the Empire at all costs. After years of grueling service, he marries and retires to a simple academic’s life at Oxford. But his peace is shattered one night with the arrival of a Spanish vampire named Don Simon. Don Simon can disappear into fog, move faster than the eye can see, and immobilize Asher—and his young bride—with a wave of his hand. Asher is at his mercy, and has no choice but to give his help. Because someone is killing the vampires of London, and James Asher must find out who—before he becomes a victim himself. This ebook features an illustrated biography of Barbara Hambly, including rare photos and never-before-seen documents from the author’s personal collection.

    But when her parents temporarily step down from the family business, Valentine, Inc., it’s Lucy’s turn to step up and help out—in the name of love. Plus, her rent is due. Here’s the problem: Lucy doesn’t have the knack for matchmaking. According to family legend, every Valentine has been blessed by Cupid with the ability to read “auras” and pair up perfect couples. But not Lucy. Her skills were zapped away years ago in an electrical surge, and now all she can do is find lost objects. What good is that in the matchmaking world? You’d be surprised. In a city like Boston, everyone’s looking for something. So when Lucy locates a missing wedding ring—on a dead body—she asks the sexy private eye who lives upstairs to help her solve the perfect crime. And who knows? Maybe she’ll find the perfect love while she’s at it…

    When seventeen-year-old Andrew Taylor is transplanted from his American high school to a British boarding school—a high-profile academy for the sons of England’s finest—his father hopes that the boy’s dark past will not follow him from across the Atlantic. But blood, suspense, and intrigue quickly surround Andrew once again as he finds himself struggling with a deadly mystery left unsolved by a student from Harrow School’s past—the enigmatic poet Lord Byron.

    And when the drained corpse of a young girl is found, the citizens fear their past has risen from the grave--and point their fingers at one man....Evan Stroud can never see the light of day. The prisoner of a strange and terrible disease, he lives in tragic solitude, taunted for being a "vampire"--until the son he never knew he had shows up in Tuonela and is drawn into its depraved, vampire-obsessed underworld. Then Evan must rely on coroner Rachel Burton, his childhood friend, for help. But the evil that they face is powerful and elusive and about to take them to the very brink of madness.

    After responding to several calls with paramedics, he notices that all the dead children were read the same poem from the same library book the night before they died. It's a 'culling song' - an ancient African spell for euthanising sick or old people. Researching it, he meets a woman who killed her own child with it accidentally. He himself accidentally killed his own wife and child with the same poem twenty years earlier. Together, the man and the woman must find and destroy all copies of this book, and try not to kill every rude sonofabitch that gets in their way. Lullaby is a comedy/drama/tragedy. In that order. It may also be Chuck Palahniuk's best book yet.

    Life is made up of enjoyable work, long, lazy weekends, and the company of good neighbors. Then, to their shock, construction starts on the vacant lot next door, a wooded hillside they'd believed would always remain undeveloped. Soon, though, they come to realize that more is wrong than their diminished privacy. Surely the house can't be "haunted," yet something about it seems to destroy the goodness of every person who comes to live in it, until the entire heart of this friendly neighborhood threatens to be torn apart.