She has a comfortable home, good friends, and a loving family. She’s also a widow, carrying a burden of responsibility for her wife’s untimely death. She lost her footing that day, gave up her dream to be a doctor, and swore off relationships. Now, three years later, she’s ready to turn her life on end in an effort to regain what she lost. At 29, Coby O’Brien is a woman with secrets. She’s estranged from her family, a recovering alcoholic, and alone because she’s convinced that she’s unlovable. When she loses her job as a heavy equipment operator, she’ll accept one that’ll force her to step way outside her comfort zone into a life where nothing is, as it seems. Having caught next to no breaks in life, it may turn out to be her break of a lifetime. When Coy quits her job to accept a position in Antarctica, her path will cross with Coby’s. Their attraction to one another will be immediate, and despite their differences, it won’t be long before they fall in love. But for these two, with all their baggage, will love be enough?

    Set in gossipy late 18th-century England, with a fresh female voice, the play is full of humor, emotional depth, and bold theatricality. SENSE AND SENSIBILITY examines our reactions, both reasonable and ridiculous, to societal pressures. When reputation is everything, how do you follow your heart?

    Macon and Bess are two mail-order brides, lured to the West by the promise of new beginnings through marriage to men they have never met. While waiting for their respective husbands-to-be, one bubbling with optimism, the other mousy and plain, the two women become instant best friends. As Abundance follows the two women through their friendship and adventures for the next 25 years, this Western epic unearths the dark underside of American mythology. A L.A. Theatre Works full-cast performance featuring: Ed Begley Jr., Gary Cole, Amy Madigan, Steven Weber and JoBeth Williams.

    Its fourteen-year-old heroine Wendla is killed by abortion pills. The young Moritz terrorized by the world around him and especially by his teachers shoots himself. The ending seems likely to be the suicide of Moritz's friend Melchior but in a confrontation with a mysterious stranger (the famous Masked Man) he finally manages to shed his illusions and face the consequences.

    Let's take check: Finn Bar, slightly ruffled but still in fighting form. Maggie, could do with a full night's sleep but otherwise all in order... Stay here. Don't answer the door. I'll go out and get some proper food.In a new flat, three children play hide and seek. Eliot wears a crown, little Finn, King of the Wild Thing's, draws on the walls. Maggie climbs them. Hiding from the world, needing to be found, their one shared focus a mobile phone. Will it ring? Who will call? And what are they waiting for?Tusk Tusk is a tale of family loyalty as an uncertain future circles. Polly Stenham's second play premiered at the Royal Court Theatre, London, in March 2009.

    There is the very questionable theme in these days of the relationship between masters and servants, which this play tends to undermine.' Lord Cromer, who banned performances of Miss Julie from the English stage in October 1925It's Midsummer's Eve in the kitchen of a nobleman's house and his haughty daughter Julie flirts and plays with Jean, her father's manservant. But it's a dangerous game and once she has been seduced by him he holds the upper hand.Miss Julie, Strindberg's mighty play on power, sex and class is presented here in a coruscating version by Frank McGuinness.

    A romantic comedy that recognizes the absurdity of life.

    Both his presence in the home and his chosen subject instigate tension from the start. Phyllis is furious at his depictions, but Joyce is actually rather intrigued by the whole thing, even going so far as to contemplate posing for him. As Joyce and Phyllis bicker, Joyce's adult son, who may or may not have Asperger's Syndrome, struggles to express himself physically with heartbreaking results.

    

    The lawyer is married to a beautiful, well-to-do girl in the midwest whose family sets the pace in local society and intends to run his marriage and his career as well. He has rebelled, come to New York, and taken up residence with this intriguing young woman. He is lonely and in need of consolation; she is one of those rare women whose only purpose seems to be making others happy. Their briefly fulfilling relationship is unhappily destined to failure: he is a cultured gentile with a wife and painful memories while she is a plain Jewish girl with little education and a horrible Bronx accent. They share happy and humorous moments together, but they both see with sadness the utter hopelessness of the affair."It's a whale of a hit, a bittersweet joy ride." - The New York Mirror ."An absorbing, affectionate, and funny delight." - The New York Daily News

    She owns a landscaping business, she tends her plants, lives alone, and secretly crushes on her favorite nonbinary garden center employee, Polly. Between anxiety and modesty, Sloane's never planning on telling Polly she likes them. She'll just be admiring from afar while she deals with her demanding family and fulfills her sister’s order.Polly Stanwick loves people. She has the best time working at Blooms, talking to customers, hanging out with the kids, and generally being a ray of sunshine. When they hear their regular, Sloane Abbott, is having a rough day, they naturally sweep in to help.What neither of them is expecting is for Polly's colleague to suggest her as a fake date for Sloane's weekend with her family. For Sloane, it’s the only way to avoid the heteronormative life her parents will push on her, so despite her misgivings, she agrees. It’s only one weekend, right?Fooling the Abbotts into thinking she and Polly are a couple is easy, but for Sloane, handling her own feelings is harder. Holding hands and sharing a bed doesn’t make things any easier—nor does Polly being there for her in all the ways she ever wished somebody would.Sometimes the hardest thing to face is our own potential to grow.The Art of Growing is a 75k-word slow-burn, friends-to-lovers, fake-dating romance over a weekend full of mutual pining and blurred lines. Content warnings for on-page sex scenes, abusive family dynamics, off-screen references to past abusive relationships, anxiety attacks, and useless sapphics.

    

     Allie just wants to make movies. But that’s not so easy when distractions abound. Distractions like sexy set designer Ashley. Or for that matter, sensitive screenwriter Cameron. In the high pressure atmosphere of a top film school, can Allie hang on to who she is? And with two different love paths in front of her, will she choose the right one? Or will she fuck everything up? From the author of 'The Plus One' and 'Waiting for the Punchline', 'Close Ups and F**k Ups' is about risking everything for what (and who) you love.

    Due to the scientific manipulation of the world’s crops, a destructive system for which Ben is partly responsible, there is very little nourishment left to be had, except for those most privileged and connected. Despite the dying off of most of the world, these characters manage to survive, at times tasting the good life, admiring the beauties of nature, feasting on animalistic sex, and finding love. The play raises issues of redemption, forgiveness, and responsibility as it recounts a somewhat passionate, erotic adventure story.Wallace Shawn is the author of Our Late Night (winner of the OBIE Award for Best Play), Marie and Bruce, Aunt Dan and Lemon, The Designated Mourner, The Fever, and the screenplay for My Dinner with Andre, in which he starred. Grasses of a Thousand Colors, Shawn’s first full-length play in ten years, will be produced in the United Kingdom and the United States in 2009. Shawn is a well-known film and television actor. He resides in New York City.