Echoes of Waiting for Godot resound, reality and illusion mix, and where fate leads heroes to a tragic but inevitable end.

    He has taken the ordinary West End drawing room comedy convention - understatement, upper-class accents and all - and used it as a vehicle for utterly serious ideas.' Observer

    You know the kind, sugar and spice and everything nice? That was Rumor. Until the day she met Brody Holmes…. One unhappily ever after later, and Rumor is living in Sin City with a music career at death’s door and all that was sweet and nice thrown out the window. Rumor spends her days delivering singing telegrams and spends her nights enjoying all the party city has to offer, usually in the company of her roommate and best friend, Shaun Penny. Once upon a time Brody Holmes was a bad, bad boy, collecting the hearts of girls left and right. When he encountered the rarest edition of all, she slipped straight through his fingers. One near happily ever after later, Brody is standing at the altar with his bride, about to cash out his collection of hearts in exchange for just one, when a familiar voice begins to sing from somewhere in the crowd…. ** CONTENT WARNING - ADULT LANGUAGE **

    This play by one of India's foremost playwrights and actors is based on a story from the Mahabharata which tellingly illuminates universal themes - alienation, loneliness, love, family, hatred - through the daily lives and concerns of a whole community of individuals.

    It is filled with quips and quotes that represent the Code of the West, like: "Always drink upstream from the herd" and "The easiest way to eat crow is while it's still warm. The colder it gets, the harder it is to swallow."

    The guide presents the major debates that surround these works as they develop, from Martin Esslin's early appropriation of the plays as examples of the Theatre of the Absurd, to recent poststructuralist and postcolonial readings by critics such as Steven Connor, Mary Bryden and Declan Kiberd. Throughout, Boxall clarifies and contextualizes critical responses to the plays, and considers the difficult relationship between Beckett and his critics.

    It is the story of Chauncey Gardiner - Chance, an enigmatic but distinguished man who emerges from nowhere to become an heir to the throne of a Wall Street tycoon, a presidential policy adviser, and a media icon. Truly "a man without qualities," Chance's straightforward responses to popular concerns are heralded as visionary. But though everyone is quoting him, no one is sure what he's really saying. And filling in the blanks in his background proves impossible. Being There is a brilliantly satiric look at the unreality of American media culture that is, if anything, more trenchant now than ever.

    Among them: Suheir Hammad, Beau Sia, Steve Colman, Stacyann Chin, Mayda del Valle, Georgia Me, Poetri, and other well-established and up-and-coming Slam artists who have forever changed the face of poetry and offer a fresh, exuberant, insightful, and comedic look at who we are as Americans today.

    It is not about terrorism, the holocaust, or understanding death. They are the framework for this heartwarming story about a never-a-serious-thought high school senior and his best friend, a Deaf-blind, legless old man, who teaches him how to capture and hold, The Pristine American Dream. Pristine, "Characteristics of the earliest period or condition: original: still pure: uncorrupted: unspoiled [Pristine beauty]." Webster's New World Dictionary. Sometime, somehow, somewhere, we, as a people, stopped living and dreaming The Pristine American Dream as our Founding Fathers knew it. Like colors fading from a handkerchief long forgotten on a cedar post, the Dream has faded from our thoughts and aspirations. The change has been imperceptible, yet over time all of the brilliance has faded to the dull, uninspiring and common. The Pristine American Dream has taken on a different hue. To some, the American Dream has become a passionate search for easy wealth by hitting it big in the lottery, sweepstakes, a big lawsuit, or receiving an inheritance. To others it is landing a professional sports contract, or achieving prominence in politics, business or popularity without any thought to inherent rights. As important as these achievements may be to some people, The Pristine American Dream is much better. This story showcases The Pristine American Dream, which is those inalienable or inherent rights guaranteed to each American by virtue of their birth, and the diligence, hard work and determination required to obtain and enjoy the privileges of life. Simply put, inherent rights are the rights to be and to do good. Everything that is good is right, an inherent right. Nobody ever has the right to do bad; they only have the power to choose it. Many people see goodness as the result of religious dedication instead of the catalyst that fires the furnace of happiness. No matter what circumstances' individuals, families, communities or nations find themselves in, they always enjoy more peace of mind and happiness when they maintain their inherent rights. Privileges are the sweet things of life for which one must work to receive. This is a fiction story. The setting is Declo, Idaho during the years of 1966 and 1967. All the characters are fiction, but like many great fiction characters they may resemble living or dead individuals whose lives have impacted that of the author. Most family names are indigenous to the Declo community, yet there should not be any inference made that any of the characters are living or have ever lived. There are, however, certain authenthic individuals who make cameo appearances to add color to its historical setting.

    No other contemporary humorist knew the South so well, loved it so passionately, or wrote about it so vividly.

    A possible break in his fortunes occurs when he receives a script from a student in the seminar he has been conducting at a nearby college a thriller which Sidney recognizes immediately as a potential Broadway hit. Sidney's plan, which he devises with his wife's help, is to offer collaboration to the student, an idea which the younger man quickly accepts. Thereafter suspense mounts steadily as the plot begins to twist and turn with devilish cleverness, and with such an abundance of thrills and laughter, that audiences will be held enthralled until the final, startling moments of the play.

    

    Their first date ended that. Ten years later, can their second date make them more than friends? Juliet’s life is in a holding pattern of dating wrong guy after wrong guy. When childhood friend Taggart messages to ask for second date—after a ten-year wait—she gets a holiday shakeup. Their first Christmas date a decade ago was an unmitigated disaster, ending with Pepto-Bismol and the police. They both probably needed the full ten years to recover. Now that he’s back in touch, Juliet must decide whether she will say yes. If this is just a one-time thing, she risks carrying a torch for him for another decade. This could be their last Christmas date. First & Last Christmas Date: A Legally in Love Christmas Novella is book 8 in the Legally in Love series. All are clean romantic comedies with swoony kisses and legal entanglements. This madcap adventure date follows in the hilarious tradition of It Happened One Night, Blind Date, and all other tales of wacky dates gone wrong. Set in balmy Los Angeles, this holiday novella is a madcap comedy of swoony kisses and second chances at love, with a side of peppermint hot cocoa. Perfect for fans of the Hallmark Channel romance movies. "Juliet and Taggart’s second-chance holiday date puts the antic in romantic." *** AUTHOR'S NOTE: Originally published in the TIMELESS ROMANCE: UNDER THE MISTELTOE Anthology. Minor updates to the story have been added for this edition. ***

    When the patriarch of the Weston clan disappears one hot summer night, the family reunites at the Oklahoma homestead, where long-held secrets are unflinchingly and uproariously revealed. The three-act, three-and-a-half-hour mammoth of a play combines epic tragedy with black comedy, dramatizing three generations of unfulfilled dreams and leaving not one of its thirteen characters unscathed.