When Joel Litvinoff is felled by a stroke, his wife, Audrey, uncovers a secret that forces her to re-examine her ideas about their forty-year marriage. Joel’s children will soon have to come to terms with this unsettling discovery themselves, but for the time being, they are grappling with their own dilemmas. Rosa is being pressed to make a commitment to religion. Karla is falling in love with the owner of a newspaper concession and Lenny is back on drugs. In the course of battling their own demons and each other, every member of the family is called upon to re-examine long-held articles of faith and to decide what – if anything – they still believe in.

    One day, a mysterious package arrives on his doorstep, pulling him into a mesmerizing adventure to uncover the tangled history that binds the two sides of his family. For generations, the men of the al-Raqb family have served as watchmen of the storied Ibn Ezra Synagogue in Old Cairo, built at the site where the infant Moses was taken from the Nile. Joseph learns of his ancestor Ali, a Muslim orphan who nearly a thousand years earlier was entrusted as the first watchman of the synagogue and became enchanted by its legendary--perhaps magical--Ezra Scroll. The story of Joseph's family is entwined with that of the British twin sisters Agnes and Margaret, who in 1897 depart their hallowed Cambridge halls on a mission to rescue sacred texts that have begun to disappear from the synagogue.The Last Watchman of Old Cairo is a moving page-turner of a novel from acclaimed storyteller Michael David Lukas. This tightly woven multigenerational tale illuminates the tensions that have torn communities apart and the unlikely forces--potent magic, forbidden love--that boldly attempt to bridge that divide.Praise for The Last Watchman of Old Cairo"A beautiful, richly textured novel, ambitious and delicately crafted, The Last Watchman of Old Cairo is both a coming-of-age story and a family history, a wide-ranging book about fathers and sons, religion, magic, love, and the essence of storytelling. This book is a joy."--Rabih Alameddine, author of the National Book Award finalist An Unnecessary Woman

    After his mother dies, he leaves the Lower East Side and moves to Jerusalem, where he ends up as an assistant to an elderly kabbalist and his wife who daily minister to the seekers who gravitate to their courtyard.One day on an errand, Isaac happens upon Mustafa, an Arab janitor who works on the Temple Mount, holy to both Jews and Muslims. Mustafa suffers from an extreme case of torticollis – his head is turned painfully and permanently to one side. He has been cast out of his own village – a mutant – unloved even by his own mother.Somehow, the luckless haberdasher from the Lower East Side has finally managed to heal someone’s wounded spirit, in this case, Mustafa, and the two men enter into an intense and fraught friendship.Though rejected by his family, Mustafa longs to return and be respected by his village. Isaac yearns to find his place, in the courtyard (where he is forever the assistant), and in the romantic realm (he goes out on innumerable blind dates to seek a wife), and is thwarted on both counts by his own anxieties and memories of past betrayals. When a beautiful young woman in the courtyard, Tamar, becomes electrified with feeling for Isaac, he is too frightened and prudish to respond.Mustafa, wishing to return Isaac’s kindness, finds an ancient shard on the Temple Mount whose value may exceed anyone’s imagination, and brings it to Isaac in gratitude. That gesture sets in a motion a series of unexpected events that land Isaac in the company of Israel’s worst criminal riff raff, put Mustafa in mortal danger, even as Tamar struggles to save them both.

    Here sisters Ada, Vivie, and Bec assemble at their beloved family cottage, with children in tow and weekend-only husbands who arrive each Friday in time for the Sabbath meal.During the weekdays, freedom reigns. Ada, the family beauty, relaxes and grows more playful, unimpeded by her rule-driven, religious husband. Vivie, once terribly wronged by her sister, is now the family diplomat and an increasingly inventive chef. Unmarried Bec finds herself forced to choose between the family-centric life she's always known and a passion-filled life with the married man with whom she's had a secret years-long affair.But when a terrible accident occurs on the sisters' watch, a summer of hope and self-discovery transforms into a lifetime of atonement and loss for members of this close-knit clan. Seen through the eyes of Molly, who was twelve years old when she witnessed the accident, this is the story of a tragedy and its aftermath, of expanding lives painfully collapsed. Can Molly, decades after the event, draw from her aunt Bec's hard-won wisdom and free herself from the burden that destroyed so many others?Elizabeth Poliner is a masterful storyteller, a brilliant observer of human nature, and in As Close to Us as Breathing she has created an unforgettable meditation on grief, guilt, and the boundaries of identity and love.

    But when thirteen-year-old Gittel learns of the abuse her best friend has suffered at the hands of her own family member, the adults in her community try to persuade Gittel, and themselves, that nothing happened. Forced to remain silent, Gittel begins to question everything she was raised to believe.A richly detailed and nuanced book, one of both humor and depth, understanding and horror, this story explains a complex world that remains an echo of its past, and illuminates the conflict between yesterday's traditions and today's reality.

    Elizabeth Shulman, a devout follower of Rav Elijah Kirshner and the mother of five daughters, is restless. She needs a project of her own, outside her family and her cloistered community. Across the street, Andras Melish is drawn to Kaaterskill by his adoring older sisters, bound to him by their loss and wrenching escape from the Holocaust. Both comforted and crippled by his sisters' love, Andras cannot overcome the ambivalence he feels toward his children and his own beautiful wife. At the top of the hill, Rav Kirshner is coming to the end of his life, and he struggles to decide which of his sons should succeed him: the pious but stolid Isaiah, or the brilliant but worldly Jeremy. Behind the scenes, alarmed as his beloved Kaaterskill is overdeveloped by Michael King, the local real estate broker, Judge Miles Taylor keeps an old secret in check, biding his time....

    To start anew. But it isn’t quite working out that way for Kugel…His ailing mother stubbornly holds on to life, and won’t stop reminiscing about the Nazi concentration camps she never actually suffered through. To complicate matters further, some lunatic is burning down farmhouses just like the one Kugel bought, and when, one night, he discovers history—a living, breathing, thought-to-be-dead specimen of history—hiding upstairs in his attic, bad quickly becomes worse.Hope: A Tragedy is a hilarious and haunting examination of the burdens and abuse of history, propelled with unstoppable rhythm and filled with existential musings and mordant wit. It is a comic and compelling story of the hopeless longing to be free of those pasts that haunt our every present.

    Now, years later, his life suddenly is altered by two events: he becomes a juror in a murder trial for the brutal killing of a Buddhist monk, and he takes on as a pupil a Korean boy whose brilliant musicianship reminds him of his own past.

    Leon Uris magnificently portrays the birth of a new nation in the midst of enemies--the beginning of an earthshaking struggle for power. Here is the tale that swept the world with its fury: the story of an American nurse, an Israeli freedom fighter caught up in a glorious, heartbreaking, triumphant era.

    L. Doctorow comprise one of the most substantive achievements of modern American fiction. Now, with Homer & Langley, this master novelist has once again created an unforgettable work.Homer and Langley Collyer are brothers – the one blind and deeply intuitive, the other damaged into madness, or perhaps greatness, by mustard gas in the Great War. They live as recluses in their once grand Fifth Avenue mansion, scavenging the city streets for things they think they can use, hoarding the daily newspapers as research for Langley’s proposed dateless newspaper whose reportage will be as prophecy. Yet the epic events of the century play out in the lives of the two brothers – wars, political movements, technological advances – and even though they want nothing more than to shut out the world, history seems to pass through their cluttered house in the persons of immigrants, prostitutes, society women, government agents, gangsters, jazz musicians... and their housebound lives are fraught with odyssean peril as they struggle to survive and create meaning for themselves. Brilliantly conceived, gorgeously written, this mesmerizing narrative, a free imaginative rendering of the lives of New York’s fabled Collyer brothers, is a family story with the resonance of myth, an astonishing masterwork unlike any that have come before from this great writer.

    Depicting both the horrors of the Holocaust and the lifetime of emptiness that pursues a survivor, 'The Shawl' and 'Rosa' recall the psychological and emotional scars of those who suffered at the hands of the Nazis.

    Brooks has an uncanny ability to hear and transform characters from history, and this beautifully written, unvarnished saga of faith, desire, family, ambition, betrayal, and power will enthrall her many fans.

    A retired investment advisor, he lives alone (his first wife and baby daughter were killed by the Nazis; he divorced his shrewish second wife several years ago) and spends his time laboring over his unpublished novels. Irena is the unmarried thirty-six-year-old daughter of Holocaust survivors who has been taking care of Ernst since his surgery two years ago; she arrives every morning promptly at eight and leaves every afternoon precisely at three. Quiet and shy, Irena is in awe of Ernst's intellect. And as the months pass, Ernst comes to depend on the gentle young woman who runs his house, listens to him read from his work, and occasionally offers a spirited commentary on it. But Ernst's writing gives him no satisfaction, and he is haunted by his godless, communist past; his health, already poor, begins to deteriorate even more. As he becomes mired in depression, Ernst seems to lose the will to live. But he has reckoned without the devoted Irena. As she becomes an increasingly important part of his life--moving into his home, encouraging him in his work, easing his pain--Ernst not only regains his sense of self but realizes, to his amazement, that Irena is in love with him. And, even more astonishing, he discovers that he is in love with her.

    Part family drama, part social essay, part picaresque adventure -- at its heart, it is the story of a father, a son, and the country they both call home.Akhtar forges a new narrative voice to capture a country in which debt has ruined countless lives and our ideals have been sacrificed to the gods of finance, where a TV personality is president and immigrants live in fear, and where the nation's unhealed wounds of 9/11 wreak havoc around the world. Akhtar attempts to make sense of it all through the lens of a story about one family, from a heartland town in America to palatial suites in Central Europe to guerilla lookouts in the mountains of Afghanistan, and spares no one -- least of all himself -- in the process.

    Rami Elhanan is Israeli. They inhabit a world of conflict that colors every aspect of their daily lives, from the roads they are allowed to drive on, to the schools their daughters, Abir and Smadar, each attend, to the checkpoints, both physical and emotional, they must negotiate.Their worlds shift irreparably after ten-year-old Abir is killed by a rubber bullet and thirteen-year-old Smadar becomes the victim of suicide bombers. When Bassam and Rami learn of each other's stories, they recognize the loss that connects them and they attempt to use their grief as a weapon for peace.McCann crafts Apeirogon out of a universe of fictional and nonfictional material. He crosses centuries and continents, stitching together time, art, history, nature, and politics in a tale both heartbreaking and hopeful. Musical, cinematic, muscular, delicate, and soaring, Apeirogon is a novel for our time.