His older brother is violent; his philandering father doesn’t understand him; his intelligence and sensitivity do not endear him to the other children at school. He loves to read, especially Greek myths, but in Cuba in the 1970s, novels and gods can be dangerous. Despite the signs that warn Rauli to repress and fear what he is, he knows three things to be true: First, that he was born in the wrong body. Second, that he will die, aged eighteen, as a soldier in the Cuban intervention in Angola. And third, that he is the reincarnation of the Trojan princess Cassandra.Moving between Rauli’s childhood and adolescence, between the Angolan battlefield, the Cuban city of Cienfuegos, and the shores of ancient Troy, Marcial Gala’s Call Me Cassandra tells of the search for identity amid the collapse of Cuba’s utopian dreams. Burdened with knowledge of tragedies yet to come, Rauli nonetheless strives to know himself. Lyrical and gritty, heartbreaking and luminous, Rauli’s is the story of the inexorable pull of destiny.

    The writing soon becomes an exploration of her family’s legacy of displacement in Europe, told in several narrative strands. Sifting through family stories — her grandfather’s migration from Turkey to Brazil, her parents’ exile in Portugal under the Brazilian military dictatorship, her mother’s death, and her own love affair with a violent man — she traces her family’s history in a journey to make sense of the past and to understand her place in it.With an epic sweep of time and place — traversing Brazil, Turkey, and Portugal — this is a profoundly moving portrait of a young woman finding her way back into life. Spare, heartfelt, and evocative, The House in Smyrna is an unforgettable story from one of the most accomplished and original new voices in Brazil.

    They’ve shared stolen kisses and romantic promises. But Iran is a dangerous place for two girls in love—Sahar and Nasrin could be beaten, imprisoned, even executed if their relationship came to light.So they carry on in secret—until Nasrin’s parents announce that they’ve arranged for her marriage. Nasrin tries to persuade Sahar that they can go on as they have been, only now with new comforts provided by the decent, well-to-do doctor Nasrin will marry. But Sahar dreams of loving Nasrin exclusively—and openly.Then Sahar discovers what seems like the perfect solution. In Iran, homosexuality may be a crime, but to be a man trapped in a woman’s body is seen as nature’s mistake, and sex reassignment is legal and accessible. As a man, Sahar could be the one to marry Nasrin. Sahar will never be able to love the one she wants, in the body she wants to be loved in, without risking her life. Is saving her love worth sacrificing her true self?

    But it's okay -- Liz has a plan that will get her out of Campbell, Indiana, forever: attend the uber-elite Pennington College, play in their world-famous orchestra, and become a doctor.But when the financial aid she was counting on unexpectedly falls through, Liz's plans come crashing down . . . until she's reminded of her school's scholarship for prom king and queen. There's nothing Liz wants to do less than endure a gauntlet of social media trolls, catty competitors, and humiliating public events, but despite her devastating fear of the spotlight she's willing to do whatever it takes to get to Pennington.The only thing that makes it halfway bearable is the new girl in school, Mack. She's smart, funny, and just as much of an outsider as Liz. But Mack is also in the running for queen. Will falling for the competition keep Liz from her dreams . . . or make them come true?A newer edition of ISBN 9781338503265 can be found here.

    Inspired by Simone Weil’s concept of ‘decreation’, and often drawing on Batak and Christian cultural elements, these tales put queer characters in situations and plots conventionally filled by hetero characters.The stories talk to each other, echo phrases and themes, and even shards of stories within other stories, passing between airports, stacks of men’s lifestyle magazines and memories of Toy Story 3, such that each one almost feels like a puzzle piece of a larger whole, but with crucial facts – the saddest ones, the happiest ones – omitted, forgotten, unbearable.A blend of science fiction, absurdism and alternative-historical realism, Happy Stories, Mostly is a powerful puff of fresh air, aimed at destabilising the heteronormative world and exposing its underlying absences.

    His extravagant and hopeless undertakings, his brushes with the law and scrapes with death, and his enduring friendships and unlooked-for love affairs make him a Don Quixote for our day, driven from one place to another by a restless and irregular quest for the absolute. Álvaro Mutis's seven dazzling chronicles of the adventures and misadventures of Maqroll have won him numerous honors and a passionately devoted readership throughout the world. Here for the first time in English all these wonderful stories appear in a single volume in Edith Grossman's prize-winning translation.

    But tourists and opportunists are making inroads into the area, and the balance of nature is making a dangerous shift. Translated by Peter Bush.

    He can’t tell his best friend, who he’s secretly got a crush on, and he can’t tell his mom, who’s constantly asking why Ryo “dresses like a boy.” He certainly can’t tell Jin, the new transfer student who looks like just another bully… The only time Ryo feels at ease is when he’s wearing his favorite clothes. Then, and only then, the world melts away, and he can be his true self. One day, while out shopping, Ryo sees someone he didn’t expect: Jin. The kid who looked so tough in class has the same taste in fashion as him! At last, Ryo has someone he can open up to—and the journey ahead might finally give him a way to express himself to the world.

    Time shifts from one consciousness to another in a hypnotic flow of dreams, desires, and memories, a world of ghosts dominated by the figure of Pedro Páramo - lover, overlord, murderer.Rulfo's extraordinary mix of sensory images, violent passions, and unfathomable mysteries has been a profound influence on a whole generation of Latin American writers, including Carlos Fuentes, Mario Vargas Llosa, and Gabriel García Márquez. To read Pedro Páramo today is as overwhelming an experience as when it was first published in Mexico back in 1955.

    Vogelstein is a loner who has always lived among books. Suddenly, fate grabs hold of his insignificant life and carries him off to Buenos Aires, to a conference on Edgar Allan Poe, the inventor of the modern detective story. There Vogelstein meets his idol, Jorge Luis Borges, and for reasons that a mere passion for literature cannot explain, he finds himself at the center of a murder investigation that involves arcane demons, the mysteries of the Kaballah, the possible destruction of the world, and the Elizabethan magus John Dee's theory of the "Eternal Orangutan," which, given all the time in the world, would end up writing all the known books in the cosmos. Verissimo's small masterpiece is at once a literary tour de force and a brilliant mystery novel.

    Unless he enters a guilty plea he will almost certainly be sentenced to death. But it is not his own death that weighs most heavily on him but a tender longing for his sister, Juana, whom he hasn't seen for years. Before he dies he wants nothing more than to be reunited with her.As a boy, Manuel was a dreamer, a lover of literature, and a tagger. Juana made a promise  to do everything in her power to protect him from the drug-and violence-infested streets of Bogotá. She decided to take him as far from Colombia as possible, and in order to raise the money to do so, she went to work as a high priced escort and entered into contact with the dangerous world of corrupt politicians. When things spun out of control she was forced to flee, leaving her beloved brother behind. Juana and Manuel's story reaches the ears of the Colombian counsel general in New Delhi, and he tracks down Juana, now married to a rich Japanese man, in Tokyo. The counsel general takes it upon himself to reunite the two siblings. A feat that may be beyond his power. Fans of both Roberto Bolaño and Gabriel García Márquez will find much to admire in this story about the mean streets of Bogotá, the sordid bordellos of Thailand, and a love between siblings that knows no end. With the stylishness that has earned him a reputation as one of "the most important Colombian writers" (Manuel Vázquez Montalbán), Santiago Gamboa lends his story a driving, irresistible rhythm.

    Whether she is writing about an enraged teenager gone "wilding" in Central Park, fifteen-year-old Latasha Harlins gunned down by a Korean grocer, or a brutalized child who grows up to escape her probable fate through the miracle of art, Sapphire's vision in this collection of poetry and prose is unswervingly honest."Stunning . . . . One of the strongest debut collections of the '90s."--Publishers Weekly

    Arriving in Buenos Aires, she discovers that he has been killed, but she remains: living in a tenement, without friends or family, on the brink of destitution. Still, she is seduced by the music that underscores life in the city: tango, born from lower-class immigrant voices, now the illicit, scandalous dance of brothels and cabarets. Leda eventually acts on a long-held desire to master the violin, knowing that she can never play in public as a woman. She cuts off her hair, binds her breasts, and becomes “Dante,” a young man who joins a troupe of tango musicians bent on conquering the salons of high society. Now, gradually, the lines between Leda and Dante begin to blur, and feelings that she has long kept suppressed reveal themselves, jeopardizing not only her musical career, but her life. Richly evocative of place and time, its prose suffused with the rhythms of the tango, its narrative at once resonant and gripping, this is De Robertis’s most accomplished novel yet.

    These stories range from a transgender woman trying an experimental transition medication to young lovers separated through decades and meeting far in their own future. These are stories of machines and magic, love, and self-love.This collection features prose stories by:Cherie Dimaline "The Girl Who Grew a Galaxy," "Red Rooms"Gwen Benaway "Ceremonies for the Dead"David Robertson "Betty: The Helen Betty Osborne Story," Tales From Big Spirit seriesRichard Van Camp "The Lesser Blessed," "Three Feathers"Mari Kurisato "Celia’s Song," "Bent Box"Nathan Adler "Wrist"Daniel Heath Justice "The Way of Thorn and Thunder: The Kynship Chronicles"Darcie Little Badger "Nkásht íí, The Sea Under Texas"Cleo KeahnaAnd an introduction by Niigaanwewidam James Sinclair "Manitowapow," with a foreword by Grace Dillon "Walking the Clouds".Edited by Hope Nicholson "Moonshot," "The Secret Loves of Geek Girls"

    She flew back from New York to care for her, and between dressing her, feeding her and putting her to bed, she wrote. She wrote about her childhood, the escape her mother made from Auschwitz but didn't talk about, the difficulty of loving her girlfriend, C., her fear of what she would do when her mother did die. Among these imperfectly perfect fragments of writing about her life, she placed stills from her films. My Mother Laughs is both the distillation of the themes Akerman pursued throughout her creative life, and a version of the simplest and most complicated love story of all: that between a mother and a daughter.Translated by Daniella Shreir WIth an Introduction by Eileen Myles and Afterword by Frances Morgan