He and his wife, Ding, are the parents of an infant and enjoy a contented marriage; he develops a fond obsession with President Calvin Coolidge, the taciturn New Englander whose wry wit and wisdom delights Chai. One day, a chance discovery leads him astray: He learns that a lover from his youth is now in Boston, living with her husband and their son. The son is Chai's very image, and the staid banker is inflamed by the implications of the resemblance. Confused by his emotions, he becomes determined to revive the affair. How Ding schemes to win back her wayward husband--and teach him the necessary truths about love--forms the plot and beguiling conclusion to John Derbyshire's tale.

    Leaving behind a sad, silent childhood—which was spent living in two rooms above the family noodle shop on an isolated peninsula in the far north of Japan—Toshi moves to Tokyo to pursue his career. There he falls under the spell of three Americans: his best friend and confidante, the generous and extroverted Paul, a gay advertising copywriter who has plenty of his romantic mishaps with Japanese men; Jane, his glamorous but emotionally unstable teacher at the Very Romantic English Academy, with whom Toshi has a hazardous sexual affair; and, finally, the lovely and talented composer, Lucy, with whom Toshi falls in love. The novel deftly moves back and forth between present and past, as Toshi explores his unhappy childhood, the reasons behind his mother's unexplained abandonment when he was eight years old, and her move to a seaside inn across the peninsula. As the novel draws to a close, tragic events, both public and personal, bring past and present together, revealing the painful truth of Toshi's parents' lives during World War II, and a secret in Toshi's own past that, in the end, gives him the strength and knowledge to confront the future.

    Gay Awareness Week was beginning at the University of Wyoming, and the keynote speaker was Lesléa Newman, discussing her book Heather Has Two Mommies. Shaken, the author addressed the large audience that gathered, but she remained haunted by Matthew’s murder. October Mourning, a novel in verse, is her deeply felt response to the events of that tragic day. Using her poetic imagination, the author creates fictitious monologues from various points of view, including the fence Matthew was tied to, the stars that watched over him, the deer that kept him company, and Matthew himself. More than a decade later, this stunning cycle of sixty-eight poems serves as an illumination for readers too young to remember, and as a powerful, enduring tribute to Matthew Shepard’s life.

    By her mother, who grew up far away in a different land. By her suburban town, which makes her feel too much like an outsider to fit in and not enough like an outsider to feel like that she belongs somewhere else. At least she has her childhood friend Haitham, with whom she can let her guard down and be herself. Until she doesn't.As the ground is pulled out from under her, Nima must grapple with the phantom of a life not chosen, the name her parents didn't give her at birth: Yasmeen. But that other name, that other girl, might just be more real than Nima knows. And more hungry. And the life Nima has, the one she keeps wishing were someone else's. . .she might have to fight for it with a fierceness she never knew she had.

    The murder sparks riots in Delhi and for three days Sikh families are targeted and killed in retribution for the Prime Minister’s death. It is into this chaos that sixteen-year-old Maya and her Sikh father, Amar, arrive from their home in Canada. India’s political instability is the backdrop and catalyst for Maya’s awakening to the world.

     On that fateful day, Kai loses nearly everyone and everything he cares about in the storm. When he’s offered a trip to New York to meet kids whose lives were changed by 9/11, Kai realizes he also has a chance to look for his estranged American father. Visiting Ground Zero on its tenth anniversary, Kai learns that the only way to make something good come out of the disaster back home is to return there and help rebuild his town.Running through my ruined town,pack flapping like wingsagainst my back.Plowing through blocksstrewn with heaps ofrefrigeratorsblackboardsbicyclestaxisbustedpianosshelvesdesksstairsallmixedtogetherin a marshlandgrave.

    Here is a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language."--Publishers WeeklyStarred Review in Booklist "[C]hoices of poems from each of Harrison's books are passionate and sharp... Of special note is a section from Letters to Yesenin, a book-length poem, and the title poem from The Theory and Practice of Rivers , which contains these echoing lines, 'I forgot where I heard that poems / are designed to waken sleeping gods.' Reading this essential volume, one might imagine that the gods are, indeed, staying up late, reading lights on, turning the pages."Jim Harrison: The Essential Poems is distilled from fourteen volumes--from visionary lyrics and meditative suites to shape-shifting ghazals and prose-poem letters. Teeming throughout these pages are Harrison's legendary passions and appetites, his meditations, rages, and love-songs to the natural world.The New York Times concluded a review from early in Harrison's career with a provocative quote: "This is poetry worth loving, hating, and fighting over, a subjective mirror of our American days and needs." That sentiment still holds true, as Jim Harrison's essential poems continue to call for our fiercest attention.Also included are full-color images of poem drafts--both typescripts and holographs--as well as the letter Denise Levertov sent to publisher W.W. Norton in the early 1960s, advocating for Harrison's debut collection.In his essay "Poetry as Survival," Jim Harrison wrote, "Poetry, at its best, is the language your soul would speak if you could teach your soul to speak." The Essential Poems is proof positive that Jim Harrison taught his soul to speak."In this unforgiving literary moment, we must deal honestly with [Harrison's] life and work, as they are inextricable in a way that is not true of other poets...These poems bear-crawl gorgeously after a genuine connection to being, thrashing in giant leaps through the underbrush to find consolation, purpose, and redemption. In his raw, original keening he ambushes moments of unimaginable beauty, one after another, line after line...The Essential Poems demonstrates perfectly why we should turn to Harrison again. He lived and breathed an American confrontation with the physical earth, married himself to a universe of bodies and stumps and birds, did not try to shuck his grotesque masculinity and stared hard with his one good eye (the left was blinded when he was seven) at the inescapable, beckoning finger of death." --Dean Kuipers, LitHub"The Essential Poems provides a good introduction--or reintroduction--to the work of this singular writer... these pieces illustrate Harrison's range and his ease with various formats, from lyric poems to meditative suites to prose poems. They also spotlight his deep, rugged kinship with rural landscapes and the natural world, where 'the cost of flight is landing.'" --The Washington Post"Jim Harrison's latest collection, The Essential Poems, contains...engaging and enlightening poems [that] should be taught, learned, and loved. Remember this."--New York Journal of Books"Had he been a chef, all the other foodies would have talked about how Jim Harrison dealt with big flavors. In his poems, they're all there -- love and death, remorse and longing, the rocket contrails of living. There's not a lot of small talk in The Essential Poems... this book grabs you by the collar and tells you in eleven hundred ways to wake up."--John Freeman, Executive Editor, "Recommended Reading from Lit Hub Staff""Jim Harrison had an appetite. He devoured the natural world with gusto and wrote about it with wild energy and sweetly caustic wit...Harrison was also a prodigious poet, and this thoughtfully curated collection [The Essential Poems] showcases him at his best. Like his fiction, the poems observe the collision between civilization and the wildness outside our cities; they act like geocaches both harrowing and beautiful... Organized chronologically, the material here becomes a time line distilling Harrison's signature concerns."--Alta"It is hard-boiled poetry, some of the best of its kind, and one is not surprised to know that Harrison has written very tough novels... His poetic vision is at the heart of it all."--Harper's

    Now, she is coming to understand that life is determined as much by chance as by careful control. If only she can be assured of loving and of being loved. But the love she finds is more than the romance she dreamed about as a girl. It is the guilty but savored passion of an affair with a married man, the poignant caring for an aging father, the visceral bonding between mother and child. Held in an intricate web of emotion, she must understand and encompass it as a woman, a lover, a wife and a mother. Diane Schoemperlen has written an astonishing and inventive first novel of a young woman's progress of love, from childhood to adulthood. Employing the 100 stimulus words from the Standard Word Association Test as her narrative framework, Schoemperlen interweaves, in a series of short but brilliant chapters, the defining moments of Joanna's life.

    She and her rebellious brother, Hemantha, grow up in Araliya Gardens, a tropical paradise full of orchids, araliyas and mango trees. Their neighbours Bala and Violet are Christian Tamils whose gentle, handsome son Niranjan is Hemantha's best friend. When Priyanthi is older, the two families spend a holiday together by the sea. Priyanthi and Niranjan's eyes are opened up to a strange world outside their protected existence. While Hemantha smokes cigarettes and chases girls, they meet Sena, a toddy tapper who swings through the coconut trees to collect sap, and surprises them with his quiet wisdom. Their friendship with him marks their lives indelibly. When Priyanthi and Niranjan return home they have fallen in love. But it is an unthinkable match to both their families, and to a society riven with ethnic divisions. On a hot July day that year the streets of Colombo explode into frenzied violence as mobs begin to hunt and murder Tamils and burn and loot their property. The dark secret Priyanthi and Niranjan have been hiding leads to betrayal and tragedy, as an inferno of hatred from which none of them will escape unscathed, overcomes their peaceful neighbourhood. This is a deeply moving, disturbing novel about families and lovers wrenched apart by deep racial and political divides.

    From this interaction, John meets a variety of characters, each with their own values and ideas of "self-actualization." However, Liz begins to fall in love with John's best friend, and John realizes his journey of self-discovery has only just begun.

    He’s a star wrestler, a video game aficionado, and a loving boyfriend to his seemingly perfect match, Vanessa. But on the inside, Brendan struggles to understand why his body feels so wrong—why he sometimes fantasizes having long hair, soft skin, and gentle curves. Is there even a name for guys like him? Guys who sometimes want to be girls? Or is Brendan just a freak?In Freakboy's razor-sharp verse, Kristin Clark folds three narratives into one powerful story: Brendan trying to understand his sexual identity, Vanessa fighting to keep her and Brendan’s relationship alive, and Angel struggling to confront her demons.

    But he lives fearfully, sleeping and working with earplugs, rarely going outside, drawing his life more closely around him every day. A wild parrot, a gift from his father, becomes the breach in the dike: Little Wittgenstein has a jungle shriek, fierce eyes, and a beak that wreaks havoc. David finally throws the bird out the window-and follows it into the world. His guilty search for the parrot takes him first to Telegraph Hill, where the parrot may have found others of its kind. Then David is lured to South America by rumors of an ancient flock in the mangrove swamps. There he meets the lovely levelheaded Fern, an American scientist who has her own reasons for searching for the birds. Will he retreat or follow the parrots' call?

    Remarkably few who study it contemplate what came after the armies marched away. Who would care for the tens of thousands of wounded? What happened to the thousands of dead men, horses, and tons of detritus scattered in every direction? How did the civilians cope with their radically changed lives? Gregory Coco's A Strange and Blighted Land. Gettysburg: The Aftermath of a Battle offers a comprehensive account of these and other issues.The late Coco was a park ranger at Gettysburg deeply interested in the battle and what was left in its wake. The Vietnam veteran who wrote well and often about the battle waxes eloquently about the carnage of war, its terrors and pain, its irreplaceable cost in human life and treasure, and the toll it took on the families who lost sons and husbands there.Arranged in a series of topical chapters, A Strange and Blighted Land begins with a tour of the battlefield, mostly through eyewitness accounts, of the death and destruction littering the sprawling landscape. Once the size and scope is exposed to readers, Coco moves on to discuss the dead of Gettysburg, North and South, how their remains were handled, and how and why the Gettysburg National Cemetery was established. The treatment of the wounded, Union and Confederate, was organized chaos. Every house and barn became of hospital or medical station, and the medical and surgical practices of the day were little short of compassionate torture. The author also discusses at length how prisoners were handled and the fate of the thousands of stragglers and deserters left behind once the armies left before concluding with the preservation efforts that culminated in the establishment of the Gettysburg National Military Park in 1895.Coco's prose is gripping, personal, and brutally honest. There is no mistaking where he comes down on the issue: There was nothing pretty or glorious or romantic about a battle--especially once the fighting ended.

    After all, he’d prayed for whoever was up there to help him, and to help his mom, who hadn’t stopped crying since Noah died two months ago. But since when have prayers actually been answered? And since when has Jesus been so . . . irreverent?But as astounding as Jesus’ sudden appearance is, it’s going to take more than divine intervention for Walker to come to terms with his brother’s sudden death. Why would God take seventeen-year-old Noah when half of the residents in his mom’s nursing home were waiting to die? And why would he send Jesus to Coaltown, Illinois, to pick up the pieces?In a spare and often humorous text, renowned poet Ron Koertge tackles some of life’s biggest questions — and humanizes the divine savior in a way that highlights the divinity in all of us.

    This is a stunning novel about spiritual awakening, the power of art, and above all, the courage and resilience of the human spirit. Veda, a classical dance prodigy in India, lives and breathes dance—so when an accident leaves her a below-knee amputee, her dreams are shattered. For a girl who’s grown used to receiving applause for her dance prowess and flexibility, adjusting to a prosthetic leg is painful and humbling. But Veda refuses to let her disability rob her of her dreams, and she starts all over again, taking beginner classes with the youngest dancers. Then Veda meets Govinda, a young man who approaches dance as a spiritual pursuit. As their relationship deepens, Veda reconnects with the world around her, and begins to discover who she is and what dance truly means to her.