Two young couples are on a lazy Mexican vacation–sun-drenched days, drunken nights, making friends with fellow tourists. When the brother of one of those friends disappears, they decide to venture into the jungle to look for him. What started out as a fun day-trip slowly spirals into a nightmare when they find an ancient ruins site . . . and the terrifying presence that lurks there.

    As a gift for her husband, Alyssa Bradford approaches Eric Shaw to make a documentary about her father-in-law, Campbell Bradford, a 95-year-old billionaire whose past is wrapped in mystery. Eric grabs the job even though there are few clues to the man's past -- just the name of his hometown and an antique water bottle he's kept his entire life. In Bradford's hometown, Eric discovers an extraordinary history -- a glorious domed hotel where movie stars, presidents, athletes, and mobsters once mingled, and hot springs whose miraculous mineral water cured everything from insomnia to malaria. Neglected for years, the resort has been restored to its former grandeur just in time for Eric's stay. Just hours after his arrival, Eric experiences a frighteningly vivid vision. As the days pass, the frequency and intensity of his hallucinations increase and draw Eric deeper into the town's dark history. He discovers that something besides the hotel has been restored -- a long-forgotten evil that will stop at nothing to regain its lost glory. Brilliantly imagined and terrifyingly real, So Cold the River is a tale of irresistible suspense with a racing, unstoppable current.

    He was a gullible and excitable fellow, often so terrified by locals' stories of ghosts that he would hurry through the woods on his way home, singing to keep from hysterics. Until late one night, he finds that maybe they're not just stories. What is that dark, menacing figure riding behind him on a horse? And what does it have in its hands? And why wasn't schoolteacher Crane ever seen in Sleepy Hollow again?

    Strange light fixtures. Mutant cockroaches. There are some odd things about Nate’s new apartment.Of course, he has other things on his mind. He hates his job. He has no money in the bank. No girlfriend. No plans for the future. So while his new home isn’t perfect, it’s livable. The rent is low, the property managers are friendly, and the odd little mysteries don’t nag at him too much.At least, not until he meets Mandy, his neighbour across the hall, and notices something unusual about her apartment. And Xela’s apartment. And Tim’s. And Veek’s. Because every room in this old Los Angeles brownstone has a mystery or two. Mysteries that stretch back over a hundred years. Some of them are in plain sight. Some are behind locked doors. And all together these mysteries could mean the end of Nate and his friends. Or the end of everything...

    At first, the quaint, rural ways of their new neighbors seem to be everything they wanted. But there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice. It comes from the shadowy woods across the river, where the ruins of Savoyard still stand. Where a longstanding debt of blood has never been forgotten. A debt that has been waiting patiently for Frank Nichols's homecoming...

    Inheriting a huge expanse of land should have made him a rich and happy man; but something about this birthday, his name, and the beautiful woman whose life he just saved, has suddenly made him-and everyone he loves-into a target. A target for extreme and uncompromising violence . . . In Alex, Terry Goodkind brings to life a modern hero in a whole new kind of high-octane thriller.

    At its center: Toby O’Dare—a contract killer of underground fame on assignment to kill once again. A soulless soul, a dead man walking, he lives under a series of aliases—just now: Lucky the Fox—and takes his orders from “The Right Man.”Into O’Dare’s nightmarish world of lone and lethal missions comes a mysterious stranger, a seraph, who offers him a chance to save rather than destroy lives. O’Dare, who long ago dreamt of being a priest but instead came to embody danger and violence, seizes his chance. Now he is carried back through the ages to thirteenth-century England, to dark realms where accusations of ritual murder have been made against Jews, where children suddenly die or disappear . . . In this primitive setting, O’Dare begins his perilous quest for salvation, a journey of danger and flight, loyalty and betrayal, selflessness and love.

    And when people around him start to die, Richard is plunged into terrible danger.Drawn into the world of a sinister cult and the darkest corners of the Internet, Richard finds himself increasingly out of his depth as he discovers just how far people will go to protect what they believe in... Revised edition: This edition of What You Wish For includes editorial revisions.

    "Duel," an unforgettable tale about a driver menaced by a semi truck, was the source for Stephen Spielberg's acclaimed first film of the same name. "Throttle," by Stephen King and Joe Hill, is a duel of a different kind, pitting a faceless trucker against a tribe of motorcycle outlaws, in the simmering Nevada desert. Their battle is fought out on twenty miles of the most lonely road in the country, a place where the only thing worse than not knowing what you're up against, is slowing down . . .2 Audio CDs / 2 Hours 30 mins~

    A young girl is bleeding from her hands and feet and claims to be talking to the Virgin Mary. But Nightingale soon realises that all is not as it seems - and the girl is in mortal danger. Still Bleeding is about 14,000 words, about forty pages, perfect if you have half an hour to spare. Stephen Leather is one of the UK's most successful thriller writers, an ebook and Sunday Times bestseller and author of the critically acclaimed Dan “Spider’ Shepherd series and the Jack Nightingale supernatural detective novels. Before becoming a novelist he was a journalist for more than ten years on newspapers such as The Times, the Daily Mirror, the Glasgow Herald, the Daily Mail and the South China Morning Post in Hong Kong. He is one of the country’s most successful ebook authors and his ebooks have topped the Amazon Kindle charts in the UK and the US. In 2011 alone he sold more than 500,000 eBooks and was voted by The Bookseller magazine as one of the 100 most influential people in the UK publishing world. Born in Manchester, he began writing full time in 1992. His bestsellers have been translated into fifteen languages. He has also written for television shows such as London's Burning, The Knock and the BBC's Murder in Mind series and two of his books, The Stretch and The Bombmaker, were filmed for TV. You can find out more from his website www.stephenleather.com and you can follow him on Twitter at twitter.com/stephenleather

    When Becker takes a mysterious job, he has no idea that it will force him to delve deeply into his own past. Undeterred by obstacles he is determined to complete his assignment. But he may realize too late that his success will permanently alter his future.

    Pity no one warned the family about the house. Now it's too late. Because the darkness at the bottom of the basement stairs is rising.

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

    Maybe Tess is overprotective, but passing her daughter off to her ex and his new young wife fills her with a sense of dread. It's not that Jason is a bad father--it just hurts to see him enjoying married life with someone else. Still, she owes it to her daughter Poppy to make this arrangement work.But Poppy returns from the weekend tired and withdrawn. And when she shows Tess a crayon drawing--an image so simple and violent that Tess can hardly make sense of it----Poppy can only explain with the words, "He did kill her."Something is horribly wrong. Tess is certain Poppy saw something--or something happened to her--that she's too young to understand. Jason insists the weekend went off without a hitch. Doctors advise that Poppy may be reacting to her parents' separation. And as the days go on, even Poppy's disturbing memory seems to fade. But a mother knows her daughter, and Tess is determined to discover the truth. Her search will set off an explosive tempest of dark secrets and buried crimes--and more than one life may be at stake.

    As Lieutenant Eve Dallas begins to unravel the crime scene and search for the children, she's drawn into the twisted mind of a kidnapper who will stop at nothing to take revenge.