This is a volume meant for all those who want a masterly, lucid, yet eminently readable introduction to, and overview of, India's early history by one of the master-scholars of Indian history---be it students, tourists, or the interested lay reader.

    Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism.Even as Arundhati Roy began to ask what lay between these two calls for Freedom—a chasm or a bridge?—the streets fell silent. Not only in India, but all over the world. The coronavirus brought with it another, more terrible understanding of Azadi, making a nonsense of international borders, incarcerating whole populations, and bringing the modern world to a halt like nothing else ever could.In this series of electrifying essays, Arundhati Roy challenges us to reflect on the meaning of freedom in a world of growing authoritarianism.The essays include meditations on language, public as well as private, and on the role of fiction and alternative imaginations in these disturbing times.The pandemic, she says, is a portal between one world and another. For all the illness and devastation it has left in its wake, it is an invitation to the human race, an opportunity, to imagine another world.

    With a timeline that moves from seven years before to a decade after 1984, the book strives to answer critical questions that continue to linger till today.The narrative moves from Punjab to Canada, the US, Europe and Delhi, looking to sift the truth from the political obfuscation and opportunism, examining the role that the ruling party allegedly played, and the heart-rending violence that devoured thousands of innocent lives in its aftermath.

    When, in 1947, the British divided and departed their most prized imperial possession, they handed a huge, diverse, and poor society to a small nationalist elite. For decades this elite would uphold a political construct, an idea of India grounded in democracy, religious tolerance, economic development, and cultural pluralism. Sunil Khilnani investigates the fate of this idea, offering incisive portraits of Gandhi, Nehru, and other Indian founders and assessing the lively debates among them and their successors over who is an Indian, the meaning of modernity, and India's place in the world.In a new introduction written for this edition, Khilnani reflects on the book's striking relevance to the country's recent developments--from the rise of a new billionaire class to the election of a government with a more exclusivist conception of Indian identity. Throughout, he provokes readers and illuminates a fundamental question as urgent now as ever: Can the original idea of India survive its own successes?

    It identifies its author by the names 'Kauṭilya' and 'Vishnugupta', both names that are traditionally identified with Chanakya (c. 350–283 BC), who was a scholar at Takshashila and the teacher and guardian of Emperor Chandragupta Maurya, founder of the Mauryan Empire. The text was influential until the 12th century, when it disappeared. It was rediscovered in 1904 by R. Shamasastry, who published it in 1909. The first English translation was published in 1915.Roger Boesche describes the Arthaśāstra as "a book of political realism, a book analysing how the political world does work and not very often stating how it ought to work, a book that frequently discloses to a king what calculating and sometimes brutal measures he must carry out to preserve the state and the common good."Centrally, Arthaśāstra argues how in an autocracy an efficient and solid economy can be managed. It discusses the ethics of economics and the duties and obligations of a king. The scope of Arthaśāstra is, however, far wider than statecraft, and it offers an outline of the entire legal and bureaucratic framework for administering a kingdom, with a wealth of descriptive cultural detail on topics such as mineralogy, mining and metals, agriculture, animal husbandry, medicine and the use of wildlife. The Arthaśāstra also focuses on issues of welfare (for instance, redistribution of wealth during a famine) and the collective ethics that hold a society together.

    All the traditional lore of ancient India used to be kept inscribed on chemically processed palm leaves, handled with piety and devoid of impurities. Thus Olaichuvadi began to represent the lore of ancient India passed over from generation to generation, which included codes of ethics, instructions on the observances and practices and the tradition at large, to be followed.The title used for the book here, is quite relevant, for, it is nothing but an exploration on the worth and value of India's customs, practices and belief systems, which are seasoned by a highly ethical and philosophical approach.Every entry in this book is in its essence, the legacy of Indian cult presented in subtle, vet simple tongue. Dr. Venganoor Balakrishnan's Olaichuvadi that originally appeared in Malayalam soared high in its massive appeal in a short time. Its translations into other Indian languages also turned out to be best-sellers in no time. Hence we bring out the English version for the benefit of the whole world for the ardent readers as well as the seekers of India's soul in her rich and varied heritage, in the sagacious rishi-dominant past, and highly scientific, yet saintly-looking tradition.

    The mighty Cholas made it their capital in the 9th century CE, following which they increased, through conquests, the size and strength of their empire. Finally, after realizing all his military ambitions, the Chola monarch Raja Raja Chola I decided to build a great temple in Thanjavur dedicated to Lord Shiva. Thus Thanjavur became home to the majestic Brihadeeswara temple and many other shrines. Amar Chitra Katha tells the stories surrounding this ancient town and its monuments.

    He believed then; and for years afterwards; that he had seen the worst that India could do to herself. Over the last few years; however; he has had reason to feel that the worst; perhaps; is still to come. In this fierce; uncompromising book he shows us what few of us wish to see: why it is entirely likely that India will come undone in the foreseeable future.Analysing the communal violence in Gujarat in 2002; the anti-Sikh riots of 1984; the burning of Graham Staines and his children; the targeted killings by terrorists in Punjab and Kashmir; Khushwant Singh forces us to confront the absolute corruption of religion that has made us among the most brutal people on earth. He also points out that fundamentalism has less to do with religion than with politics. And communal politics; he reminds us; is only the most visible of the demons we have nurtured and let loose upon ourselves. Insurgencies in Kashmir and the North-East; caste wars in Bihar; scattered Naxalite movements; and the ghettoization of minorities are proof that our obsession with caste and regional and racial identity has also splintered the nation; perhaps beyond repair.A brave and passionate book; The End of India is a wake-up call for every citizen concerned about his or her own future; if not the nation's.

    It surveys the major developments in Indias social, economic and cultural history up to the end of the ancient period and the beginning of the early middle ages and explains the rise and growth of states with reference to their material basis. Special attention has been paid to the elements of change and continuity in society, economy and culture, and to the changing forms of exploitation and consequent social tensions as well as to the role of religion and superstition in society.

    Women and Sabarimala is a rare book and is written from a woman’s perspective, explaining the nature of the temple through India’s traditional knowledge systems, such as Ayurveda, Chakras, Tantra and Agama Shastra. At the same time, the author’s personal experiences simplify the understanding of these deep sciences, providing a glimpse into how temples impact the human physiology and, in particular, women’s menstrual cycles. This book will change the way Hindu temples, especially Sabarimala, are perceived and experienced.

    In India's Wars, serving Air Vice Marshal Arjun Subramaniam seeks to rectify that oversight by giving India's military exploits their rightful place in history. Subramaniam begins India's Wars with a frank call to reinvigorate the study of military history as part of Indian history more generally. Part II surveys the development of the India's army, navy, and air force from the early years of the modern era to 1971. In Parts III and IV, Subramaniam considers conflicts from 1947 to 1962 as well as conflicts with China in 1962 and Pakistan in 1965 and 1971. Part V concludes by assessing these conflicts through the lens of India's ancient strategist, Kautilya, who is revered in India as much as Sun Tzu is in China.Not merely a wide-ranging historical narrative of India's military performance in battle, India's Wars also offers a strategic, operational, and human perspective on the wars fought by independent India's armed forces. Subramaniam highlights possible ways to improve the synergy between the three services, and argues in favor of the declassification of historical material pertaining to national security. The author also examines the overall state of civil-military relations in India, leadership within the Indian armed forces, as well as training, capability building, and other vitally important issues of concern to citizens, the government, and the armed forces. This objective and critical analysis provides policy cues for the reinvigoration of the armed forces as a critical tool of statecraft and diplomacy. Readers will come away from India's Wars with a greater understanding of the international environment of war and conflict in modern India. Laced with veterans' intense experiences in combat operations, and deeply researched and passionately written, it unfolds with surprising ease and offers a fresh perspective on independent India's history.Reviews:"The battle for Goa was an early example of a combined operation for the Indian military, combining land, air, and sea elements. It is one small piece of a growing heritage for that nation, a history that is well told in this book. The work is impressive in its readability and clarity, as the author does not presume any foreknowledge of his subject and strives to make clear a subject relatively unknown in the Western world. The work deftly traces India's military origins in the 20th century." --Military Heritage"Retired Indian Air Vice Marshal Subramaniam, who is now an instructor at the Indian National Defence College, has produced a comprehensive history of India's armed forces and their wars, from the First Indo-Pakistan War in 1947, which was sparked by partition and independence through the Third, sometimes known as the Bangladesh War in 1971…. Subramaniam's treatment of policy, strategy, and operations is very good, and his description of tactical encounters are well written, integrating air, ground, and naval operations as appropriate, and are pretty easy to follow…. India's Wars offers an excellent overview of Indian military history since independence for both the professional military historian or the interested layman." --StrategyPage"The picture India's Wars paints of the evolving Indian military is a flattering one." --Naval War College Review"Air Marshal (Retired) Arjun Subramaniam, in his book India's Wars: A Military History, 1947-1971, narrates an incident in Italy in 1943 that would make any Indian proud of the way the Indian man honoured -- and protected -- women." --The New Indian Express"India's Wars is an eminently readable work on the Indian military and India's experiences with wars over a period of roughly twenty-five years after independence. Given the serious neglect of military history in the understanding of India's contemporary history (post-1947), this is a notable contribution…. Subramaniam has provided us with a useful and thought-provoking book on India's wars until 1971, and one hopes that the next volume on the period after the Bangladesh War will be equally engaging." --H-Asia"[Subramaniam] offers a richly detailed history of India's wars with Pakistan, China, and Portugal as well as a balanced appraisal of India's military wartime performance, highlighting successes and failures." --Military Officer"This book is a good introduction to the subject. It is generally quite detailed when it comes to the IAF…. The author has a definite political and ideological agenda [and] the details are accurate…. Well worth a read." --Brown Pundits"In this turbulent twenty-first century, the rise of India will be critical for understanding global geopolitics. This superb overview of India's military history in the twentieth century is essential to appreciate the role of India in the decades to come." --Adm. James Stavridis, USN (Ret.), sixteenth Supreme Allied Commander, NATO; Dean of the Fletcher School of Law and Diplomacy at Tufts University"India's Wars is a very readable and fascinating book that is not simply a recitation of events, but a work punctuated with insights that can be realized only by someone who participated in the events. Providing views of India's military pioneers not previously available, it also addresses the political interactions that are integral to conflict. This is a timely book yielding understanding of India's military history when India's influence on critical geopolitical events is growing." --Lt. Gen. David A. Deptula, USAF (Ret.); Dean of the Mitchell Institute of Aerospace Power Studies"Deftly telescoping six decades of India's conflicts in a single volume, Arjun Subramaniam presents an objective and compelling tri-service narrative which I found hard to put down. He joins a select band of service officers who have, in the tradition of Thucydides, shown the intellectual acumen as well as courage and perseverance to put pen to paper while still in uniform." --Admiral Arun Prakash, Indian Navy, (Ret.), former Chief of Naval Staff and Chairman, Chiefs of Staff Committee

    Convinced about the urgent need for an objective understanding about India’s past, before the onslaught of colonial rule, he decided to embark on an exploration of British-Indian archival material, based on documents emanating from commissioned surveys of the East India Company, lodged in various depositories spread over the British Isles. His pioneering historical research, conducted intensively over a decade, led to the publication of works that have since become classics in the field of Indian studies. This major work entitled "The Beautiful Tree" provides evidence from extensive early British administrators’ reports of the widespread prevalence of educational institutions in the Bengal and Madras Presidencies as well as in the Punjab, teaching a sophisticated curriculum, with daily school attendance by about 30% of children aged 6–15, where those belonging to communities who were classed as Shudras or even lower constituted a good number of students, and in some areas, for instance in Kerala, where Muslim girls were quite well represented.

    In the book Gandhi gives a diagnosis for the problems of humanity in modern times, the causes, and his remedy. The Gujarati edition was banned by the British on its publication in India. Gandhi then translated it into English. The English edition was not banned by the British, who rightly concluded that the book would have little impact on the English-speaking Indians' subservience to the British and British ideas.

    Growing up in Bangalore and then Madras, in a household that resolutely kept out any hint of her father's superstardom, she was a quiet, introverted child whose greatest pleasure was a visit to Marina Beach and an occasional meal out. It was not cinema but law that became a preoccupation when she started thinking about college and career - but fate, and her mother, had other plans for her.Aishwaryaa writes with disarming honesty about life as Rajinikanth's daughter, of falling in love and raising two boys with Dhanush, of fighting her own demons and finding satisfaction in a career of her choice. She reflects on the many roles a woman has to juggle at home and outside - in her case, under the watchful gaze of cameras and celebrity-watchers.Intensely personal, but also inspirational, Aishwaryaa's memoir is an unusually frank insight into growing up in cinema-land. A playful meditation on the joys and difficulties of being a woman in this age, Standing on an Apple Box is as much a celebration of individual fulfilment as it is of family.