As the long, hot summer unfolds, Celeste befriends several members of the community, but there are also those who are threatened by her and the change that her presence in the South represents. Finding inner strength as she helps lift the veil of oppression and learns valuable lessons about race, social change, and violence, Celeste prepares her adult students for their showdown with the county registrar. All the while, she struggles with loneliness, a worried father in Detroit, and her burgeoning feelings for Ed Jolivette, a young man also in Mississippi for the summer.

    The time: December 1944. Although the fields of battle are far away, World War II has shaken the very bedrock of this close-knit community. Jake Tibbetts, editor of the local newspaper and the town's self-proclaimed conscience--who has been entrusted with the care of his young grandson while the boy's father serves on the front lines--is struggling to come to terms with the way "everything" seems to be changing, and the entire town finds itself uncomfortably straddling the threshold of a new era.

    Adventurous and precocious, Jess is enormously protective of his older brother, Christopher, a mute whom everyone calls Stump. Though their mother has warned them not to snoop, Stump can't help sneaking a look at something he's not supposed to — an act that will have catastrophic repercussions, shattering both his world and Jess's. It's a wrenching event that thrusts Jess into an adulthood for which he's not prepared. While there is much about the world that still confuses him, he now knows that a new understanding can bring not only a growing danger and evil — but also the possibility of freedom and deliverance as well.Told by three resonant and evocative characters — Jess; Adelaide Lyle, the town midwife and moral conscience; and Clem Barefield, a sheriff with his own painful past — A Land More Kind Than Home is a haunting tale of courage in the face of cruelty and the power of love to overcome the darkness that lives in us all. These are masterful portrayals, written with assurance and truth, and they show us the extraordinary promise of this remarkable.

    Set in Miami from the late '60s to the 1990s, Stiltsville is a sweeping journey seen through the eyes of one woman as she experiences love, motherhood, friendship, hurricanes, racial tension, and finally, a tragic death in slow motion.In her debut novel, Daniel describes the experiences of three generations in one family whose spiritual heart is centered in a modest bungalow built a few feet above the water. When Frances meets and marries Dennis, she learns to live her life on the water, from bay to ocean to everglade to bayou. She navigates through it all; infidelity, empty-nest syndrome, and debilitating illness; sometimes with grace and humor, sometimes with anger and bitterness, but always with the same people by her side.Daniel excels in capturing the flavor and decadence of Miami as it became a multicultural hotbed. In Stiltsville, she has woven factual events into Frances's life from a tumultuous period that witnessed racial beatings, the cocaine wars, and Hurricane Andrew. The result is a riveting novel filled with pathos.

    Her mama, though, says: "Lucky in life means unlucky in love." Her mama must be right, because Abby's been getting her heart broken since sixth grade. Then one day she waltzes into the tiny town of Bliss, Mississippi. Abby's used to making up quirky, charming characters in her books, but here in Bliss it almost seems like those characters have sprung to life-and Abby is fantasizing about moving right in. The townspeople have set their matchmaking minds in motion-and they aren't about to let Abby leave without a little love in her heart.

    But a garden shed fire and the burns suffered by one of her best friends seemed to change everything. Her older sister Bitsy blamed her for the fire—and no one spoke up on her behalf. Bitsy the cheerleader, Bitsy the homecoming queen, Bitsy married to a wealthy investor. And all the while, Lovey blamed for everything that goes wrong.At eighteen, Lovey turns down a marriage proposal, flees from Oxford and the expectations of attending Ole Miss, and instead goes to Arizona—the farthest thing from the South she can imagine. She becomes a successful advertising executive, a weekend yoga instructor, and seems to have it all together. But she's alone. And on her 45th birthday, she can't help but wonder what's wrong.When she gets a call from her father—still known to everyone as Chief from his Ole Miss football days—insisting that she come home three weeks early for her parents' 50th wedding anniversary celebration, she's at wits end. She's about to close the biggest contract of her career, the one that will secure her financial goals and set her up for retirement. But his words, "Family First," hit too close to home. Is there hope for her estranged relationship with Bitsy after all this time?Eva's journey home, to the memory garden her father has planned as an anniversary surprise for her mother, becomes one of discovering roots, and truth, and love, and what living perennially in spite of disappointments and tragedy really means. Eva thought she wanted to leave her family and the South far behind . . . but she's realizing she hasn't truly been herself the whole time she's been gone.

    Proud, talented Clarice is struggling to keep up appearances as she deals with her husband’s humiliating infidelities; beautiful Barbara Jean is rocked by the tragic reverberations of a youthful love affair; and fearless Odette is about to embark on the most terrifying battle of her life. With wit, style and sublime talent, Edward Kelsey Moore brings together three devoted allies in a warmhearted novel that celebrates female friendship and second chances.

    It is Wolfe's first novel, and is considered a highly autobiographical American Bildungsroman. The character of Eugene Gant is generally believed to be a depiction of Wolfe himself. The novel covers the span of time from Gant's birth to the age of 19. The setting is the fictional town and state of Altamont, Catawba, a fictionalization of his home town, Asheville, North Carolina. Playwright Ketti Frings wrote a theatrical adaptation of Wolfe's work in a 1957 play of the same title.

     Jimmy Madden, a fiercely independent high school basketball star with big dreams for his future, sees them dim one Fourth of July when his debutante girlfriend May Tilley tells him she is pregnant. Twelve years later, Jimmy grudgingly endures the workaday drudgery of his father-in-law's tobacco warehouse; May, equally dissatisfied, wonders if love alone can make, and save, a marriage. But it is young Joey who bears the brunt of his parents' unhappy union. As he struggles to cope with his fractured family life, Joey turns to his grandfather, who explains that "a time may come when a person has to let go of what he loves in order to save himself." Set in 1950's North Carolina, rich with the windswept beauty of its Outer Banks, Ruin Creek is a major work by one of the most insightful students of family writing fiction in America today. Writing in the contrapuntal voices of Joey, May, and Jimmy, David Payne examines the early life of characters from Gravesend Light, creating a portrait of a family that breaks apart, heals, and endures. "Full of life, full of wisdom, full of words that singe, sing, and somehow console." (The Boston Globe) "Masterful.... Somewhere between Faulkner and Conroy." (The Denver Post)

    A woman returns to her West Virginia roots to resolve the ghosts of her childhood. In the tradition of Rebecca Wells, Sue Monk Kidd, Olive Ann Burns, and Dorothy Allison. TENDER GRACES by Kathryn Magendie is strong literary women s fiction written with exquisite style. The death of her troubled mother and memories of her abused grandmother lure a young woman back to the Appalachian hollow where she was born. Virginia Kate, the daughter of a beautiful mountain wild-child and a slick, Shakespeare-quoting salesman, relives her turbulent childhood and the pain of her mother s betrayals. Haunted by ghosts and buried family secrets, Virginia Kate struggles to reconcile three generations of her family s lost innocence.

    But when I was a kid, my mother, Babs, prepared me to be the next June Cleaver–teaching me lessons that belonged to another era. Another world, practically. My mother's world. I couldn't wait to leave home and get away from her. But now, well–let's just say life hasn't turned out quite as I'd planned. And heaven help me, I'm going home. Laney Hoffman–Cotton Queen, 1975.It's funny–all I ever wanted was to teach my daughter, Laney, how to be a lady so she could find a good husband and take her rightful place in our community. But Laney has always remained convinced that my life and my ideas are, well, pathetic. She has no idea–no idea!–what it is to lose a husband, to watch your dreams wither while keeping a smile on your face for the neighbors. Now, that is a talent. Laney is probably too smart for her own good, but being smart hasn't kept her out of trouble. Thank heavens I'm here to help pick up the pieces. Babs Hoffman–Cotton Queen First Runner-Up, 1956.

    None of the Same Sweet Girls are really girls anymore, and none of them have actually ever been that sweet. But this spirited group of Southern women, who have been holding biannual reunions ever since they were together in college, are nothing short of compelling. There's Julia Stovall, the First Lady of Alabama, who, despite her public veneer, is a down-to-earth gal who only wants to know who her husband is sneaking out with late at night. There's Lanier Sanders, whose husband won custody of their children after he found out about her fling with a colleague. Then there's Astor Deveaux, a former Broadway showgirl who simply can't keep her flirtations in check. And Corinne Cooper, whose incredible story comes to light as the novel unfolds.

    The vagaries of the Fairchilds are keenly observed, and sometimes harshly judged, by nine-year-old Laura McRaven, a Fairchild cousin who takes The Yellow Dog train to the Delta for Dabney Fairchild's wedding. An only child whose mother has just died, Laura is resentful of her boisterous, careless cousins, and desperate for their acceptance. As the hour moves closer and closer to wedding day, Laura arrives at a more subtle understanding of both the Fairchilds and herself. Born in 1909 in Jackson, Mississippi, Eudora Welty is one of the South's finest novelists. She won a Pulitzer in 1972 for The Optimist's Daughter. Delta Wedding is her best known work.

    Gay's remarkable debut novel, The Long Home, is also the story of Amber Rose, a beautiful young woman forced to live beneath that evil who recognizes even as a child that Nathan is her first and last chance at escape. And it is the story of William Tell Oliver, a solitary old man who watches the growing evil from the dark woods and adds to his own weathered guilt by failing to do anything about it. Set in rural Tennessee in the 1940s, The Long Home will bring to mind once again the greatest Southern novelists and will haunt the reader with its sense of solitude , longing, and the deliverance that is always just out of reach.

    He stays at the edge of an outcast community inhabited by eccentrics, criminals and the poverty-stricken. Rising above the physical and human squalor around him, his detachment and wry humour enable him to survive dereliction and destitution with dignity.