Wolverine is on the run, Iron Man has sold his soul to the man, the Hulk is a hero of the people, Cable is M.I.A., Captain America can only bear witness and Hawkeye lives! Join them as they attempt to navigate their way through a world where mutants rule, and Homo sapiens are considered second-class citizens - a world ruled with an iron fist by the master of magnetism himself, Magneto!Collects: Wolverine #33-35, Iron Man: House of M #1-3, Incredible Hulk #83-87, Captain America #10, The Pulse #10, Cable & Deadpool #17 and material from Hulk: Broken Worlds #1.

    Atherton. Social expectations and gender politics, thwarted ambitions and personal tragedy are played out against two contrasting historical backgrounds, poignantly evoked by the atmospheric visual storytelling of award-winning graphic-novel pioneer Bryan Talbot. Produced through an intense collaboration seldom seen between writers and artists, Dotter of Her Father''s Eyes is smart, funny, and sad - an essential addition to the evolving genre of graphic memoir.

    As in his Pulitzer Prize-winning Maus, cartoonist Spiegelman presents a highly personalized, political, and confessional diary of his experience of September 11 and its aftermath. In 10 large-scale pages of original, hard-hitting material (composed from September 11, 2001 to August 31, 2003), two essays, and 10 old comic strip reproductions from the early 20th century, Spiegelman expresses his feelings of dislocation, grief, anxiety, and outrage over the horror of the attacks—and the subsequent "hijacking" of the event by the Bush administration to serve what he believes is a misguided and immoral political agenda. Readers who agree with Spiegelman's point of view will marvel at the brilliance of his images and the wit and accuracy of his commentary. Others, no doubt, will be jolted by his candor and, perhaps, be challenged to reexamine their position.The central image in the sequence of original broadsides, which returns as a leitmotif in each strip, is Spiegelman's Impressionistic "vision of disintegration," of the North Tower, its "glowing bones...just before it vaporized." (As downtown New Yorkers, Spiegelman and his family experienced the event firsthand.) But the images and styles in the book are as fragmentary and ever-shifting as Spiegelman's reflections and reactions. The author's closing comment that "The towers have come to loom far larger than life...but they seem to get smaller every day" reflects a larger and more chilling irony that permeates In the Shadow of No Towers. Despite the ephemeral nature of the comic strip form, the old comics at the back of the book have outlasted the seemingly indestructible towers. In the same way, Spiegelman's heartfelt impressions have immortalized the towers that, imponderably, have now vanished. —Silvana Tropea

    Dr. Doom? Plus, a secret from Reed Richard's old journal threatens to tear the FF apart. Two of Marvel's most powerful teams butt heads in this collection of Fantastic Four Vs. X-Men 1-4.

    Through gripping and accessible historical narrative paired with illustrations, author and activist Blair Imani examines the largely overlooked impact of The Great Migration and how it affected--and continues to affect--Black identity and America as a whole. Making Our Way Home explores issues like voting rights, domestic terrorism, discrimination, and segregation alongside the flourishing of arts and culture, activism, and civil rights. Imani shows how these influences shaped America's workforce and wealth distribution by featuring the stories of notable people and events, relevant data, and family histories. The experiences of prominent figures such as James Baldwin, Fannie Lou Hamer, El Hajj Malik El Shabazz (Malcolm X), Ella Baker, and others are woven into the larger historical and cultural narratives of the Great Migration to create a truly singular record of this powerful journey.

    This graphic novel offers an engaging and accessible insight into the lives and minds of autistic women, using real-life case studies.The charming illustrations lead readers on a visual journey of how women on the spectrum experience everyday life, from metaphors and masking in social situations, to friendships and relationships and the role of special interests.Fun, sensitive and informative, this is a fantastic resource for anyone who wishes to understand how gender affects autism, and how to create safer supportive and more accessible environments for women on the spectrum.

    They wanted to show in words and drawings what life looks like in places where the marketplace rules without constraints, where human beings and the natural world are used and then discarded to maximize profit. Days of Destruction, Days of Revolt is the searing account of their travels.The book starts in the western plains, where Native Americans were sacrificed in the giddy race for land and empire. It moves to the old manufacturing centers and coal fields that fueled the industrial revolution, but now lie depleted and in decay. It follows the steady downward spiral of American labor into the nation's produce fields and ends in Zuccotti Park where a new generation revolts against a corporate state that has handed to the young an economic, political, cultural and environmental catastrophe.

    Poison and visits the School for Spies.

    These three ground-breaking researchers were all students of the great Louis Leakey, and each made profound contributions to primatology—and to our own understanding of ourselves.Tackling Goodall, Fossey, and Galdikas in turn, and covering the highlights of their respective careers, Primates is an accessible, entertaining, and informative look at the field of primatology and at the lives of three of the most remarkable women scientists of the twentieth century. Thanks to the charming and inviting illustrations by Maris Wicks, this is a nonfiction graphic novel with broad appeal.

    Evolution features the same characters introduced in the highly regarded The Stuff of Life: A Graphic Guide to Genetics and DNA, now here to explain the fundamentals of the evolution of life on earth. On the heels of explaining to his planetary leader the intricacies of human genetics in The Stuff of Life, the intrepid alien scientist Bloort-183 is charged in this sequel with covering the wider story of evolution. Using the same storytelling conceit that Plenty magazine declared “so charming that you won’t even notice you’ve absorbed an entire scientific field” and that caused Seed to pick The Stuff of Life as a best book of 2008, Evolution brilliantly answers Wired’s demand, “What’s the solution to America’s crisis in science education? More comic books!” Evolution, the most accessible graphic work on this universally studied subject, takes the reader from earth’s primordial soup to the vestigial structures, like the coccyx and the male nipple, of modern humans. Once again, the award-winning illustrations of the Cannons render the complex clear and everything cleverly comedic. And in Hosler, Evolution has an award-winning biology teacher whose science comics have earned him a National Science Foundation grant and an interview on NPR’s Morning Edition.

    Louis, Missouri, for one of the greatest adventures this nation has ever known. Appointed and funded by President Jefferson himself, and led by a cadre of experts (including the famous Sacajawea), the expedition was considered a success almost before it had begun. From the start, the journey was plagued with illness, bad luck, unfriendly Indians, Lewis's chronic depression, and, to top it all, the shattering surprise of the towering Rocky Mountains and the continental divide. But despite crippling setbacks, overwhelming doubts, and the bare facts of geography itself, Lewis and Clark made it to the Pacific in 1806.Nick Bertozzi brings the harrowing—and, at times, hilarious—journey to vivid life on the pages of this oversized black-and-white graphic novel. With his passion for history and his knack for characterization, Bertozzi has made an intimate tale of a great American epic.

    Smith unleashes The Bionic Man into the 21st century as only he can, with an innovative take on this classic character that will show you The Bionic Man with a whole new set of powers and abilities - not to mention enemies! Kevin Smith is joined by Phil Hester, artist Jonathan Lau, and cover artist/character designer Alex Ross (the team that brought you the new Green Hornet series). This tradepaperback collects the entire critically acclaimed 10-issue series, along with a complete cover gallery.

    THIS IS THE TRUE STORY FROM THE MAN AT THE CENTER OF IT ALL. In the summer of 1971, the New York’s Attica State Prison is a symbol of everything broken in America – abused prisoners, rampant racism and a blind eye turned towards the injustices perpetrated on the powerless. But when the guards at Attica overreact to a minor incident, the prisoners decide they’ve had enough – and revolt against their jailers, taking them hostage and making demands for humane conditions. Frank “Big Black” Smith finds himself at the center of this uprising, struggling to protect hostages, prisoners and negotiators alike. But when the only avenue for justice seems to be negotiating with ambitious Governor Nelson Rockefeller, Big Black soon discovers there may be no hope in finding a peaceful resolution for the prisoners in Attica. Written by Jared Reinmuth and Frank “Big Black” Smith himself, adapted and illustrated by Ameziane, Big Black: Stand At Attica is an unflinching look at the price of standing up to injustice in what remains one of the bloodiest civil rights confrontations in American history.

    The party returns to the Big Easy but someone looks to spoil it. Grocers are being murdered in the dead of night by someone grabbing their axe and hacking them right in their own cushy beds The pattern for each murder is the same: a piece of the door is removed for entry, the axe is borrowed on the property, and the assailant aims straight for the head Why? How could he fit through that piece in the door? The man is never found for sure but speculations abound which Geary presents with his usual gusto

    After twenty years, when the killer was finally captured with the help of DNA technology, Jensen and fellow detectives spent 188 days interviewing Gary Ridgway in an effort to learn his most closely held secrets--an epic confrontation with evil that proved as disturbing and surreal as can be imagined. Written by Jensen's own son, acclaimed entertainment journalist Jeff Jensen, Green River Killer: A True Detective Story is bound to become a well-recognized member of the crime-genre graphic novel family, including titles like Darwyn Cooke’s The Hunter and Alan Moore’s From Hell.