The furthest thing from Yatta’s mind is love and relationships. He’s focused on providing for his family, hitting licks with his day one niggas, Alaric and Zamir, and staying out of the way of the law. But, as fate has it, he meets the alluring Erin Hughes and his perception of love shifts in a new direction. Erin is a born and raised Detroit city girl with dreams as big as her heart. Her love for drawing and painting made her a bit of an out cast. But with the support of her cousin Dreka, her best friend Cassidy and her father, she has never known the feeling of not being loved, despite the lack of it it she received from her distant mother. Erin doesn’t let anything discourage her from living life and being happy. Lately, the one thing that would truly make her happy is being with Yatta. But its easier said than done as many things get on the way of them being together. One of them being Yatta’s baby mama, Cleo. Things slowly unravel and before you know it love, secrets, and deadly decisions causes great turmoil in their lives. Will Erin regret the day she gave her heart to a bad boy? Or will Yatta sweep her off her feet, showing her that bad boys fall in love, too?

    The other guests soon become obsessed with the man, the equivocal unsettling Allan. One by one they realise who he is-that Death has come to spend the summer with them. Amid the ceaseless thunder of the waves, the wild and often surreal Breton landscape, the group that gravitates around Allan-an uncannily contemporary figure-gradually disintegrates. His death seems to symbolize the end of a generation, the approach of war.That Gracq wrote this oblique, prescient novel in a remote German prisoner-of-war camp makes its carefree jazz age setting particularly poignant.

    The action of A Flea in Her Ear, one of the best-known French farces, takes us to the sleazy Lanterne Rouge Hotel with a fine crop of mocking, mistaking, insulting, groping, kicking and mimicing, all in a spanking new translation.

    A mixture of poetry, metaphysics, and common sense, they are ideal for the imaginative director and are easily adapted for radio or small acting areas.

    But at the moment, she's living in New York City and writing advertising jingles to pay the rent while her fiancé, Jack, pursues his singing career. So when Amanda's mother, Kim, calls one evening from New Hampshire and asks for her help with something she can't discuss over the phone, Amanda is only too happy to leave New York. Once home, Kim reveals that she's leaving Amanda's father and needs help packing. Amanda balks and ends up (gently) hitting the postman, who happens to be her first boyfriend. They spend the night together in an apple orchard, where Amanda tries to tell Billy how her life got sidetracked. It has something to do with being a young woman in a profession that only recognizes famous men. Billy acts like he might have the answer, but doesn't. Neither does Amanda's mother. Or, for that matter, her father. A Feminine Ending is a gentle, bittersweet comedy about a girl who knows what she wants but not quite how to get it. Her parents are getting divorced, her fiancée is almost famous, her first love reappears, and there's a lot of noise in her head but none of it is music. Until the end. "Ending′ is a promising beginning...the playwright has a sense of humor that brings to mind a budding Wendy Wasserstein and a liberated sense of form that evokes a junior Paula Vogel."-Los Angeles Times "Darkly comic. FEMININE ENDING has undeniable wit." -New York Post. "Appealingly outlandish humor." -The New York Times. "Courageous. The 90-minute piece swerves with nerve and naivete. Sarah Treem has a voice all her own." -Newsday.

    Musical. STINKFOOT is an absurdist musical written by former Bonzo Dog Band frontman Vivian Stanshall (1943-1995) and his wife Ki Longfellow-Stanshall for their Old Profanity Showboat in Bristol. The musical was performed in December 1985 but has not been published before. The Sea Urchin edition will contain the script of the musical, lyrics and artwork by Vivian Stanshall, photos of the Bristol performances and an introduction by Ki Longfellow-Stanshall.

    Written in 1935, an exploration of the looming threat of World War II, set against the backdrop of the familiar story of the Trojan War

    Violet eyes and a mane of golden hair win her the love of a duke and the admiration of a stupendously wealthy husband; but they cannot hold the one man whose love she needs about all…..

    The pressures of war threaten to tear apart two sisters traumatised by their mother's murder by their father.With her new husband Will, a merchant seaman, deployed on dangerous Atlantic convoy missions, Hannah needs her younger sister Judith more than ever. But when Mussolini declares war on Britain, Judith's Italian sweetheart, Paolo is imprisoned as an enemy alien, and Judith's loyalties are divided.Each sister wants only to be with the man she loves but, as the war progresses, tensions between them boil over, and they face an impossible decision.A heart-wrenching page-turner about the everyday bravery of ordinary people during wartime. From heavily blitzed Liverpool to the terrors of the North Atlantic and the scorched plains of Australia, Sisters at War will bring tears to your eyes and joy to your heart.

    Helena to begin his exile. But while Longwood-a broken-down, rat-infested farmhouse-is being readied for the captive hero and his entourage, he stays at an Englishman's country mansion, where he meets lovely young Betsy Balcome-high-spirited, outspoken, and the only French-speaking member of the family. Betsy acts as interpreter for the hero, and through this inspired rendering of their great friendship, this colorful conqueror emerges as a compelling human figure...an extraordinary man and a transcendent genius. Here is a stirring narrative of magnificent tenderness and understanding, the moving magnificent tenderness and understanding, the moving story of the great man-and THE LAST LOVE.

    It is sure to capture the hearts of book lovers everywhere. Guylain Vignolles lives on the edge of existence. Working at a job he hates, he has but one pleasure in life ...Sitting on the 6.27 train each day, Guylain reads aloud. And it's this release of words into the world that starts our hero on a journey that will finally bring meaning into his life. For one morning, Guylain discovers the diary of a lonely young woman: Julie. A woman who feels as lost in the world as he does. As he reads from these pages to a rapt audience, Guylain finds himself falling hopelessly in love with their enchanting author ...The Reader on the 6.27 is a tale bursting with larger-than-life characters, each of whom touches Guylain's life for the better. This captivating novel is a warm, funny fable about literature's power to uplift even the most downtrodden of lives. 'The humanity of the characters ...the re-enchantment of everyday life, the power of words and literature, tenderness and humour ...

    

    "A work of rough genius, a glorious burst of life-affirming joy in the face of untimely death".--The Guardian.

    This omnibus brings together the first three Reginald Perrin novels containing a lifetime's outrageous and hilarious adventures.When we first meet Reggie, he is sick to death with selling exotic ices at Sunshine Desserts. Driven to desperation by the rat race and the unpunctuality of Britain's trains, Reggie's small eccentricites escalate to the extreme, until finally he leaves the unacceptable face of capitalism behind by driving off in a stolen motorised jelly. In his pursuit of the unconventional, he devotes himself to faking his own death, opening a shop devoted to selling completely useless goods, and setting up a commune strictly for the middle-class and middle-aged.Join Reggie, who didn't get where he is today without some help from some memorable supporting characters, in one man's quest to avoid an everyday existence.

    At age twelve Mellie goes to the dying town of Oât, where she enters premature adulthood and assembles a photographic and written record of her life. Enchanting, realistic, comic, tragic—all these words describe this spellbinding novel that, like all genuine fables, takes us to a world that is utterly strange and very much our own. Rose Mellie Rose is one of three novels that are the first works to appear in English by Marie Redonnet, one of France's most original new authors (the other novels are Hôtel Splendid and Forever Valley, both also available from the University of Nebraska Press). Translator Jordan Stump notes that these books "unmistakably fit together, although they have neither characters nor setting in common." In all three novels, Redonnet has said, "it is the women who fight, who seek, who create."