Part quasi-autobiography, part dream diary, part strange descriptions of "Jimland Novelties," this book is a "brilliant pastiche of crazed emotions, wonderfully textured with lush, attentive artwork [and] oddly haunting," says Hugh Bonar in a Comics Journal review. There is nothing like Jim Woodring. Period.

    At the same time, while preparing for the Sandman 10th anniversary, he met Yoshitaka Amano, his artist for the 11th Sandman book. Amano is the famed designer of the Final Fantasy game series. The product of Gaiman's immersion in Japanese art, culture, and history, Sandman: Dream Hunters is a classic Japanese tale (adapted from "The Fox, the Monk, and the Mikado of All Night's Dreaming") that he has subtly morphed into his Sandman universe.Like most fables, the story begins with a wager between two jealous animals, a fox and a badger: which of them can drive a young monk from his solitary temple? The winner will make the temple into a new fox or badger home. But as the fox adopts the form of a woman to woo the monk from his hermitage, she falls in love with him. Meanwhile, in far away Kyoto, the wealthy Master of Yin-Yang, the onmyoji, is plagued by his fears and seeks tranquility in his command of sorcery. He learns of the monk and his inner peace; he dispatches demons to plague the monk in his dreams and eventually kill him to bring his peace to the onmyoji. The fox overhears the demons on their way to the monk and begins her struggle to save the man whom at first she so envied.Dream Hunters is a beautiful package. From the ink-brush painted endpapers to the luminous page layouts--including Amano's gate-fold painting of Morpheus in a sea of reds, oranges, and violets--this book has been crafted for a sensuous reading experience. Gaiman has developed as a prose stylist in the last several years with novels and stories such as Neverwhere and Stardust, and his narrative rings with a sense of timelessness and magic that gently sustains this adult fairy tale. The only disappointment here is that the book is so brief. One could imagine this creative team being even better suited to a longer story of more epic proportions. On the final page of Dream Hunters, in fact, Amano suggest that he will collaborate further with Mr. Gaiman in the future. Readers of Dream Hunters will hope that Amano's dream comes true. --Patrick O'Kelley

    The miracle child of a world-famous Brazilian writer, Brás spends his days penning other people's obituaries and his nights dreaming of becoming a successful author himself—writing the end of other people's stories, while his own has barely begun.But on the day that life begins, would he even notice? Does it start at 21 when he meets the girl of his dreams? Or at 11, when he has his first kiss? Is it later in his life when his first son is born? Or earlier when he might have found his voice as a writer?Each day in Brás's life is like a page from a book. Each one reveals the people and things who have made him who he is: his mother and father, his child and his best friend, his first love and the love of his life. And like all great stories, each day has a twist he'll never see coming...In Daytripper, the Eisner Award-winning twin brothers Fábio Moon and Gabriel Bá tell a magical, mysterious and moving story about life itself—a hauntingly lyrical journey that uses the quiet moments to ask the big questions.

    An epic love story so grand that one medium cannot contain it, Aronofsky's feature film - released by Warner Bros, Pictures and Regency Enterprises - stars Tony Award-winner Hugh Jackman (The Boy from Oz, X-Men) and Oscar-winner Rachel Weisz (The Constant Gardener, The Mummy). The Fountain graphic novel is a sister-project to the film, using the same story as its seed, but stretched instead upon the limitless canvas of the comics medium. Already earning Williams the Eisner nomination for Best Painter, The Fountain graphic novel provides an alternative interpretation wholly unique yet still intimately tied to the movie, in what can be considered the ultimate "director's cut".

    Collects THE WALKING DEAD #121-144.

    When the parents announce their divorce, the family comes together at their beach house for a week. Dennis, the eldest son, is having marriage troubles of his own, and searches for clues, trap doors, and secret tunnels. Claire, the middle child, is a single mother with a troubled 16-year-old daughter, Jill. The youngest child, Peter, is a hack filmmaker suffering from paralyzing insecurities who establishes an unorthodox romance with a mysterious day care counselor at the beach.

    You may have heard of a group called the Etesian Front -- vigilantes dedicated to taking the skies back from terrorism. Sounds like a noble cause, right? But there's more to them than meets the eye. They're after someone I know. Someone who is either an average frequent flier -- or a terrorist. And he's got a secret. Something that will change the way we fly -- and the way we see technology -- forever.To find him, we've altered course. We're en route to a country that doesn't exist on any maps. Only one person knows how to get us there: me. My name is Blythe, and I'll be your stewardess today. So buckle your seatbelts -- this will be the flight of your life.

    government’s Everett K. Ross. As the Panther investigates a murder in New York, Ross plays Devil’s Advocate in an encounter with Mephisto, and a new regime seizes control in Wakanda. When the truth behind the coup becomes clear, T’Challa finds himself an enemy of the state — and a major revelation threatens to destroy his relationship with the Avengers! Plus: Meet Queen Divine Justice — is she ready to join T’Challa’s deadly crew of female bodyguards, the Dora Milaje? Are they ready for her? Hold onto your pants, because Ross sure can’t! Collecting BLACK PANTHER (1998) #1-17.

    A young man wandering a nameless path has only a stuffed bear as a companion, which inertly endures his desperation, anger, and musings along the way. The landscape is cold and bleak with few landmarks, and offers only precarious encounters with animals and armed men. These interactions are rife with instinct, the drive for survival, and human ethics concerning the killed and injured. He finds acceptance with a pack of dogs, though their nature is wild and their potential threat is as unsettling as the sudden presence of a massive pipeline on the horizon. In a dreamlike state, the endless land becomes a vast body of water where his boat is destroyed and his body floats in a subconscious space. On land, the road disappears and only blind circumstance remains. All is uncertain and all can be lost, but he continues on regardless.

    Here, burning figures roam the streets, men in brightly colored costumes scale the glass and concrete walls, and creatures from space threaten to devour our world. This is the Marvel Universe, where the ordinary and fantastic interact daily. This is the world of Marvels.Witness the birth of this fantastic universe from the inside. See the world's greatest heroes in a different light, with a new awe and a touch of fear.For the first time, experience the Marvel Universe from a whole new perspective — yours. Collects Marvels #1-4 and Marvels #0.

    After being run out of Boneville, the three Bone cousins, Fone Bone, Phoney Bone and Smiley Bone are separated and lost in a vast uncharted desert. One by one they find their way into a deep forested valley filled with wonderful and terrifying creatures. It will be the longest -- but funniest -- year of their lives.

    Discovered in the Archives of the The Jim Henson Company, A Tale of Sand is an original graphic novel adaptation of an unproduced, feature-length screenplay written by Jim Henson and his frequent writing partner, Jerry Juhl. A Tale of Sand follows scruffy everyman, Mac, who wakes up in an unfamiliar town, and is chased across the desert of the American Southwest by all manners of man and beast of unimaginable proportions. Produced with the complete blessing of Lisa Henson, A Tale of Sand will allow Henson fans to recognize some of the inspirations and set pieces that appeared in later Henson Company productions.

    In 2002, Fantagraphics embarked on a publishing plan to reintroduce the greatest strip of the first-half of the 20th Century (the Peanuts of its era) to a public that has largely never seen it: this volume is the fourth in a long-term plan to chronologically reprint strips from the prime of Herriman's career, most of which have not seen print since originally running in newspapers 75 years ago. Each volume is edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware, who may well go down as the best cartoonist of the 21st Century. Krazy & Ignatz 1931-1932 is a hot-baked brickbat of a volume, a dance with nearly two full years of the Sunday Krazy Kat (Herriman did not use color until 1935), snug between multiple pages of Herriman extras, including an extensive essay by series editor Bill Blackbeard on pre-Kat Herriman work (with reproductions from rare "Baron Mooch" and "Gooseberry Sprig" strips, and a rarely-seen 1923 full-page drawing of the Kat done for Circulation magazine), and, best of all, a 30-page sequence of over two straight months' worth of 1931 dailies! Plus a new "Debaffler" page decoding Krazy arcana, and a stunning layout front and back and throughout by the inimitable Chris Ware! Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue.

    Is his real father the one-armed drunk in the front room or is he the man who can turn into a hawk? Is his mother dead and buried or is she Titania, Queen of Faerie? Plus Death herself weighs in on the subject of identity.Collecting: The Books of Magic 1-4

    Mega-City One, one year later.In the wake of Ma-Ma’s death, other criminal gangs in Mega-City One are moving into the power vacuum, trying to fill the gap in the market left by the Slo-Mo drug. When a corpse dump is discovered in a rad-pit, the bodies are all revealed to be mutants. Could the dead be connected with an outfit smuggling illegal refugees into the city from the Cursed Earth? Judge Dredd once again teams up with Psi-Judge Anderson as they scour the underworld for the perps responsible, and bring them to justice!