With so many young men lost in the Great War, including her own brothers, her life is empty and her future without hope. Until, desperate to break out of her mundane existence, she decides to take up the position of nursery maid in the London home of acclaimed playwright Harold Berridge.Befriended by the actress Maud Ling and thrown into the glamorous but fickle world of cinema, Phyllis falls passionately in love with Maud’s young brother Teddy. But Teddy’s heart lies elsewhere, and when tragedy strikes the Berridge household a heartbroken Phyllis is forced to leave.Six months later, Phyllis has started to rebuild her life but her world is turned upside down once more when is invited to a party at Maud Ling’s film studios. For there she falls under the spell of the charming but devious American actor, Denver Towers, with disastrous consequences. . .

    But before Meg can take her first steps into the unknown alone, she must look to her past. Why, she wonders, did her mother wear a wedding ring but never marry? Why, for instance, does the tallyman never call at No. 3 Tippet's Yard to collect any rent? He does everywhere else. With Ma gone, Meg must go back to her roots to uncover her 'family tree'. However, the process of simplfying her life leads to unforseen complications. But there's always Kip, reliable and loving, to pick up the pieces of her unsolved life and love.

    When he is lost in battle she loses everything, even their children. Her fight to win them back recalls the terror of the shield wall, the harsh lives of convict slaves, and the enormous difficulties a lone woman must face in a male dominated heroic age."This is a really excellent read, a page turner that gives a vivid, convincing picture of 7th century Mercian England." The Historical Novels Review

    This book is a collection of reflections and memories of that time, collected by JH Thompson, who interviewed men who did National Service in the Apartheid-era South African Defence Force. Contributors include ordinary soldiers, Special Forces members, helicopter pilots, chefs and religious objectors. The book is a fast, fascinating read that captures the spirit and atmosphere, the daily duties, the boredom, fear and other intense experiences of an SADF soldier. For everyone who did military service, as well as their loved ones, this book is a must.

    It was first staged in 1976 at the Royal Court Theatre Upstairs and revived at the National Theatre in 1996.Caryl Churchill has written for the stage, television and radio. A renowned and prolific playwright, her plays include Cloud Nine, Top Girls, Far Away, Drunk Enough to Say I Love You?, Bliss, Love and Information, Mad Forest and A Number. In 2002, she received the Obie Lifetime Achievement Award and 2010, she was inducted into the American Theater Hall of Fame.

    The members of the Smales family—liberal whites—are rescued from the terror by their servant, July, who leads them to refuge in his village. What happens to the Smaleses and to July—the shifts in character and relationships—gives us an unforgettable look into the terrifying, tacit understandings and misunderstandings between blacks and whites.Nadine Gordimer was a winner of the Nobel Prize in Literature

    He prided himself on furthering relations between communities, speaking several tribal languages fluently and developing a reputation as a man to be trusted and sought after for help and advice. With a thriving young family, a devoted wife and a quick succession of promotions, George is proud of everything he has achieved so far, in particular the understanding he is fostering between whites and blacks. Then, in the wake of the 1948 elections, George feels a shift in the Native Affairs Department's agenda. As he is shunted from one outpost to another, his role becoming ever more hopeless, his place in South Africa's future increasingly hazy, he feels the weight of his powerlessness and finds himself fighting off a crippling depression. "The Native Commissioner" is a heart-wrenching portrayal of a kind and conscientious man who felt himself cast adrift under the weight of South African apartheid.

    "A rare playwright, who could be a primary candidate for either the Nobel Prize in Literature or the Nobel Peace Prize."--Mel Gussow, The New Yorker

    Back-in-print early work by the author of subUrbia and Sex, Drugs, Rock & Roll.

    For EmPee, it is love at first sight, but the caged woman is not free to love anyone back: she is the property of Monsieur Duval, proprietor of Duval Ethnological Expositions. And so begins one of Zakes Mda’s most striking stories, one that depicts terrible historical injustices and indignities, while at the same time celebrating the vigour and ingenuity of the creative spirit, and the transformative power of love.In an already-great pantheon of Mda love stories and classic gems, this may be his most powerful work yet.Fourie Botha, publisher of local fiction for Penguin Random House, says: ‘A new novel by Zakes Mda is always a glorious event. We are honoured that Prof. Mda will publish this wonderful and important book with Umuzi.’A recipient of the Order of Ikhamanga, Zakes Mda was born in the Eastern Cape in 1948. He is the author of the famous novels Ways of Dying and The Heart of Redness, among many others, and his work has been translated into 20 languages. He spent his early childhood in Soweto, and finished his school education in Lesotho, where he joined his father in exile. Mda has studied and worked in South Africa, Lesotho, the United Kingdom, and the United States, and is a prolific writer, not only of novels, but also of plays, poems, and articles for academic journals and newspapers. His creative work includes paintings, and theatre and film productions. He is based in Athens, Ohio, in the United States, where he spends his time writing and teaching. His memoir, Sometimes There Is a Void, was published in 2011 and his most recent novel, Little Suns, won the Barry Ronge Fiction Prize.

    This novel links Hillbrow, rural Tiragalong and Oxford, and contains the shattered dreams of youth, sexuality and its unpredictable costs, AIDS, xenophobia, suicide, the omnipotent violence that cuts short the promise of young people, and the Africanist understanding of the life.

    It was a burglary that went wrong, and four culprits were soon arrested. Their trial was concluded swiftly, their punishments were decisive, and society breathed a sigh of relief.In Ashraf El-Ashmawi's telling, there was a fifth accomplice, Abbas, who fled to his home in the countryside to lay low until the murder trial blew over. However, he did not escape empty-handed and kept stolen documents from Cicurel's villa, ones that he imagined would lead him to a hidden safe. Abbas hatched a plan to return to the capital, find the safe, and make his fortune. The first step was to place his sister Zeinab with Cicurel's widow, Paula.Abbas’s rags-to-riches story unfolds as a tale of modern Egypt, taking in the Second World War, the 1952 revolution and rise of Nasser, the 1967 war, and the Sadat and Mubarak eras. Spanning the 1920s to the 1990s, El-Ashmawi deftly weaves together history with fiction in this intriguing English-language debut.

    

    Written in Lallan Scots, it is a most exciting piece of poetic drama.

    for Aditya is the boy from Pataliputra, the boy who was once a reckless and carefree aristocrat, but who has now been forced to become a man with a purpose to fight for honour and love.With a sweeping narrative and interesting everyday characters like the smelly old dhaba owner Tanku, Philotas the unlucky Greek soldier, the no-nonsense medical student Radha, Pandi the hard drinking mercenary and the lovely Devika, the Boy from Pataliputra is the mesmerizing story of a young man’s growth to maturity, but also, equally, a story about the rise of a nation.