The first of the great South African novels chronicles the adventures of three childhood friends who defy societal repression. The novel's unorthodox views on religion and marriage aroused widespread controversy upon its 1883 publication, and the work retains in power more than a century later. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

    It explores the dynamics of health, family and community with the story of her mother’s extraordinary ability to heal a changing neighborhood, despite her inability to heal herself. In this solo show with other people in it, Kron asks the provocative question: Are we responsible for our own illness? But the answers she gets are much more complicated than she bargained for when the play spins dangerously out of control into riotously funny and unexpected territory.Lisa Kron has received numerous honors, including several OBIE Awards, the Cal Arts/Alpert Award, the Bessie Award and the GLAAD Media Award. Ms. Kron lives in New York City and Los Angeles.

    Drug dealers from Nigeria, Zimbabwean wire-workers, immigrants from Rwanda and Sudan, a Mozambican refugee - all escaping the ruins of war in the peace of the new South Africa - bear down on her fragile world, then scoop her into theirs. "Skyline" is an unflinching look at one girl's coming of age in the colourful and violent streets of a city waking up to the rest of Africa.

    Calm in the face of the horde gathering below, they know it's a good day for dying... but a better one for killing. At the centre of their formation a tall, broad-shouldered man surveys his troops. Only at his command will they rise and engage the enemy. He is Shaka, his men are Zulu – the best trained foot soldiers in Africa – and the blood spilled in the coming battle will write the opening chapter of their legend.Following in Shaka's footsteps, AmaZulu sweeps across the burned hills of south east Africa's interior, charting the dawn of the Zulu nation through the eyes of the Induna, a battle-scarred captain, and his eleven-year-old apprentice. Aflame with conflict and intrigue, nobility and treachery, it tells the story of an unquenchable thirst for revenge and a genius for warfare that forged an empire as powerful and revered as Napoleon's France or Caesar's Rome.

    Over twelve hundred years ago, Eadburg made a name for herself as one of the most powerful queens of the early middle ages, and her reputation for malevolence is documented in a contemporaneous biography of King Alfred the Great. Was she truly evil, a tyrant and a murderer, or could her reputation have been part of a double-standard smear campaign by later generations of male chroniclers? Read her story, and you decide. Warning: this book deals with adult topics and situations.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    An entirely new introduction sets the tragedy in the context of pre-Civil War England and gives a revealing view of its imagery and dramatic action.From its well-documented early performances to the two productions seen in the West End of London in the 1995-96 season, a stage history gives an account of the play in performance. Students, actors, directors and theatre-goers will all find here a reappraisal of Webster's artistry in the greatest age of English theatre, which highlights why it has lived on stage with renewed force in the last decades of the twentieth century.

    For it is couched in such terms as to offer Benedict an instrument of destruction of his bitterest rival. 'Destroy Johnny' was the old man's implacable message to his son, and, obsessively jealous of his foster-brother, Benedict sets out in ruthless pursuit of this goal.In a desperate bid to support Johnny, Tracey acquires for him the concession in the diamond-rich seabed round the coral islands of Thunderbolt and Suicide off the savage South West African coast, and Johnny throws all his resources into the construction of a vessel that will recover the stones from the ocean floor and repair his fortune at last. But Benedict, already involved in illegal diamond-dealing as a sideline, seizes this chance to attack his rival and, with a network of accomplices and some ingenious electronic tampering, plots to syphon off the diamonds. Johnny will not only be ruined by his liabilities, he will also be a laughing stock.However, Benedict's obsessive jealousy is his undoing. He cannot resist stripping his rival of his beautiful but bitchy wife Ruby as well, and when he then discards her, she takes her revenge, precipitating a climax of murder and destruction that consumes Benedict at last.Narrated with Wilbur Smith's irresistible driving thrust, The Diamond Hunters is a tale of brotherly hatred, redeemed only by the deepening love between Johnny and Tracey. It is set in London, Cape Town, on the thunderous seas around the ocean diamond fields and ends in a final confrontation between Johnny and Benedict in the blistering hyena-infested desert.

    It has only very recently been published. Although it has been written as a novel, it details events, which were all too tragically true.Edith Hofmann is a survivor of the Holocaust, born in Prague in 1927 as Edith Birkin. In 1941, along with her parents, she was deported to the Lodz Ghetto, where within a year both her parents had died. At 15 she was left to fend forherself.The Lodz Ghetto was the second-largest ghetto to Warsaw, and was established for Jews and Gypsies in German-occupied Poland. Situated in the town of Lodz in Poland and originally intended as a temporary gathering point for Jews, the ghetto was transformed into a major industrial centre, providing much needed supplies for Nazi Germany and especially for the German Army.Because of its remarkable productivity, the ghetto managed to survive until August 1944, when the remaining population, including Edith, was transported to Auschwitz and Chelmno extermination camp in cattle trucks. It was the last ghetto in Poland to be liquidated due to the advancing Russian army. Edith was only 17, and one of the lucky ones.For the majority, it was their final journey. A small group of them were selected for work. With her hair shaved off and deprived of all her possessions, she travelled to Kristianstadt, a labour camp in Silesia, to work in an underground munitions factory.

    She was a silent, unhappy girl, dumped on Frieda's exuberant family in Johannesburg for the summer of 1964 so that her mother could go off with her new husband. In a way, Min and Frieda were both outsiders - Min, raised in the bush by her idealistic doctor father, and Frieda, daughter of a poor Jewish saxophone player who lived almost on top of a native neighborhood. The two girls, thrown together - the 'white kaffir' and the poor Jewish girl - formed a strange but loyal friendship, a friendship that was to last even through the terrible years of oppression and betrayal during the time of South Africa under Apartheid.

     Behind an old dilapidated cottage in a peaceful Shropshire village, is an ancient wishing well. Surrounded by superstition and folklore dating back to the civil war, the well and the house have been left untouched by the locals. When a stranger to the village buys the house, the well is disturbed…. Present Day - Unexpected circumstances lead Milly Lyle to move to The Wishing House, a quintessential country cottage recently restored and renovated by her lover. With its chocolate box looks, quaint location and the pretty well outside, it seems the perfect place for a fresh start. Then she hears of the legend of the Wishing Well Witch and the noises, dreams and strange events begin. 1642 – the turn of the civil war. Constance Yorke, the troubled wife of the parish Clergyman, finds herself turning to the wishing well behind her house for answers to her prayers. Plagued with visions portending a country torn in two by a bloody war waged by the King, it seems that Constance may have dabbled with things that she shouldn’t. Growing more isolated from her distant husband and the other villagers, she is left with nothing but her wishing well and the curious white dog that keeps appearing. When Prince Rupert and his Cavaliers ride through Sleepers Brook after a skirmish at Powick Bridge, it seems that Constance Yorke’s visions are coming true and that perhaps, she really is falling foul of witchcraft. As times collide, one woman’s quest for retribution becomes another’s peril in a chilling story of love, jealousy, betrayal and revenge.

    It started as a simple case of arson, but Thomas Daniels soon learns that the ruins of his office concealed the key to a conspiracy that would destroy financial empires and take countless lives!

    They've raised their family with not much money but lots of love. When World War Two breaks out they know that nothing will be quite the same again. As the Blitz starts to take its toll and the close-knit community in Carter Lane endures the sorrows and partings which they had dreaded above all else, they find comfort in one another and solace in the knowledge that their wounds will eventually heal - as time goes by. AS TIME GOES BY by is a vivid portrayal of an East End community struggling to survive the horror of the Blitz.

    Nancy Butterworth and Abbie Kerrigan, lifelong residents of the place, tried to befriend Dee Chatterton, but her mother wants her to have nothing to do with such rough children. The Burgess family looks forward to the arrival of their young cousin Sean from Dublin, and Nancy is not the first to lose her heart to the Irish charmer.In 1914 things are to change dramatically, and the families are to find that money and social position mean nothing when the horrors of the First World War invade their lives and take away their sons...

     Lady Josephina Crawford, daughter of Viscount Whitemore, harbours a devastating secret that keeps her from finding a suitable husband in high society and risks bringing scandal to her family name should it ever be revealed. Custom, duty, and propriety stand in the way of her happiness, and within the confines of Regency England’s high society, those barricades are enough to keep her encaged forever. Gerard Sheridan, Marquess of Richmond, heir to the Duke of Bedfordshire, suffers from a secret of his own – he struggles to deal with the enormous pressure to fulfil a role that he never expected would be his. Oil paint, color, light, and composition fill his imagination every waking moment, but all of that must be cast aside when Lord Richmond as he takes on the role of heir, after his brother’s tragic death. He needs to find a wife, and fast. A chance encounter opens up new hope. But from behind the masks that they wear, Josephina and Gerard must face the truth that they see in each other’s eyes; they’re lost in a battle between convention and love, and within the glittering walls of Almack’s Assembly Rooms, they’re without question set up to fail. Can Gerard overcome his doubts, and believe that love is possible? Can Josephina risk trusting that her secret could be safe with Gerard? Or will the conventions of society tear them apart forever?