All are linked to the new Dorset Gardens Theatre where feisty young Betsy Brand is playing First Witch in Macbeth. It seems that a shadowy figure called The Salamander, who haunted London during the Fire, has returned to wreak cruel revenge on his enemies. With the authorities utterly baffled, Betsy takes on a new role as an investigator. She reasons that perhaps a clever, courageous actress can unravel the deepening mystery. But soon she faces a more terrible foe than ever stalked upon a stage—and finds her own life is at stake.

    This play, first staged at the Leicester Haymarket Theatre, is based on a tenth-century Jain myth about a king who finds his queen involved with an elephant-keeper.

    Howard (famous for Conan the Barbarian), and Clarence E. Mulford (creator of Hopalong Cassidy), and many more!HIS KIND OF HELLION, by Johnston McCulleyTEXAS JOHN ALDEN, by Robert E. HowardTHE OUTCASTS OF POKER FLAT, by Bret HarteTHIEVES OF BLACK ROCK DESERT, by Bill AnsonTHE RATTLER ROUNDUP, by Lee BondLEFT FER THE BUZZARDS, by Allan R. BosworthHORSESHOES AREN’T ALWAYS LUCKY, by Sam BrantGUN-WHIPPED! by Carmony GoveA 22-GUN RANGER WALKS, by Raymond S. SpearsRANGER STYLE, by J. Allan DunnPLUMB AMUSING, by Jackson ColeNO REPORT, by S. Omar BarkerEL TIRO DI GRACIA, by Colin CameronTHE PHILOSOPHY OF GRAY EACLE, by Wolcott LeClear BeardSIXGUNS TO BOWIE, by Robert J. HoganDESERT JUDGMENT, by E. Hoffmann PriceTHE TRAIL TRAP, by T.W. FordGUN-QUEEN OF THE SPANISH GRANT, by Joseph ChadwickHOPALONG’S HOP, by Clarence E. MulfordDEMONS OF DISASTER, by Johnston McCulleyWAR ON BEAR CREEK, by Robert E. HowardBRAND OF THE RED WARRIOR, by Ike BooneFETCH ME BRANNON’S EARS, by Seven AndertonTHE LUCK OF ROARING CAMP, by Bret HarteINVITATION BY BULLET, by Ernest HaycoxAnd don't forget to check out all the other volumes in the "Megapack" series! Search on "Megapack" in the ebook store to see the complete list...covering adventure stories, military, fantasy, ghost stories, and more!

    Her mother has convinced Maddie that she has no choice, as the child is illegitimate and the father has deserted her. But this is the final straw for Maddie and she knows she must leave home. It's now or never. But who can she to turn for help? Catching the train to Leicester, she goes in search of the one person who might take her in - even though she has no idea where they live. And when she gets a job in a funeral parlour she discovers that life is full of surprises - for love and laughter can be found in the most unlikely places!

    Poor Sylvie blames herself for the accident and Millie needs all her strength to comfort her children and overcome her grief. Then Pete's will is read and further heartache lies in store...Meanwhile, Pete's younger brother and his good-for-nothing sons try to take control of the family business, but they've underestimated Millie's indomitable spirit. She's worked in Maynard's perfume laboratory for eighteen years and is determined to protect her husband's legacy no matter what obstacles are thrown in her way...

    "Ubu and the Truth Commission" is the full play text of a multi-dimensional theatre piece which tries to make sense of the madness which overtook South Africa during apartheid.

    The Ramayana records the adventure of Rama, the Lord of righteousness, as He struggles to overcome the forces of Ravana. This absorbing naration has delighted and enlightened countless generations in India, and its timeless spiritual insights are compellingly relevant in today's confused world.

    Travelling with Mandia, a fellow South African and Black activist, helps Andrea put into perspective the more hedonistic elements of her new life. As the story unfolds in a landscape evoked with a breathtaking mastery, Andrea and Mandia confront the uneasy relationships which develop between themselves and their lovers. Their difficulties form an allegory for those faced by two disparate continents, as they undertake the process of reconciling Europe's past and Africa's present.

    Coetzee reinvents the story of Robinson Crusoe—and in so doing, directs our attention to the seduction and tyranny of storytelling itself.In 1720 the eminent man of letters Daniel Foe is approached by Susan Barton, lately a castaway on a desert island. She wants him to tell her story, and that of the enigmatic man who has become her rescuer, companion, master, and sometimes lover: Cruso. Cruso is dead, and his manservant, Friday, is incapable of speech. As she tries to relate the truth about him, the ambitious Barton cannot help turning Cruso into her invention. For as narrated by Foe—as by Coetzee himself—the stories we thought we knew acquire depths that are at once treacherous, elegant, and unexpectedly moving.~from the back cover

    Almost five decades ago, his father had laid the foundations of this vast Samrajya guided by the famed Guru Arya Chanakya. But now, the wealth and glory of the past has subsided...As the Samrat’s health continues to decline due to an unknown illness, problems are arising all over his realm. There is infighting and rebellion. No clear successor to him is present. Ninety nine of his sons stand in line waiting for his throne...Bharathvarsha needs a Chandragupta once again. And it needs a Chanakya too. Can the young Prince Asoka, who is the least favorite son of the Samrat, fill in the boots of his grandfather? Can Radhagupta, a mere Councilor of the Court be what Chanakya was to all the Aryas? Begin a new adventure with the first book of the Asoka trilogy as you read to find the answer to one great question-'That who shall be the next Samrat of this holy land of the Aryas?'

    

    As Alison McCulloch noted in the New York Times, “Wicomb deftly explores the ghastly soup of racism in all its unglory—denial, tradition, habit, stupidity, fear—and manages to do so without moralizing or becoming formulaic.”Caught in the narrow world of private interests and self-advancement, Marion eschews national politics until the Truth and Reconciliation Commission throws up information that brings into question not only her family’s past but her identity and her rightful place in contemporary South African society. “Stylistically nuanced and psychologically astute” (Kirkus), Playing in the Light is as powerful in its depiction of Marion’s personal journey as it is in its depiction of South Africa’s bizarre, brutal history.

    Dympna, the only girl, adores her father Micheál. She does her best to help her English mother and the family rub along by working hard and expecting little.But beneath the smooth-seeming surface there are hidden secrets. Beatrice idolises her clever eldest son, but her attitude to her husband and to Dympna is puzzling. Yet when the family desperately needs money it is Dympna who crosses the water to Liverpool, to send money back for them.Meanwhile, in Liverpool orphaned, half-starved Jimmy Ruddock struggles to escape from his background with little success until he meets Elsie, a tough young slum-dweller who helps him to better himself. Then he starts work abroad a Fleetwood trawler, and meets up with Dympna...Set in the late 1920s and 30s, No Silver Spoon charts the pleasures and pains of life - and love - in the glorious countryside of Connemara and in the fiercely competitive streets of the Liverpool slums. It confirms Katie Flynn as one of the most beloved and bestselling saga writers in Britain.

    At eleven years-old, she has survived sickness, near starvation and harsh beatings.Master Simpkins and his cruel daughter rule the workhouse with a rod of iron, but when Romany boy, Joe, arrives at the workhouse, his spirit and courage give Eliza hope that another life is waiting for her outside.When she is sold into service, Eliza is relieved to be out of the workhouse and hopes her fortunes are changing for the better, but cruelty and unkindness are everywhere and her salvation could become her ruin…

    Each playlet focuses on a different individual dramatising their life in the run-up to the tragedy.Published to coincide with the English language premiere at the Traverse Theatre in August as part of the International Edinburgh Festival before transferring to the Birmingham Rep, this is the first stage play to confront the London bombings of 7 July 2005.