A rich, attractive femme fatale. A missing husband. A rollicking ride to a dark and daring ending. Reed Ferguson’s first case is a daring adventure, complete with a dose of film noir, and a lot of humor. With a great supporting cast of the Goofball Brothers, Reed’s not too bright neighbors, and Cal, Reed’s computer geek friend, This Doesn’t Happen In The Movies is detective noir at its best. Follow Reed as he solves crime akin to his cinematic hero, Humphrey Bogart. Great for fans who love a fast-paced, humorous read, without a lot of swearing or sex.

    On a routine patrol she finds two murdered teenagers—one of whom she’d recently busted. With its echoes of her own past, the murdered girl’s harsh life and tragic death affect Lei deeply. She becomes obsessed—even as the killer is drawn to Lei's intensity, feeding off her vulnerabilities and toying with her sanity.Despite her obsession with the case and fear that she's being stalked, Lei finds herself falling in love for the first time. Steaming volcanoes, black sand beaches and shrouded fern forests are the backdrop to Lei's quest for answers—and the stalker is closer than she can imagine, as threads of the past tangle in her future. Lei is determined to find the killer—but he knows where to find her first.

    He's also a knight errant who's wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out and his rule is simple: he'll help you find whatever was taken from you, as long as he can keep half.

    Socially awkward and perpetually ill at ease, he spends his evenings quietly drinking and surreptitiously observing Adele Bedeau, the sullen but alluring waitress at a drab bistro in the unremarkable small French town of Saint-Louis. One day, she simply vanishes into thin air and Georges Gorski, a detective haunted by his failure to solve one of his first murder cases, is called in to investigate the girl's disappearance. He sets his sights on Manfred. As Manfred cowers beneath Gorski's watchful eye, the dark secrets of his past begin to catch up with him and his carefully crafted veneer of normalcy begins to crack. Graeme Macrae Burnet's masterful play on literary form featuring an unreliable narrator makes for a grimly entertaining psychological thriller that questions if it is possible--or even desirable--to know another man's mind.

    Cain's first novel - the subject of an obscenity trial in Boston and the inspiration for Camus's The Stranger - is the fever-pitched tale of a drifter who stumbles into a job, into an erotic obsession, and into a murder.

    But when the billionaire philanthropist is discovered murdered in his London home, tied naked to a bed, the scandal is only a shadow of the darkness lurking off-camera.Laura Fletcher returns from an Italian vacation to find her husband dead and her home under siege by paparazzi. Is she shocked? Yes. But is she distraught? Not exactly. Especially when Chief Inspector Tom Douglas reveals his suspicions that Hugo’s killer is female. Laura always knew she wasn’t the only woman in Hugo’s life. And she knows she wasn’t the only one with a motive to kill.The deeper Douglas digs, the more sordid details about Hugo Fletcher he uncovers. And yet nothing compares to the secret Laura guards, a secret that could bring the guilty to justice—or destroy an innocent life forever.

    But as Conway's curiosity grows and his leads proliferate, his investigation takes him from Scotland to Belfast. Shocked by the sectarian violence of the past, and by the prejudice and hatred he encounters even now, Conway soon grows obsessed with the story of Lyons and all he represents. And as he digs deeper, he comes to understand that there is indeed a story to be uncovered; and that there are people who will go to great lengths to ensure that it remains hidden. Compelling, vividly written and shocking, All the Colours of the Town is not only the story of an individual and his community - it is also a complex and thrilling inquiry into loyalty, betrayal and duty.

    Her murder shocked the nation. Her husband never pressed charges and moved abroad under a cloud of suspicion. Her son, just four years old, grew up in a loveless boarding school. And Detective Inspector Darnell, vowing to leave no stone unturned in the search for her killer, began to lose his only daughter. The young Stella Darnell grew to resent the dead Kate Rokesmith for capturing her father's attention in a way she never could.Thirty years later, Stella is dutifully sorting through her father's attic after his sudden death. The Rokesmith case papers are in a corner gathering dust: the case was never solved. Stella knows she should destroy them. Instead, she opens the box, and starts to read...

    Now one is profiling her.Rush hour, London. A packed commuter train is torn apart in a collision. Picking through the carnage, ex-special forces profiler Ziba MacKenzie helps a dying woman who passes on a cryptic message: He did it. You have to tell someone.When a corpse is found bearing the gruesome signature of a serial killer dormant for twenty-five years, Ziba is pulled into the hunt for the perpetrator. As the body count rises it becomes clear he’s on a new spree. But what’s brought the London Lacerator back after such a long hiatus? And does his sudden return have anything to do with the woman on the train?Ziba scrambles to profile the killer in the hope of predicting his next move. But time is running out. And the closer she gets to uncovering his identity, the closer he gets to destroying hers.

    Now he's a drifter, on the run after escaping from a mental institution. One afternoon he meets Fay, a beautiful young widow. She is smart and decent -- at least when she's sober. Soon Collins finds himself involved in a kidnapping scheme that goes drastically wrong almost before it even begins. Because the kid they've picked up isn't like other kids: he's diabetic and without insulin, he'll die. Not the safest situation for Collins, a man for whom stress and violence have long gone hand-in-hand.

    So when mutilated bodies found deep in the Montana woods leave the cops searching blindly for clues, Theo sees something they missed. Something unnatural. Something only he can stop.As a computational biologist, Theo is more familiar with digital code and microbes than the dark arts of forensic sleuthing. But a field trip to Montana suddenly lands him in the middle of an investigation into the bloody killing of one of his former students. As more details, and bodies, come to light, the local cops determine that the killer is either a grizzly gone rogue… or Theo himself. Racing to stay one step ahead of the police, Theo must use his scientific acumen to uncover the killer. Will he be able to become as cunning as the predator he hunts—before he becomes its prey?

    Pointing them out now no longer applies to the current edition.Tom Reed is a crime reporter with The San Francisco Star, whose superb journalistic skills earned him a Pulitzer nomination. But years later Reed’s life is coming apart. His editor wants him fired. His wife has left him to wrestle with his demons. Alone, Reed is tormented by the fear he may have caused the suicide of an innocent man suspected of murdering a two-year-old girl.Reed’s friend on the case is legendary San Francisco Homicide Inspector, Walt Sydowski, who has one of California’s highest clearance rates. He is also a lonely widower haunted by the fact he cannot solve the girl's heartbreaking death.Both men grapple with the past while they race the clock to learn the truth behind a several new abductions that have anguished the Bay Area, in this acclaimed thriller set in the late 1990s.

    But now Hank is here, working as a bartender and taking care of a cat named Bud who is surely going to get him killed.It begins when Hank’s neighbor, Russ, has to leave town in a rush and hands over Bud in a carrier. But it isn’t until two Russians in tracksuits drag Hank over the bar at the joint where he works and beat him to a pulp that he starts to get the idea: Someone wants something from him. He just doesn’t know what it is, where it is, or how to make them understand he doesn’t have it.Within twenty-four hours Hank is running over rooftops, swinging his old aluminum bat for the sweet spot of a guy’s head, playing hide and seek with the NYPD, riding the subway with a dead man at his side, and counting a whole lot of cash on a concrete floor.All because of two cowboys, two Russian mafia men, and some of the weirdest goons ever assembled in one place. All because of Bud. All because once, in another life, in another world, the only thing Hank wanted was to take third base—without getting caught.

    The Given Day tells the story of two families—one black, one white—swept up in a maelstrom of revolutionaries and anarchists, immigrants and ward bosses, Brahmins and ordinary citizens, all engaged in a battle for survival and power.Beat cop Danny Coughlin, the son of one of the city's most beloved and powerful police captains, joins a burgeoning union movement and the hunt for violent radicals. Luther Laurence, on the run after a deadly confrontation with a crime boss in Tulsa, works for the Coughlin family and tries desperately to find his way home to his pregnant wife.Here, too, are some of the most influential figures of the era—Babe Ruth; Eugene O'Neill; leftist activist Jack Reed; NAACP founder W. E. B. DuBois; Mitchell Palmer, Woodrow Wilson's ruthless Red-chasing attorney general; cunning Massachusetts governor Calvin Coolidge; and an ambitious young Department of Justice lawyer named John Hoover.Coursing through some of the pivotal events of the time—including the Spanish Influenza pandemic—and culminating in the Boston Police Strike of 1919, The Given Day explores the crippling violence and irrepressible exuberance of a country at war with, and in the thrall of, itself. As Danny, Luther, and those around them struggle to define themselves in increasingly turbulent times, they gradually find family in one another and, together, ride a rising storm of hardship, deprivation, and hope that will change all their lives.

    Contains Chandler's essay on the art of detective stories and a collection of 8 classic Chandler mysteries.