A 1940s #1 Bestseller and a Historic Novel All-Time Favorite A historic novel all-time favorite, after its translation in English from Swedish, The Egyptian topped the bestseller charts in 1949 and the years following. The protagonist of the novel is the fictional character Sinuhe, the royal physician, who tells the story in exile after Akhenaten's fall and death. Apart from incidents in Egypt, the novel charts Sinuhe's travels in then Egyptian-dominated Syria, in Mitanni, Babylon, Minoan Crete, Mitanni, and among the Hittites.The main character of the novel is named after a character in an ancient Egyptian text commonly known as The Story of Sinuhe. The original story dates to a time long before that of Akhenaten: texts are known from as early as the 12th Dynasty.Much concerned about the historical accuracy of his detailed description of ancient Egyptian life forced the author to carry out considerable research into the subject. The result has been praised not only by readers but also by Egyptologists.Waltari had long been interested in Akhenaten and wrote a play about him which was staged in Helsinki in 1938. World War II provided the final impulse for exploring the subject in a novel which, although depicting events that took place over 3,300 years ago

    He learns that he is eventually succeed to the throne of Mycenae, but before this he must learn the arts of war and the ruthless politics of Greece in the Heroic Age.

    An early illness has left one son with the intellect of a child; the other is destined for greatness but struggles between a keen mind that craves instruction and the pressures of a society that demands his prowess as a soldier.   Initially Aristotle hopes for a short stay in what he considers the brutal backwater of his childhood. But, as a man of relentless curiosity and reason, Aristotle warms to the challenge of instructing his young charges, particularly Alexander, in whom he recognizes a kindred spirit, an engaged, questioning mind coupled with a unique sense of position and destiny.  Aristotle struggles to match his ideas against the warrior culture that is Alexander’s birthright. He feels that teaching this startling, charming, sometimes horrifying boy is a desperate necessity. And that what the boy – thrown before his time onto his father’s battlefields – needs most is to learn the golden mean, that elusive balance between extremes that Aristotle hopes will mitigate the boy’s will to conquer. Aristotle struggles to inspire balance in Alexander, and he finds he must also play a cat-and-mouse game of power and influence with Philip in order to manage his own ambitions.  As Alexander’s position as Philip’s heir strengthens and his victories on the battlefield mount, Aristotle’s attempts to instruct him are honoured, but increasingly unheeded. And despite several troubling incidents on the field of battle, Alexander remains steadfast in his desire to further the reach of his empire to all known and unknown corners of the world, rendering the intellectual pursuits Aristotle offers increasingly irrelevant. Exploring this fabled time and place, Annabel Lyon tells her story in the earthy, frank, and perceptive voice of Aristotle himself. With sensual and muscular prose, she explores how Aristotle’s genius touched the boy who would conquer the known world. And she reveals how we still live with the ghosts of both men.

    The world's largest navy lies peacefully at anchor in Misenum. The tourists are spending their money in the seaside resorts of Baiae, Herculaneum, and Pompeii.But the carefree lifestyle and gorgeous weather belie an impending cataclysm, and only one man is worried. The young engineer Marcus Attilius Primus has just taken charge of the Aqua Augusta, the enormous aqueduct that brings fresh water to a quarter of a million people in nine towns around the Bay of Naples. His predecessor has disappeared. Springs are failing for the first time in generations. And now there is a crisis on the Augusta's sixty-mile main line—somewhere to the north of Pompeii, on the slopes of Mount Vesuvius.Attilius—decent, practical, and incorruptible—promises Pliny, the famous scholar who commands the navy, that he can repair the aqueduct before the reservoir runs dry. His plan is to travel to Pompeii and put together an expedition, then head out to the place where he believes the fault lies. But Pompeii proves to be a corrupt and violent town, and Attilius soon discovers that there are powerful forces at work—both natural and man-made—threatening to destroy him.With his trademark elegance and intelligence, Robert Harris, bestselling author of Archangel and Fatherland, re-creates a world on the brink of disaster.

    Perfect for fans of Wallace Breem’s Eagle in the Snow Camul and Acco are young Gauls, content to accept Roman occupation for the benefits it brings. Until Acco brings on himself the curse of the Goddess, and the two are forced to escape her by joining the Roman Army. Julius Caesar’s campaigns carry them from the Rhine to Rome, Greece and finally the steppes of Russia. Along the way they face many trials, and feel the full might of the Roman war machine. But distance means little to a Goddess, and Camul must make a terrible pact to survive...The classic of Roman fiction, Winter Quarters is an extraordinary and vivid journey through Roman legions. Perfect for fans of Wallace Breem’s Eagle in the Snow, Simon Scarrow and Ben Kane. ‘Winter Quarters covers a remarkable amount of ground, and covers it convincingly… Mr Duggan throws the strengths and weaknesses of the era into sharp relief… damnably skillful’ The Sunday Times‘Winter Quarters… is among the finest, I think, that he has yet produced… It is an exciting story, admirably told. The closing battle-scene is particularly well done.’ Daily Mail ‘Mr Duggan is one of the best historical novelists going now. He writes economically and is always to the point… We are given a vivid picture of life in Rome and the Near East… there are some splendid battles.’ News Chronicle ‘The chief triumph of this remarkable book is its presentation of paganism.’ John Betjeman, Daily Telegraph ‘Contains just the right blend of information and imagination, with a vivid background and a just appreciation of the human element underlying historical figures. The strength and weaknesses of the Romans are put into excellent perspective.’ Irish Times ‘Few novelists can touch Alfred Duggan when it comes to recreating remote corners of historical time and place’ Guardian

    In the First Punic War, the Roman legions defeated and humiliated Carthage, their only serious rival for power in the Mediterranean. Now a brilliant young Carthaginian general, called Hannibal, is out for revenge. Caught up in the maelstrom are two young boys, Hanno, the son of a distinguished soldier and confidant of Hannibal, and Quintus, son of a Roman equestrian and landowner. A disastrous adventure will see Hanno sold into slavery and bought by Quintus's father. Although an unexpected friendship springs up between the two boys -- and with Quintus's sister, Aurelia -- the fortunes of the two warring empires once again separates them. They find themselves on opposite sides of the conflict and an alliance forged through slavery will be played out to its stunning conclusion in battle.From the Trade Paperback edition.

    One by one the mighty cities are falling, to earthquakes, to flood, to raiders on both land and sea.In a time of war and doubt, Gull is an oracle. Daughter of a slave taken from fallen Troy, chosen at the age of seven to be the voice of the Lady of the Dead, it is her destiny to counsel kings.When nine black ships appear, captained by an exiled Trojan prince, Gull must decide between the life she has been destined for and the most perilous adventure -- to join the remnant of her mother's people in their desperate flight. From the doomed bastions of the City of Pirates to the temples of Byblos, from the intrigues of the Egyptian court to the haunted caves beneath Mount Vesuvius, only Gull can guide Prince Aeneas on his quest, and only she can dare the gates of the Underworld itself to lead him to his destiny.In the last shadowed days of the Age of Bronze, one woman dreams of the world beginning anew. This is her story.

    From the acclaimed author who enthralled the world with Exodus, Battle Cry, QB VII, Topaz, and other beloved classics of twentieth-century fiction comes a sweeping and powerful epic adventure that captures the "terrible beauty" of Ireland during its long and bloody struggle for freedom. It is the electrifying story of an idealistic young Catholic rebel and the valiant and beautiful Protestant girl who defied her heritage to join his cause. It is a tale of love and danger, of triumph at an unthinkable cost—a magnificent portrait of a people divided by class, faith, and prejudice—an unforgettable saga of the fires that devastated a majestic land... and the unquenchable flames that burn in the human heart.

    Surrounded by men who are jockeying for power–Cicero, Brutus, Cassius, and Mark Antony–young Octavius must work against the powerful Roman political machinations to claim his destiny as first Roman emperor. Sprung from meticulous research and the pen of a true poet, Augustus tells the story of one man’s dream to liberate a corrupt Rome from the fancy of the capriciously crooked and the wildly wealthy.

    If adjusting to the rigours of military life isn’t difficult enough for the bookish young man, he also has to contend with the disgust of his colleagues when, because of his imperial connections, he is appointed a rank above them. As second-in-command to Macro, the fearless, battle-scarred centurion who leads them, Cato will have more to prove than most in the adventures that lie ahead. Then the men discover that the army’s next campaign will take them to a land of unparalleled barbarity - Britain. After the long march west, Cato and Macro undertake a special mission that will thrust them headlong into a conspiracy that threatens to topple the Emperor himself...

    With brilliant prose, terrific imagination, and dazzling literary skill, Mason creates alternative episodes, fragments, and revisions of Homer’s original that taken together open up this classic Greek myth to endless reverberating interpretations. The Lost Books of the Odyssey is punctuated with great wit, beauty, and playfulness; it is a daring literary page-turner that marks the emergence of an extraordinary new talent.

    It was on his travels that he found his own very real gift for healing—a gift that urged him on to become a doctor. So all consuming was his dream, that he made the perilous, unheard-of journey to Persia, to its Arab universities where he would undertake a transformation that would shape his destiny forever.

    Homer's poems occupy, as Adam Nicolson writes "a third space" in the way we relate to the past: not as memory, which lasts no more than three generations, nor as the objective accounts of history, but as epic, invented after memory but before history, poetry which aims "to bind the wounds that time inflicts."The Homeric poems are among the oldest stories we have, drawing on deep roots in the Eurasian steppes beyond the Black Sea, but emerging at a time around 2000 B.C. when the people who would become the Greeks came south and both clashed and fused with the more sophisticated inhabitants of the Eastern Mediterranean.The poems, which ask the eternal questions about the individual and the community, honor and service, love and war, tell us how we became who we are.

    We meet the Greek gods on Olympus and Norse gods in Valhalla. We follow the drama of the Trojan War and the wanderings of Odysseus. We hear the tales of Jason and the Golden Fleece, Cupid and Psyche, and mighty King Midas. We discover the origins of the names of the constellations. And we recognize reference points for countless works of art, literature, and cultural inquiry--from Freud's Oedipus complex to Wagner's Ring Cycle of operas to Eugene O'Neill's Mourning Becomes Electra. Praised throughout the world for its authority and lucidity, Mythology is Edith Hamilton's masterpiece--the standard by which all other books on mythology are measured.

    Disguising herself as a eunuch she flees Ephesus for Alexandria, then the center of learning. There she apprentices to a Jewish doctor but eventually becomes drawn into Church politics and is forced once again to flee. She serves as an army doctor at a Roman outpost in Thrace until, kidnapped by barbarian Visigoths, she finds her destiny to heal and also to be a woman and a wife.