Poe's work is full of mystery, horror, and a dark imagination, while Verne focuses on action and adventure. It is a fascinating look at two great literary minds as they work on the same subject: the strange voyage of Arthur Gordon Pym to the Antarctic.

    In a relaxed and humorous tone, these splendid artists bring to life the myths that have inspired great European literature and art through the ages, creating a book readers of all ages will cherish."For any child fortunate enough to have this generous book...the kings and heroes of ancient legend will remain forever matter-of-fact; the pictures interpret the text literally and are full of detail and witty observation."--The Horn  Book"The drawings, particularly the full-page ones in this oversized volume, are excellent  and excitingly evocative."--The New  York Times"Parents, uncles, and aunts who have been searching for a big picture book that has good reading-aloud value for the younger ones and fine read-it-yourself value on up, have it in this volume...a children's classic."--Christian Science Monitor

    It was also prophesied that this night would witness the return of Emperor Kellanved, and there are those prepared to do anything to prevent this from happening…Ian C. Esslemont co-created the world of Malaz with his friend Steven Erikson, and Esslemont’s Novels of the Malazan Empire are set in the same world as Erikson’s Malazan Book of the Fallen.Other Tor books by Ian C. EsslemontPath to Ascendancy Dancer’s Lament Deadhouse Landing Other books in the world of Malaz by Steven Erikson Malazan Book of the Fallen Gardens of the Moon Deadhouse Gates Memories of Ice House of Chains Midnight Tides The Bonehunters Reaper’s Gale Toll the Hounds Dust of Dreams The Crippled God The Kharkanas Trilogy Forge of Darkness Fall of Light Walk in Shadow* At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    The grief of losing one of their own, coupled with their frustration at the careless behavior of newborn immortals forces Julia Agrippina to employ Samantha Moon to find out who took Alexei, find him and bring him home safely.  Sam finds that its an offer she can’t refuse. It seems The Watchers have been very active in the background of Los Angeles, ensuring that the locals don't find out too much about the various creatures of the night that live and hunt among them... but the time to pay for their services has arrived.  Sam teams up with prolific vampire hunter Veronica, a close friend of Alexei’s, to locate the boy and with a little help from his sister, the two investigators are soon hot on the trail. But, of course, neither is used to things sailing smoothly for very long. A warning from an unlikely source, reveals a deeper, sinister reason behind Alexei’s abduction and deep in the Central American jungle, Sam uncovers a mad man’s plan to destroy an entire nation.  In a display of their all-encompassing power, The Watchers move swiftly into action and while Sam and Veronica bring their lost friend home, Julia leads the others onto the battlefield for one more stand against evil and corruption.

    And join Odysseus on his journey through murky waters, facing obstacles like the terrifying Scylla and whirring Charybdis, the beautiful enchantress Circe, and the land of the raging Cyclôpes. Using narrative threads from The Iliad and The Odyssey, Padraic Colum weaves a stunning adventure with all the drama and power that Homer intended.

    Led by a stouthearted pair of friends, they journey forth from their native Sandleford Warren through the harrowing trials posed by predators and adversaries, to a mysterious promised land and a more perfect society.

    Or is it? He's not sure, he doesn't really care. It might be his last day or the beginning of a new chapter in his life. He must find the key to his old room. He knows the truth about his past lies there and somehow he must get in and confront it.Over a million Rose Tremain books sold‘A writer of exceptional talent ... Tremain is a writer who understands every emotion’ Independent I‘There are few writers out there with the dexterity or emotional intelligence to rival that of the great Rose Tremain’ Irish Times‘Tremain has the painterly genius of an Old Master, and she uses it to stunning effect’ The Times'Rose Tremain is one of the very finest British novelists' Salman Rushdie‘Tremain is a writer of exemplary vision and particularity. The fictional world is rendered with extraordinary vividness’ Marcel Theroux, Guardian

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    The book chronicles the adventures of Arthur as he draws the sword Excalibur from the anvil, proving his right to the throne, and as he courts and wins the heart of Guinevere. Later he suffers the treachery of the wicked Morgana le Fay and witnesses the tragic fate of the Enchanter Merlin. In Pyle’s classic retelling, the legends come alive in unsurpassed vividness. More powerful than any of Merlin’s spells, The Story of King Arthur and His Knights has enthralled and delighted generations of readers fascinated by chivalry, magic, and the unforgettable drama of medieval times.

    He is warned by night whispers to flee from his tiny mountain village of Dun Mare. The stolen egg of a dragon will pay his way, if he manages to live long enough to sell it. However there are forces against him far beyond his understanding. All he believes he knows about his life and home is false, but the egg of the black dragon is the key. Many believe black dragons do not exist or have gone extinct. Gareth finds himself alone in a strange world of tempest seas, flying dragons, and powerful foes vying for the mental powers he may possess, and for control of the egg. Telepathic teachers a secret sisterhood, and the king's armies willing to kill for a black dragon are only the beginning of Gareth's story. The second book of the series is expected to be published by October of 2015.

    He's a quiet ten year old who can't help himself from dropping out of reality and into the amazing world of his vivid imagination. His daydreams are fantastic and fascinating - only in the bizarre and disturbing world of dreams can he swap bodies with the family cat and his baby cousin, Kenneth, or wipe out his entire family with vanishing cream.

    What we have here in this big fat volume is a cockeyed chrestomathy of 37 Algren pieces... with his hallmark stamped on every link." —The New York Times Book Review"The range of the book is satisfying—rich, will titillate even the most fastidious dilettante or culture vulture... also contains pieces that will make you laugh your head off. Once you begin reading it, you will not be able to put it aside." —The Chicago Tribune"Essential Algren." —The Washington Post"Very good, fast, funny and tough... Algren, where have you been hiding?" —The San Francisco ChronicleHere again is Algren's rich output from the 1960s and '70s, tough, streetwise stories and travelogues from around the world: accounts of brothels in Vietnam and Mexico, stories of the boxing ring, and reminiscences of his beloved Chicago White Sox, among other subjects.

    Deucalion and Pyrrha Theseus and the Centaur Niobe The Gorgon's Head From Hawthorne's "Wonder Book." The Golden FleeceFrom Hawthorne's "Tanglewood Tales." The CyclopsFrom Church's "Stories from Homer." Œdipus and the SphinxAdapted from Church's "Stories from Greek Tragedians."Antigone, a Faithful Daughter and SisterThe Story of IphigeniaFrom Church's "Stories from Greek Tragedians."The Sack of TroyFrom Church's "Stories from Virgil."Beowulf and GrendelFrom Joyce Pollard's "Stories from Old English Romance."The Good King Arthur The Great Knight Siegfried Lohengrin and Elsa the BeautifulFrom the German of Robert Hertwig.Frithiof the Bold Wayland the Smith Twardowski, the Polish Faust Ilia Muromec of Russia Kralewitz Marko of Servia The Decision of Libuscha Count Roland of FranceFrom Church's "Stories of Charlemagne and the Peers of France."The Cid

    "Bold and unhesitating".--Times Literary Supplement (London). 16 pages of photos.