Ultimately, they are forced to make life-changing decisions that depend on their courage and their commitment to one another.First self-published in 1969 (titled A Place for Us) in an edition of 1,000 copies, the author hand-sold the book on New York street corners; it garnered increasing attention to the point of receiving the American Library Association's first Gay Book Award in 1971. McGraw-Hill's version of the book a year later brought it to mainstream bookstores across the country.Patience & Sarah is a historical romance whose drama was a touchstone for the burgeoning gay and women's activism of the 1960s and early 1970s. It celebrates the joys of an uninhibited love between two strong women with a confident defiance that remains relevant today.Features an appendix of supplementary materials about Patience & Sarah and the author, as well as an introduction by acclaimed novelist Emma Donoghue.

    The city is beginning to emerge from hibernation and an obscure spirit of social and political renewal is in the air. Yet Théo, his twin sister Isabelle and Matthew, an American student they have befriended, think only of immersing themselves in another, addictive form of hibernation: moviegoing at the Cinémathèque Française. Night after night, they take their place beside their fellow cinephiles in the very front row of the stalls and feast insatiably off the images that flicker across the vast white screen.Denied their nightly 'fix' when the French government suddenly orders the Cinémathèque's closure, Théo, Isabelle and Matthew gradually withdraw into a hermetically sealed world of their own creation, an airless universe of obsessive private games, ordeals, humiliations and sexual jousting which finds them shedding their clothes and their inhibitions with equal abandon. A vertiginous free fall interrupted only, and tragically, when the real world outside their shuttered apartment succeeds at last in encroaching on their delirium.The study of a triangular relationship whose perverse eroticism contrives nevertheless to conserve its own bruised purity, brilliant in its narrative invention and startling in ints imagery, The Dreamers (now a film by Bernardo Bertolucci) belongs to the romantic French tradition of Les Enfants Terribles and Le Grand Meaulnes and resembles no other work in recent British fiction.

    Having grown up worse than poor in South Dakota and reinvented herself as the most prominent woman reporter in America, "Hick," as she's known to her friends and admirers, is not quite instantly charmed by the idealistic, patrician Eleanor. But then, as her connection with the future first lady deepens into intimacy, what begins as a powerful passion matures into a lasting love, and a life that Hick never expected to have.She moves into the White House, where her status as "first friend" is an open secret, as are FDR's own lovers. After she takes a job in the Roosevelt administration, promoting and protecting both Roosevelts, she comes to know Franklin not only as a great president but as a complicated rival and an irresistible friend, capable of changing lives even after his death. Through it all, even as Hick's bond with Eleanor is tested by forces both extraordinary and common, and as she grows as a woman and a writer, she never loses sight of the love of her life.From Washington, D.C. to Hyde Park, from a little white house on Long Island to an apartment on Manhattan's Washington Square, Amy Bloom's new novel moves elegantly through fascinating places and times, written in compelling prose and with emotional depth, wit, and acuity.

    When she meets the rebellious Amina who confounds the Indian community by driving a taxi and setting up a cafe with a black man, her world is turned upside down.

    And then one day this closest of friendships grows into something more.But then we fast forward a decade or so, to find that Ellis is married to Annie, and Michael is nowhere in sight. Which leads to the question, what happened in the years between?This is almost a love story. But it's not as simple as that.

    Twenty-year-old Maren Bergensdatter stands on the craggy coast, watching the sea break into a sudden and reckless storm. Forty fishermen, including her brother and father, are drowned and left broken on the rocks below. With the menfolk wiped out, the women of the tiny Northern town of Vardø must fend for themselves. Three years later, a sinister figure arrives. Absalom Cornet comes from Scotland, where he burned witches in the northern isles. He brings with him his young Norwegian wife, Ursa, who is both heady with her husband's authority and terrified by it. In Vardø, and in Maren, Ursa sees something she has never seen before: independent women. But Absalom sees only a place untouched by God and flooded with a mighty evil. As Maren and Ursa are pushed together and are drawn to one another in ways that surprise them both, the island begins to close in on them with Absalom's iron rule threatening Vardø's very existence. Inspired by the real events of the Vardø storm and the 1620 witch trials, The Mercies is a feminist story of love, evil, and obsession, set at the edge of civilization.

    Besieged by the press, his widow Millie flees to a remote Scottish village, where she seeks solace in memories of their marriage. The reminiscences of those who knew Joss Moody render a moving portrait of a shared life founded on an intricate lie, one that preserved a rare, unconditional love.

    F's working life on London's Skin Lane is one governed by calm, precision and routine. So when he starts to have frightening, recurring nightmares, he does his best to ignore them. The images that appear in his dream are disturbing, Mr. F can't for the life of him think where they have come from. After all, he's a perfectly ordinary middle-aged man. As London's crooked backstreets begin to swelter in the long, hot summer of 1967, Mr. F's nightmare becomes an obsession. A chance encounter adds a face to the body that nightly haunts him, and the torments of his sweat-drenched nights lead him and the reader deeper into a terrifying labyrinth of rage, desire and shame. Part fairy-tale, part compelling evocation of a now-lost London, Neil Bartlett's long-awaited third novel is his fiercest piece of writing yet: cruel, erotic, and tender.

    Earl, a black, gay actor working in a meatpacking plant, and Bette, a white secretary, have lived next door to each other in the same Greenwich Village apartment building for thirty years. Shamed and disowned by their families, both found refuge in New York and in their domestic routine. Everything changes when Hortense, a wealthy young actress from Ohio, comes to the city to "make it." Textured with the grit and gloss of midcentury Manhattan, The Cosmopolitans is a lush, inviting read. The truths it frames about the human need for love and recognition remain long after the book is closed.

    He is the 'perfect waiter', a model of order in every way. But inwardly this polite, withdrawn man has been caught in the grip of an overwhelming passion that began in the summer of 1935 with Jakob, a fellow waiter. For Jakob the affair is just a fling, but for Erneste it is true love. When the great German writer Julius Klinger arrives at the hotel, seeking sanctuary from Hitler's Germany, his gaze, too, lights on Jakob. One morning, three decades later, Erneste receives a letter with a US postmark from Jakob asking for help. It is a call that forces Erneste to engage with the world again and risk discovering the truth behind his memories of the great love of his youth. Shifting skilfully between two eras, Sulzer's tense, moving and elegantly written novel is a small masterpiece about the joy and pain of love.

    Decca is in love with Rupert, but he in turn is in love with her brother, Istvan. When Istvan comes to town, louche puppet troupe in tow, the lines of their age-old desires intersect against a backdrop of approaching war. Hearts are broken when old betrayals and new alliances - not just their own - take shape, as the townsmen seek refuge from the onslaught of history by watching the girls of the Poppy cavort onstage with Istvan's naughty puppets . . .Under the Poppy is a vivid, sexy, historical novel that zips along like the best guilty pleasure. Nominated for the IMPAC Award. Winner of the Gaylactic Spectrum Award.

    In despair, Melville takes his family for a vacation to his cousin’s farm in the Berkshires, where he meets Nathaniel Hawthorne at a picnic—and his life turns upside down.  The Whale chronicles the fervent love affair that grows out of that serendipitous afternoon. Already in debt, Melville recklessly borrows money to purchase a local farm in order to remain near Hawthorne, his newfound muse. The two develop a deep connection marked by tensions and estrangements, and feelings both shared and suppressed.   Melville dedicated Moby-Dick to Hawthorne, and Mark Beauregard’s novel fills in the story behind that dedication with historical accuracy and exquisite emotional precision, reflecting his nuanced reading of the real letters and journals of Melville, Hawthorne, Oliver Wendell Holmes, and others. An exuberant tale of longing and passion, The Whale captures not only a transformative relationship—long the subject of speculation—between two of our most enduring authors, but also their exhilarating moment in history, when a community of high-spirited and ambitious writers was creating truly American literature for the first time.

    Bold and inventive in his account of the urban underworld of male prostitution, Rechy is equally unflinching in his portrayal of one hustling "Youngman" and his restless search for self-knowledge. As the narrator careens from El Paso to Times Square, from Pershing Square to the French Quarter, we get an unforgettable look at a neon-lit life on the edge. Said James Baldwin of the author, "Rechy is the most arresting young writer I've read in a very long time. His tone rings absolutely true, is absolutely his own; and he has the kind of discipline which allows him a rare and beautiful reckless."

    Frederick Bailey is a quiet, cultured, closeted architect reluctantly drawn into the effort to save Pennsylvania Station from being demolished. But when he meets Curt, a vibrant, immature gay activist more than half his age, he is overtaken by passions he hasn't felt in years, putting everything he cares about--his friends, his family, his career and reputation--at risk. As the elegant old train station is dismantled piece by piece to make way for the crass new Madison Square Garden sports arena, Frederick must undergo a reckoning he has dreaded all his life. Award-winning author Patrick E. Horrigan delves into the fractured psyches of mid-twentieth-century gay men, conjuring a picture of New York City and the nation on the brink of explosive cultural change.

    Paris in the 1920s shimmers with excitement, dissipation, and freedom. It is a place of intoxicating ambition, passion, art, and discontent, where louche jazz venues like the Chameleon Club draw expats, artists, libertines, and parvenus looking to indulge their true selves. It is at the Chameleon where the striking Lou Villars, an extraordinary athlete and scandalous cross-dressing lesbian, finds refuge among the club's loyal denizens, including the rising Hungarian photographer Gabor Tsenyi, the socialite and art patron Baroness Lily de Rossignol; and the caustic American writer Lionel Maine. As the years pass, their fortunes - and the world itself - evolve. Lou falls desperately in love and finds success as a race car driver. Gabor builds his reputation with startlingly vivid and imaginative photographs, including a haunting portrait of Lou and her lover, which will resonate through all their lives. As the exuberant twenties give way to darker times, Lou experiences another metamorphosis - sparked by tumultuous events - that will warp her earnest desire for love and approval into something far more.