Then one afternoon, Evie disappears, and as a rabid, giddy panic spreads through the balmy suburban community, everyone turns to Lizzie for answers. Was Evie unhappy, troubled, or upset? Had she mentioned being followed? Would she have gotten into the car of a stranger?Compelled by curiosity, Lizzie takes up her own furtive pursuit of the truth. Haunted by dreams of her lost friend and titillated by her own new power as the center of the disappearance, Lizzie uncovers secret after secret and begins to wonder if she knew anything at all about her best friend.

    Who am I? My name is Christy Snow. I'm seventeen and I'm about to die. I'm buried in a coffin under tons of concrete. No one knows where I am. My heart sounds like a monster with clobber feet, running straight toward me. I'm lying on my back, soaked with sweat from the hair on my head to the soles of my feet. My hands and feet won't stop shaking.Some will say that I m not really here. Some will say I'm delusional. Some will say that I don t even exist. But who are they? I'm the one buried in a grave. My name is Christy Snow. I'm seventeen. I'm about to die.So who are you?In a return to the kind of storytelling that made Black, Showdown and Three unforgettable, New York Times bestselling author Ted Dekker drags that question into the light with this modern day parable about how we see ourselves. Humming with intensity and blindsided twists, Eyes Wide Open is raw adrenaline from the first page to the last pure escapism packed with inescapable truth. Not all is as it seems. Or is it? Strap yourself in for the ride of your life. Literally.

    He has a single room, a job on a decaying London barge, and an on-off affair with a doctor's daughter called Victoria, who claims to have seen her first corpse at age thirteen.It's not ideal, but it's a life. Or it would be if Shaw hadn't got himself involved in a conspiracy theory that, on dark nights by the river, seems less and less theoretical...Meanwhile, Victoria is up in the Midlands, renovating her dead mother's house, trying to make new friends. But what, exactly, happened to her mother? Why has the local waitress disappeared into a shallow pool in a field behind the house? And why is the town so obsessed with that old Victorian morality tale, The Water Babies?As Shaw and Victoria struggle to maintain their relationship, the sunken lands are rising up again, unnoticed in the shadows around them.

    Haunting, exquisite Rosalind Maybrick, wife of a billionaire owner, one day can't quite decide what it is she wants, and discovers too late that her whole life is transformed . . . Twenty-year-old Tiffany Morse, stuck in her job at Wal-Mart, prays, "Please make something happen here . . . This time, I mean it," and something does . . . Farley, a good trainer in a bad slump; Buddy, a ruthless trainer who can't seem to lose even though he knows that his personal salvation depends upon it; Roberto, an apprentice jockey who has "the hands" but is growing too big for his dream career with every passing day; Leo the gambler and his earnest son, Jesse, who understands everything about his father's "system" except why it doesn't work; Elizabeth, the 62-year-old theorist of sex and animal communication, and her best friend, Joy, the mare manager at the ranch at the center of the universe—all are woven together by the horses that pass among them: Two colts and two fillies who begin with the promise of talent and breeding, and now might or might not achieve stardom. There are the geldings—Justa Bob, the plain brown horse who always wins by a nose, a lovable claimer who passes from owner to owner on a heart-wrenching journey down from the winner's circle; and the beautiful Mr. T., raced in France and rescued in Texas, who is discovered to have some unusual and amazing talents. And then there is the Jack Russell terrier, Eileen, a dog with real convictions—and the will to implement them.The strange, compelling, sparkling, and mysterious universe of horse racing that has fascinated generations of punters and robber barons, horse-lovers and wits, has never before been depicted with such verve and originality, such tenderness, such clarity, and, above all, such sheer exuberance.

    She leaves the bed she shares with her sister and soars into the night sky, listening to the nighttime sounds of her small Welsh village below. Irrepressible Gwenni -- a dreamer full of unanswerable questions and unbounded curiosity -- is childlike yet touchingly adult. Reluctantly facing a modern world, she prefers her nightly flights to school and her chores. Blessed with the uncommon insight of a young girl, Gwenni's view of the world is unparalleled.Quaint, odd, touched, funny in the head: Gwenni is all too familiar with the taunts of her peers and fields them with equanimity beyond her years. She knows she can no more change her nature than stop the sun from rising. And when a neighbour goes missing, Gwenni turns amateur sleuth, determined to solve the mystery of his disappearance. Little does she realize that the trail she's pursuing will bring her uncomfortably close to home, and a dark secret.

    He lives alone in a big house in Surrey, England, looked after by a chauffeur, butler, cook and housemaid. He has but one concern—his fortune in excess of 500 million pounds, and who should inherit it on his death. Past Imperfect is the story of a quest. Damian Baxter wishes to know if he has a living heir. By the time he married in his late thirties he was sterile (the result of adult mumps), but what about before that unfortunate illness? Had he sired a child? He sets himself (and others) to the task of finding his heir.

    Forty years ago, he carelessly lost a keepsake from his beloved fiancée, Therese. That very same day, she died unexpectedly. Brokenhearted, Anthony sought consolation in rescuing lost objects—the things others have dropped, misplaced, or accidentally left behind—and writing stories about them. Now, in the twilight of his life, Anthony worries that he has not fully discharged his duty to reconcile all the lost things with their owners. As the end nears, he bequeaths his secret life’s mission to his unsuspecting assistant, Laura, leaving her his house and all its lost treasures, including an irritable ghost.Recovering from a bad divorce, Laura, in some ways, is one of Anthony’s lost things. But when the lonely woman moves into his mansion, her life begins to change. She finds a new friend in the neighbor’s quirky daughter, Sunshine, and a welcome distraction in Freddy, the rugged gardener. As the dark cloud engulfing her lifts, Laura, accompanied by her new companions, sets out to realize Anthony’s last wish: reuniting his cherished lost objects with their owners.Long ago, Eunice found a trinket on the London pavement and kept it through the years. Now, with her own end drawing near, she has lost something precious—a tragic twist of fate that forces her to break a promise she once made.As the Keeper of Lost Objects, Laura holds the key to Anthony and Eunice’s redemption. But can she unlock the past and make the connections that will lay their spirits to rest?Full of character, wit, and wisdom, The Keeper of Lost Things is heartwarming tale that will enchant fans of The Particular Sadness of Lemon Cake, Garden Spells, Mrs Queen Takes the Train, and The Silver Linings Playbook.

    As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began with a fire in an antiquarian bookstore.A distinguished Shakespearean scholar found tortured to death . . . A lost manuscript and its secrets buried for centuries . . . An encrypted map that leads to incalculable wealth . . . The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet. Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives? These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one—not family, not friends, not lovers—is to be trusted. Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery . . . or self-destruction.

    The protagonist, Leonard Marnham, is a 25-year-old, naive, unsophisticated English post office technician who is astonished and alarmed to find himself involved in a top-secret operation. At the same time that he loses his political innocence, Leonard experiences his sexual initiation in a clandestine affair with a German divorcee five years his senior. As his two secret worlds come together, events develop into a gruesome nightmare, building to a searing, unforgettable scene of surrealist intensity in which Leonard and his lover try to conceal evidence of a murder. Acting to save himself from a prison sentence, Leonard desperately performs an act of espionage whose ironic consequences resonate down the years to a twister of an ending. Though its plot rivals any thriller in narrative tension, this novel is also a character study--of a young man coming of age in bizarre circumstances, and of differences in national character: the gentlemanly Brits, all decorum and civility; the brash, impatient Americans; the cynical Germans. McEwan's neat, tensile prose raises this book to the highest level of the genre.

    He is sitting in a small plane, being flown over the landscape that has been the backdrop to his life – his childhood, his marriage, his work, his passions. Now he is in his mid-sixties, and he isn’t quite the man he used to be. He has lost his wife, his son is in prison, and he is about to lose his past. Jake has Alzheimer’s.As the disease takes hold of him, Jake struggles to hold on to his personal story, to his memories and identity, but they become increasingly elusive and unreliable. What happened to his daughter? Is she alive, or long dead? And why exactly is his son in prison? What went so wrong in his life? There was a cherry tree once, and a yellow dress, but what exactly do they mean? As Jake fights the inevitable dying of the light, the key events of his life keep changing as he tries to grasp them, and what until recently seemed solid fact is melting into surreal dreams or nightmarish imaginings. Is there anything he’ll be able to salvage from the wreckage? Beauty, perhaps, the memory of love, or nothing at all?From the first sentence to the last, The Wilderness holds us in its grip. This is writing of extraordinary power and beauty.

    He finds himself swept off of his feet and married to her, bringing her with him to live in his family home. She is his erotic dream come true; she does everything she can to bind him to her and join him in his comfortable life.Soon, however, odd things begin to happen. Things in the house are strangely damp with what looks like seawater, bodies appear under the water that aren't really there. It all winds up to a horrifying conclusion.

    As a gift for his translator's sister, a Beatles fanatic who will be his host, Saul's girlfriend will shoot a photograph of him standing in the crosswalk on Abbey Road, an homage to the famous album cover. As he waits for her to arrive, he is grazed by an oncoming car, which changes the trajectory of his life.The Man Who Saw Everything is about the difficulty of seeing ourselves and others clearly. It greets the specters that come back to haunt old and new love, previous and current incarnations of Europe, conscious and unconscious transgressions, and real and imagined betrayals, while investigating the cyclic nature of history and its reinvention by people in power. Here, Levy traverses the vast reaches of the human imagination while artfully blurring sexual and political binaries-feminine and masculine,

    This haunting and atmospheric novel opens with a heated discussion, as Shelley challenges the conventionally religious Frankenstein to consider his atheistic notions of creation and life. Afterward, these concepts become an obsession for the young scientist. As Victor begins conducting anatomical experiments to reanimate the dead, he at first uses corpses supplied by the coroner. But these specimens prove imperfect for Victor's purposes. Moving his makeshift laboratory to a deserted pottery factory in Limehouse, he makes contact with the Doomsday men—the resurrectionists—whose grisly methods put Frankenstein in great danger as he works feverishly to bring life to the terrifying creature that will bear his name for eternity. Filled with literary lights of the day such as Bysshe Shelley, Godwin, Lord Byron, and Mary Shelley herself, and penned in period-perfect prose, The Casebook of Victor Frankenstein is sure to become a classic of the twenty-first century.

    But when she returns, Viola is gone. A breaking point in an already fractured marriage, Viola’s abduction causes Ellis to disappear as well—into grief, guilt, and addiction. Convinced she can only do more harm to her family, Ellis leaves her husband and young sons, burying her desperate ache for her children deeper with every step into the mountain wildernesses she treks alone.In a remote area of Washington, a young girl named Raven keeps secrets inside, too. She must never speak to outsiders about how her mother makes miracles spring from the earth, or about her father, whose mysterious presence sometimes frightens her. Raven spends her days learning how to use her rare gifts—and more important, how to hide them. With each lesson comes a warning of what dangers lie in the world beyond her isolated haven. But despite her mother’s cautions, Raven finds herself longing for something more.As Ellis and Raven each confront their powerful longings, their journeys will converge in unexpected and hopeful ways, pulled together by the forces of nature, love, and family.

    As she waits to be rescued, Florence wonders if a terrible secret from her past is about to come to light; and, if the charming new resident is who he claims to be, why does he look exactly like a man who died sixty years ago?From the author of THE TROUBLE WITH GOATS AND SHEEP, this book will teach you many things, but here are three of them:1) The fine threads of humanity will connect us all forever.2) There is so very much more to anyone than the worst thing they have ever done.3) Even the smallest life can leave the loudest echo.