Each volume includes:• The playtext, in modern spelling, edited to the highest bibliographical and textual standards• Textual notes recording significant changes to the copytext and variant readings• Glossing notes explaining obscure words and word-play• Critical, contextual and staging notes• Photographs of productions where applicable• A full introduction which provides a critical account of the play, the staging conventions of the time and recent stage history; discusses authorship, date, sources and the text; and gives guidance for further reading.Edited and updated by leading scholars and printed in a clear, easy-to-use format, New Mermaids offer invaluable guidance for actor, student, and theatre-goer alike.

    It is 1971, a year after the Biafran War, and Nigeria is under military rule—though the politics of the state matter less than those of her home to Enitan Taiwo, an eleven-year-old girl tired of waiting for school to start. Will her mother, who has become deeply religious since the death of Taiwo's brother, allow her friendship with the new girl next door, the brash and beautiful Sheri Bakare? Everything Good Will Come charts the fate of these two African girls, one born of privilege and the other, a lower class "half-caste"; one who is prepared to manipulate the traditional system while the other attempts to defy it.Written in the voice of Enitan, the novel traces this unusual friendship into their adult lives, against the backdrop of tragedy, family strife, and a war-torn Nigeria. In the end, Everything Good Will Come is Enitan's story; one of a fiercely intelligent, strong young woman coming of age in a culture that still insists on feminine submission. Enitan bucks the familial and political systems until she is confronted with the one desire too precious to forfeit in the name of personal freedom: her desire for a child. Everything Good Will Come evokes the sights and smells of Africa while imparting a wise and universal story of love, friendship, prejudice, survival, politics, and the cost of divided loyalties.

    The play charts Joan's battle with Pierpont Mauler, the unctuous owner of a meat-packing plant. Like her predecessor, Joan is a doomed woman, a martyr and (initially, at least) an innocent in a world of strike-breakers, fat cats, and penniless workers. Like many of Brecht's plays it is laced with humor and songs as part of its epic dramaturgical structure. The play, which was never staged in Brecht's lifetime, is published here with a new translation, a full introduction and Brecht's own notes on the text.

    This is a photographic facsimile of John Lyly's comedy Gallathea, printed in 1592, taken from the copy in the British Library, with the songs from Lyly's Sixe Court Comedies, printed in 1632, taken from the copy in the Huntington Library, California.

    (See extended summary.)

    For each, the chaos of what has come before brings with it a painful legacy.“I have Stayed. I have Stayed – I have Stayed for as long as I possibly can.”

    

    Then her sudden disappearance wreaks havoc, and she is relentlessly pursued. Trials and tragedy often reveal one's true nature, and Pearle comes out shining as she demonstrates great courage and inner strength. She soon realizes that, out of trials that seem to crush us to the earth, we can rise throught God's love and help into a purer and better life than we have ever known.

    It won Best Original Script in The Straits Times’ Life! Theatre Awards in 2006.“Jean’s adroit handling of themes, from the origins of genius to gene heritage and the tyranny of Time, makes Everything but the Brain one of the best things seen on stage here in a while.” —The Straits Times“One of the more thoughtfully constructed original shows to come out of Singapore in recent times.” —The Business Times

    The Beatles appear on The Ed Sullivan Show and later that night, nine-year-old Jane MacLeod's life changes forever. It has been said that children are good observers but poor interpreters. Jane's interpretation of the events of that evening shapes her life in ways she doesn't recognize. Think of England follows Jane from an intense love affair in the ex-pat scene in punk-era London to working motherhood in New York to a family reunion in the country -- and a reckoning with the ghost that has stood between her and her dream of a happy family.

    Since the 1950s Peter Matthiessen has written fiction and nonfiction of elemental power and moral vision, including the acclaimed novels At Play in the Fields of the Lord and Far Tortuga and works of naturalism and exploration like the National Book Award-winning The Snow Leopard.This stunning collection of short stories, available for the first time in paperback, spans more than three decades of writing by one of the most acclaimed literary voices of our time.

    We want to be recognized for our contributions while we can still hear the praise. Most of us fear the idea of being loved more after we die. Don’t Wait I Die To Love Me expressed our deepest fears and thoughts. Subjects of anxiety, appreciating who you are and what what you have, earth, love and dealing with life itself are discussed in this collection. DWTID2LM will take its reader through an emotional journey.

    Informed in part by Gnostic concepts of the separate soul in search of its divine origins ("spirit held by matter"). This dualistic vision is cast in contemporary terms and seeks resolution of these tensions through acceptance.

    Taiyo and Resian both become aware of the conflict between their personal dreams and their duty to the Nasila tradition and culture. H. R. Ole Kulet addresses the elusive concerns of female gential mutilation and early marriages among the Maa community of the Massai and captures the reader's imagination as he traces the girls' excruciatinly painful steps to victory. Worldreader presents this e-book in a new series showcasing fiction from Sub-Saharan Africa. Are you a worldreader? Read more about this not-for-profit social enterprise at worldreader.org.