Nearly fourteen years ago Sirowitz began turning his mother's advice into poetry--never showing her exactly what came of her ranting and raving about a ketchup jar: Deformed FingerDon't stick your finger in the ketchup bottle, Mother said. It might get stuck, &then you'll have to wait for your father to get home to pull it out. Hewon't be happy to find a dirty fingernailsquirming in the ketchup that he's going to useon his hamburger.He'll yank it out so hardthat for the rest of your life you won'tbe able to wear a ring on that finger.And if you ever get a girlfriend, & you hold hands, she's bound to ask youwhy one of your fingers is deformed, & you'll be obligated to tell her how you didn't listen to your mother, & insisted on playing with the ketchup bottle, & she'll get to thinking, he probably won'tlisten to me either, & she'll push your hand away. Since then Sirowitz has become a regular in New York City's downtown poetry scene, was awarded a residency at the MacDowell artists colony, performed live on MTV's "The Spoken Word: Unplugged," appeared on Public Television's "United States of Poetry" series, and received a grant from the National Endowment of the Arts to continue writing about his mother.No one, not even Estelle Sirowitz, could have predicted the incredibleallure and success of his dead-pan delivery and dead-on depictions of a mother's words of doom: from A Bum's LifeYou're going to be a bum, Mother said, if you're not one already, but you'llsoon find out that even a bumhas to work hard convincing peoplethat he's really poor. When it rainsyou can't stand out there holdingan umbrella, & ask for money, butyou have to get wet, because the moreyou drip, the more sympathy you'll get.... Like nursery rhymes for adults, the poems included in Mother Said are addictive. Read them once and you'll have to read them twice.Hear Sirowitz read them, and you'll find yourself reciting them to your friends--mimicking as best you can his Queens accent and his dry delivery. Who knows, you may even find yourself reciting them to your own mother."

    This sparkling creation by multi-award-winning designer David Pelham will amaze and delight all who take the journey through this remarkable book.

    This collection of three screenplays displays his defiantly unorthodox approach to film form, as well as the unclassifiable imaginative energy that drives all of his work.

    Animals populate its pages—owl, groundhog, fox, each with its own inimitable survival skills—and the poet who so meticulously observes their behaviors has accumulated a lifetime’s worth of skills herself: she too has survived. The power of these extraordinary poems lies in their recognition that all our experience is ultimately useless—that human beings are at every moment beginners, facing the earth as if for the first time. "Don’t you think I’m doing better," asks the first poem. "You got sick you got well you got sick," says the last.Eschewing punctuation, forgoing every symmetry, the poems hurl themselves forward, driven by an urgent need to speak. Headwaters is a book of wisdom that refuses to be wise, a book of fresh beginnings by an American poet writing at the height of her powers.

    

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    As she uncovers layers of grime on what could prove to be a lost Flemish masterpiece, Rachel finds that layers of her own soul—layers that she would rather have kept hidden—are being stripped away.Imbued with historical and artistic detail, Unveiling will appeal to readers of A.S. Byatt’s Possession and Tracy Chevalier’s Girl with a Pearl Earring. Beautifully written, it brings the venerable city of Rome vividly to life and illuminates the power of art, imagination, and beauty to speak directly to the heart.

    frequently anthologized poem

    Few know this better than the poets who have risen to the top of their trade by sharing their emotion, opinion and art with millions of fans.Combining the poetic forces of some of today’s most popular and confessional poets, this book presents poems and short stories about connection wrapped up in a most unique exercise in creative writing. Follow along as your favorite poets connect with each other; offering their poetry to the next poet who tells a story based on the concept presented to them. With poetry, stories and art, [Dis]Connected is a mixed media presentation of connection and collaboration.

    From the author of My Song For Him Who Never Sang to Me and We Hardly See Each Other Any More, another intimate, illustrated collection of verse to share with those we love.

    But in a few brief moments, Walter sees his life and his world fracture and split apart, driving him to commit a terrible crime. Many years later, Frank Cartwright ponders his next move. His film career has left him wealthy but incomplete. When a director approaches him with a script that has a riddle for a plot Frank is intrigued by its resonance. In his search for an answer to the riddle, Frank embarks on a journey that will lead him into a past he doesn’t remember.Jim Lewis, acclaimed author of Why the Tree Loves the Ax, returns with a novel stunning in its originality and scope. And as he tells the stories of two men and the conflicts that shape them, he delivers a powerful portrait of America and the treacherous currents that run through it.

    Each of the book's seven sections is devoted to a particular art form--film, photography, painting, the novel, architecture, music, and theory--and includes both text and found photographs as it explores the idea of what it means to be a book in an era when reading is disappearing into a diverse array of cultural products, media formats, and aesthetic practices. Seven Controlled Vocabularies will be available in a variety of print and electronic book delivery systems and formats.

    Now, in Spring Comes to Chicago, McGrath pushes deeper into the jungle of American culture, exposing and celebrating our native hungers and dreams. In the centerpiece of the book, "The Bob Hope Poem," McGrath confronts the paradoxes that energize and confound us--examining his own avid affection for People magazine and contemplating such diverse subjects as Wittgenstein, meat packers, money, and, of course, Bob Hope himself. Whether viewing this life with existential gravity or consumerist glee, McGarth creates poetry that is at once public and profoundly personal.

    

    Told in the odd and unforgettable voice of its protagonist, "Cornbread" is the tale of a matricidal Arkansas woman bringing about the final days of her marriage. At turns darkly comical and deeply tragic, it's a story that lingers long after it's finished, like the smell of fresh baked cornbread or discharged gunpowder...