Some of the lessons she imparts are surprising, as when she argues, against other historians, that the female camp guards were far more humane than their male counterparts, and when she admits that she has difficulty today queuing in line, a constant of camp life, "out of revulsion for the bovine activity of simply standing." Her memories of her youth are punctuated by sharp reflections on the meaning of the Shoah, and how it should best be memorialized in a time when ever fewer survivors are left to act as witnesses. Those reflections are often angry -- "Absolutely nothing good came out of the concentration camps," she writes, recalling an argument with a naive German graduate student, "and he expects catharsis, purgation, the sort of thing you go to the theatre for?"But they are constantly provocative, too. Though readers will doubtless take issue with some of her conclusions, Kluger's insistent memoir merits a wide audience. --Gregory McNamee

    Filled with insight and inspiration, this book melds engrossing personal

    This is a radiant and deeply moving account of a "true pilgrimage, a journey of the heart."

    Used in many colleges as an introduction to the saint. Beautiful translation and story from the French edition.

    Saul, however, is irrevocably drawn to Vine the moment he lays eye on her and believes they are meant to be married, over the objections of her mother and his. Despite her misgivings, Saul’s mother, Esme, and his brother Aaron take to Vine from the moment she comes to God’s Creek. In fact, Vine realizes from the start that Aaron’s interest in her is far more than brotherly. When Saul must leave Vine behind for a year of work, troubling and violent events follow his departure, and Vine’s spirit and her love are put to the ultimate test.This novel was the Winner of the Award for Special Achievement from the Fellowship of Southern Writers and a Finalist for the Southern Book Critics Circle Prize.Blair brings this novel into a beautiful new paperback edition, along with two other Silas House novels, Clay’s Quilt and The Coal Tattoo. The three novels, which share a common setting and some characters, are companion novels. They may be read individually, in any order, but collectively, they form a rich tableau of life in rural mountain Kentucky in the last century.

    In a time of great horror, these children each found a way to make it through the nightmare of war. Some made daring escapes into the unknown, others disguised their true identities, and many witnessed unimaginable horrors. But what they all shared was the unshakable belief in-- and hope for-- survival. Their legacy of courage in the face of hatred will move you, captivate you, and, ultimately, inspire you.

    Bestselling historian and political commentator Jonathan Fenby provides an expert and riveting journey through this period as he recounts and analyses the extraordinary sequence of events of this period from the end of the First Revolution through two others, a return of Empire, three catastrophic wars with Germany, periods of stability and hope interspersed with years of uncertainty and high tensions. As her cross-Channel neighbour Great Britain would equally suffer, France was to undergo the wrenching loss of colonies in the post-Second World War as the new modern world we know today took shape. Her attempts to become the leader of the European union is a constant struggle, as was her lack of support for America in the two Gulf Wars of the past twenty years. Alongside this came huge social changes and cultural landmarks but also fundamental questioning of what this nation, which considers itself exceptional, really stood - and stands - for. That saga and those questions permeate the France of today, now with an implacable enemy to face in the form of Islamic extremism which so bloodily announced itself this year in Paris. Fenby will detail every event, every struggle and every outcome across this expanse of 200 years. It will prove to be the definitive guide to understanding France.

    Her idea blossomed into this striking and highly original work of narrative nonfiction, an account of her search for meaning within the stories of her ancestors.In a series of short meditations, Petrowskaja delves into family legends, introducing a remarkable cast of characters: Judas Stern, her great-uncle, who shot a German diplomatic attaché in 1932 and was sentenced to death; her grandfather Semyon, who went underground with a new name during the Bolshevik Revolution in Russia, forever splitting their branch of the family from the rest; her grandmother Rosa, who ran an orphanage in the Urals for deaf-mute Jewish children; her Ukrainian grandfather Vasily, who disappeared during World War II and reappeared without explanation forty-one years later—and settled back into the family as if he’d never been gone; and her great-grandmother, whose name may have been Esther, who alone remained in Kiev and was killed by the Nazis.How do you talk about what you can’t know, how do you bring the past to life? To answer this complex question, Petrowskaja visits the scenes of these events, reflecting on a fragmented and traumatized century and bringing to light family figures who threaten to drift into obscurity. A true search for the past reminiscent of Jonathan Safran Foer’s Everything Is Illuminated, Daniel Mendelsohn’s The Lost, and Michael Chabon’s Moonglow, Maybe Esther is a poignant, haunting investigation of the effects of history on one family.

    All she knew was that her great-grandparents, grandmother, and mother had fled their home city of Königsberg near the end of World War II, never to return. But everything changed when O'Donnell traveled to the city--now known as Kaliningrad, and a part of Russia--and called her grandmother, who uncharacteristically burst into tears. "I have so much to tell you," Inge said. In this transporting and illuminating book, the award-winning journalist vividly reconstructs the story of Inge's life from the rise of the Nazis through the brutal postwar years, from falling in love with a man who was sent to the Eastern Front just after she became pregnant with his child, to spearheading her family's flight as the Red Army closed in, her young daughter in tow. Ultimately, O'Donnell uncovers the act of violence that separated Inge from the man she loved; a terrible secret hidden for more than six decades.A captivating World War II saga, Inge's War is also a powerful reckoning with the meaning of German identity and inherited trauma. In retracing her grandmother's footsteps, O'Donnell not only discovers the remarkable story of a woman caught in the gears of history, but also comes face to face with her family's legacy of neutrality and inaction--and offers a rare glimpse into a reality too long buried by silence and shame.

    Reay Tannahill, author of previous studies on eating and sex, takes us on a fascinating historical tour of this darkest of gastronomic compulsions--to feed our current fascination with people who eat people illustrations.

    The lonely days become weeks, months. Her husband Hugh, a prison doctor, will offer no explanation for their sexless marriage. She comes to suspect the answer lies with a hunger-striking suffragette who was force fed and held in solitary confinement. But what really happened between Hugh and his prisoner patient?A Petrol Scented Spring is a riveting novel of repression, jealousy and love, and the struggle for women’s emancipation.

    Casual yet insightful, Duchamp reveals himself as a man and an artist whose playful principles toward living freed him to make art that was as unpredictable, complex, and surprising as life itself. Those interviews have never been edited and made public, until now. "The Afternoon Interviews," which includes an introductory interview with Tomkins reflecting on Duchamp as an artist, guide and friend, reintroduces the reader to key ideas of his artistic world and renews Duchamp as a vital model for a new generation of artists.Calvin Tomkins was born in 1925 in Orange, New Jersey. He joined the New Yorker as a staff writer in 1960. His many profiles include John Cage, Robert Rauschenberg, Merce Cunningham, Leo Castelli, Damien Hirst, Richard Serra, Bruce Nauman, Cindy Sherman and Jasper Johns. Tomkins is the author of 12 books, including "The Bride and the Bachelors" (1965), "Living Well Is the Best Revenge" (1971), "Lives of the Artists" (2008) and "Duchamp: A Biography" (1996).

    And Csardas is a deftly plotted saga of great power, beauty, and historical authenticity that follows the changing fortunes of three aristocratic European families--spanning two world wars and four countries, and brimming with richly drawn, unforgettable characters. Trying to found a dynasty against the inflexible caste system of the crumbling Austro-Hungarian Empire, stern Jewish banker Zsignmond Ferenc had married Marta Bogozy, a gay, charming woman of noble birth. Their daughters, "The two enchanting Ferenc sisters," Malie and Eva, are the most sought-after young women in their small society. Little do they realize that their secure world of privilege is soon to be consumed in the holocaust of the First World War and subsequent events.Masterfully, Diane Pearson interweaves the story of Malie and Eva with the lives of the other Ferencs, their relatives, and the history of the troubled times--the socialist, fascist, and finally communist regimes; the scattering of the family and its struggle simply to survive; and the joyous reunion after World War II of those who do.This is a superbly written, poignant epic of war and peace--the brave, dignified, and sometimes cruel story of living, breathing characters whose hopes, failures, and triumphs will entrance readers everywhere.

      Ours is a time of revolutionary change that has no precedent in history. With the same passion he brought to the challenge of climate change, and with his decades of experience on the front lines of global policy, Al Gore surveys our planet’s beclouded horizon and offers a sober, learned, and ultimately hopeful forecast in the visionary tradition of Alvin Toffler’s Future Shock and John Naisbitt’s Megatrends. In The Future, Gore identifies the emerging forces that are reshaping our world:   • Ever-increasing economic globalization has led to the emergence of what he labels “Earth Inc.”—an integrated holistic entity with a new and different relationship to capital, labor, consumer markets, and national governments than in the past. • The worldwide digital communications, Internet, and computer revolutions have led to the emergence of “the Global Mind,” which links the thoughts and feelings of billions of people and connects intelligent machines, robots, ubiquitous sensors, and databases. • The balance of global political, economic, and military power is shifting more profoundly than at any time in the last five hundred years—from a U.S.-centered system to one with multiple emerging centers of power, from nation-states to private actors, and from political systems to markets. • A deeply flawed economic compass is leading us to unsustainable growth in consumption, pollution flows, and depletion of the planet’s strategic resources of topsoil, freshwater, and living species. • Genomic, biotechnology, neuroscience, and life sciences revolutions are radically transforming the fields of medicine, agriculture, and molecular science—and are putting control of evolution in human hands. • There has been a radical disruption of the relationship between human beings and the earth’s ecosystems, along with the beginning of a revolutionary transformation of energy systems, agriculture, transportation, and construction worldwide.   From his earliest days in public life, Al Gore has been warning us of the promise and peril of emergent truths—no matter how “inconvenient” they may seem to be. As absorbing as it is visionary, The Future is a map of the world to come, from a man who has looked ahead before and been proven all too right.Praise for The Future “Magisterial . . . The passion is unmistakable. So is the knowledge. Practically every page offers an illumination.”—Bloomberg   “In The Future . . . Gore takes on a subject whose scale matches that of his achievements and ambition.”—The New York Times Book Review  “Historically grounded . . . Gore’s strengths lie in his passion for the subject and in his ability to take the long view by putting current events and trends in historical context.”—Publishers Weekly   “Provocative, smart, densely argued . . . a tour de force of Big Picture thinking.”—Kirkus Reviews (starred review)   “A luminously intelligent analysis that is packed with arresting ideas and facts.”—The Guardian