Even as supernatural elements seem to conspire to wreck Evan’s latest undertaking, he finds himself surprised by love. The earthly paradise is revealed to be full of poisoned apples but one after another its inhabitants are offered a taste of sweet redemption.

    When Victor is propositioned by the woman of his dreams, he knows it’s too good to be true. She offers him the perfect job, a prosperous future, and, best of all, when her tongue is in his mouth, she tastes like strawberries. But it isn’t long before Victor realizes that to keep these prizes, he must keep his client—currently in the clink for murder—from spilling the truth about what really happened the night of the killing. Is Victor ready to be bought? Hell yes. But not until he learns the truth. Someone is being protected, and Victor intends to find out who’s worth all the fuss. Because Victor Carl is willing to sell his soul, sure, especially for a bite of strawberry, but only if the price is right.

    Estranged from her turbulent family for many years, Abbie is heartbroken to hear that they blame her for the tragedy.Determined to uncover her mother’s past, Abbie approaches her beloved grandmother, Millie, in search of answers. As the old woman recounts her own past, Abbie is transported back to the grandeur of the Russian Empire in 1911 with tales of her grandmother’s life as a governess and the revolution that exploded around her.As Abbie struggles to reconcile with her family, and to support herself and her child, she realizes that those long-ago events created aftershocks that threaten to upset the fragile peace she longs to create.

    In the tradition of Anton Chekhov and William Carlos Williams, he draws on his experiences in medicine to craft stories of great subtlety and striking insight. Rich in compassion but devoid of cheap sentiment, Osipov's fiction presents a nuanced, collage-like portrait of life in provincial Russia—its tragedies, its infinite frustrations, and its moments of humble beauty and inspiration. The twelve stories in this volume depict doctors, actors and actresses, screenwriters, teachers, entrepreneurs, local political bosses, and common criminals, whose paths intersect in unpredictable yet entirely natural ways: in sickrooms, classrooms, administrative offices, on trains, and in the air. Their encounters lead to disasters, major and minor epiphanies, and—on occasion—the promise of redemption. "Life is scary, whether you're in Moscow, St. Petersburg, or the provinces," Osipov's narrator tells us in "The Cry of the Domestic Fowl," which opens the collection. And yet, he concludes, "[t]he world doesn't break, no matter what you throw at it. That's just how it's built."

    Shalamov himself spent seventeen years there, and in these stories he vividly captures the lives of ordinary people caught up in terrible circumstances, whose hopes and plans extended to further than a few hours. This new enlarged edition combines two collections previously published in the United States as Kolyma Tales and Graphite.

    Money and ego have turned the quest for art into a deadly business in which the superrich battle to possess the rarest and most beautiful objets d'art on Earth.  Sammu-ramat: Queen of Babylon. The first warrior queen in history, called by some the Whore of Babylon. Her golden death mask left a legacy of lust and violence to those who fought to possess it.  Madison Dupre: curator for the billion-dollar Piedmont collection. She fights for her career, her freedom--and her life--after she acquires the fifty-five-million-dollar golden mask of the long dead Babylonian queen.  Coby Lewis: an ex-Navy SEAL, who uses his frogman training to dive for sunken treasure. Madison knows she can't trust him… but she also can't resist him.  Abdul ibn Hussein: His father died protecting the golden mask from thieves. Abdul said that the mask was stolen when the Baghdad museum was looted as American troops entered the city. He also claims that Navy SEALs worked with Iraqis to loot the museum.  New York, London, Zurich, and Malaga are the venues as the heat is turned on Madison--and she goes on the run to clear her name and save her life.

    When she meets the man of her dreams and he wants to marry her, she tries to pick the right time to tell him she is a transgender.

    Includes many poems used in Arseny's son's films (Andrei Tarkovsky). With a bibliography of both Arseny and Andrei Tarkovsky, and illustrations from Tarkovsky's movies.FROM THE INTRODUCTION:Arseny Aleksandrovich Tarkovsky was was born in June 1907 in Elizavetgrad, later named Kirovograd. He studied at the Academy of Literature in Moscow from 1925 to 1929, and also worked in the editorial office of the journal Gudok. He was well respected as a translator, especially of the Oriental classics, but was little known as a poet for most of his life, being unable to get any of his own work published during the Stalinist era. His poems did not begin to appear in book form until he was over fifty. His son, the film director Andrei Tarkovsky, made extensive use of his father's in some of his films, and certain of his diary entries indicate the esteem in which the poet was held in the Soviet Union towards the end of his life. An entry written after Andrei had given a talk at the Moscow Physical Institute in 1980, for instance, reproduces the following note from a member of the audience: 'An enormous number of people in this hall admire Arseny Aleksandrovich Tarkovsky as a great Russian poet. Please convey our respects to him.' One of the few recorded public appearances of Arseny Tarkovsky was at the funeral of Anna Akhmatova; he was one of three writers deputed to accompany her coffin from Domodedovo to Leningrad, and he read both at her funeral in Komarovo and at the first evening held in her memory in Moscow. He died in 1989 and is now beginning to be recognised as one of the many significant Russian poets of the twentieth century.From Ignatyevo Forest'The last leaves' embers in total immolationRise into the sky; this whole forestSeethes with irritation, just as we didThat last year we lived together.

    

    He was a private investigator who had "decided to go from crooked to slightly bent," turning down the shady but lucrative work that New York's thugs and mobsters had long brought to his door. In "Karma," Walter Mosley tells us the story of the moment McGill decided to change his ways, when a seemingly classic femme fatale forced him to confront the reality of his life of corruption and betrayal. It was the culmination of a dark and tragic case that reached back through McGill's entire career, plumbing the full, complex history of the soul-scarred figure now hailed as "a poignantly real character . . . [and] a more than worthy successor to Philip Marlowe." (The Boston Globe) Originally published in Otto Penzler's anthology Dangerous Women, "Karma" was included in Best American Mystery Stories 2006, edited by Scott Turow.

    This facsimile edition brings Charles Lamb's critically acclaimed and revered "Elia" essays back into print.

    Included are also links to free audiobook verions of the novels.Edith Wharton was a Pulitzer Prize-winning American novelist, short story writer, and designer. She was nominated for the Nobel Prize in Literature in 1927, 1928 and 1930.Wharton combined her insider's view of America's privileged classes with a brilliant, natural wit to write humorous, incisive novels and short stories of social and psychological insight. She was well acquainted with many of her era's other literary and public figures, including Theodore Roosevelt. Novels included: •The Touchstone, 1900•The Valley of Decision, 1902•Sanctuary, 1903•The House of Mirth, 1905•Madame de Treymes, 1907•The Fruit of the Tree, 1907•Ethan Frome, 1911•The Reef, 1912•The Custom of the Country, 1913•Bunner Sisters, 1916•Summer, 1917•The Marne, 1918•The Age of Innocence, 1920 (Pulitzer Prize winner)•The Glimpses of the Moon, 1922 Free audiobooks available for: •The Touchstone, 1900•The Valley of Decision, 1902 - not available as audiobook at this time•Sanctuary, 1903•The House of Mirth, 1905•Madame de Treymes, 1907•The Fruit of the Tree, 1907•Ethan Frome, 1911•The Reef, 1912•The Custom of the Country, 1913•Bunner Sisters, 1916•Summer, 1917 - not available as audiobook at this time•The Marne, 1918•The Age of Innocence, 1920 (Pulitzer Prize winner)•The Glimpses of the Moon, 1922Enjoy!

    An excerpt of the book was hailed by Tibor Fisher in the Guardian as “right up there with Catch-22 and Michael Herr’s Dispatches,” and the book won Russia’s inaugural Debut Prize, which recognizes authors who write “despite, not because of, their life circumstances.” In 1995, Arkady Babchenko was an eighteen-year-old law student in Moscow when he was drafted into the Russian army and sent to Chechnya. It was the beginning of a torturous journey from naïve conscript to hardened soldier that took Babchenko from the front lines of the first Chechen War in 1995 to the second in 1999. He fought in major cities and tiny hamlets, from the bombed-out streets of Grozny to anonymous mountain villages. Babchenko takes the raw and mundane realities of war—the constant cold, hunger, exhaustion, filth, and terror—and twists it into compelling, haunting, and eerily elegant prose. Acclaimed by reviewers around the world, this is a devastating first-person account of war by an extraordinary storyteller.

    If a man is not eager for adventure at the age of twenty-two, the enticement of romantic possibilities will never come to him.

    - TIMEA mixture of mockery and prophecy, the book savaged every ideology and religion while foreseeing both the Holocaust and Hiroshima. (Ehrenburg himself predicted the Nazi attack on the Soviet Union to the day -- his intimacy with history always bordered on the telepathic.) - Richard Lourie, The NY Times, August 25, 1996The book deals with the adventures of a Mexican dreamer Julio Jurenito and his wanderings about Europe along with his seven disciples (Ehrenburg himself is the first disciple and the author-narrator).The novel includes authentic characters, such as Mayakovski, Picasso, Chaplin, and Tatlin. This is a biting satire of the European postwar civilization. This extraordinarily sneering book is a modernized Candide, covering Soviet Russia and the European West, after the stress of the WWI years.Its main character Jurenito (he is supposed to be a portrait of the famous Mexican painter, Diego Rivera) and his Negro servant travel, observe, comment, and make the reader roar with laughter at the idiotic inconsistencies of capitalist civilization. A prolific and smart journalist by nature, Ehrenburg combines a satirical vein with a snappy, terse language, and a flair for topical themes with very unsentimental eroticism.Julio Jurenito will probably remain the most vivid illustration, not just in Russian but in the whole of European literature, of the post-WWI sentiments of the harassed western intelligentsia. In this book there is everything: sophistication, cynicism, trenchant satire, sentimental lyricism, and the gay abandon of despair. All this combined makes a brilliant firework of paradoxes, subtle observations of the life of the European bourgeoisie, and sarcastic details. It may be called a confession, a pamphlet, a grotesque, or a poem.source: http://www.elkost.com/ilya_ehrenburg/...