She never imagined she’d have to campaign to save the local primary school. She certainly had no idea her best friend would turn out to be the crusty old junk man. All in all, she’s starting to wonder if she took a wrong turn somewhere. If only she could drop the kids at the orphanage and start over . . . But now, thanks to her protest letters, the education minister is coming to Gunapan, and she has to convince him to change his mind about the school closure. And as if facing down the government isn’t enough, it soon becomes clear that the school isn’t the only local spot in trouble. In the drought-stricken bushland on the outskirts of town, a luxury resort development is about to siphon off a newly discovered springwater supply. No one seems to know anything, no one seems to care.With a dream lover on a Harley unlikely to appear to save the day, Loretta needs to stir the citizens of Gunapan to action. She may be short of money, influence, and a fully functioning car, but she has good friends. Together they can organize chocolate drives, supermarket sausage sizzles, a tour of the local slaughterhouse—whatever it takes to hold on to the scrap of world that is home.

    In pursuit of the scoop, Dunkley must negotiate the deadly corridors of power where the minority Toohey Government hangs by a thread – its stricken Foreign Minister on life support, her heart maintained by a single thought. Revenge.Rabid Rottweilers prowl in the guise of Opposition senators, union thugs wage class warfare, TV anchors simper and fawn ... and loyalty and decency have long since given way to compromise and treachery.From the teahouses of Beijing to the beaches of Bali, from the marbled halls of Washington to the basements of the bureaucracy, Dunkley's quest takes him ever closer to the truth – and ever deeper into a lethal political game.Award-winning journalists Steve Lewis of News Ltd and Chris Uhlmann from the ABC combine forces in this arresting novel that proves fiction is stranger than fact.

    Who are these people and what was their significance to Daniel?  For his eldest son, Richard, there are hidden motives for his impatience to settle the will. His sister Evonne is still hurting from decades of her parents' disapproval. The youngest sibling, Kelly, believes she knew her father best.  As Daniel's children carry out his last wishes, each of them must confront their entrenched ideas about their father, and reconsider their own lives. What they discover is beyond anything they imagined.

     Mina is struggling to come to terms with her past. Having led a reclusive life, shunning human contact, she decides to take on a local college course to help get her life back on track. However, when a young girl who tries to befriend her is abducted by a serial killer, Mina feels responsible. She refused to wait with the girl for her mother to pick her up. And she shrugged off the youngster’s fears. Now Mina cannot rest until she finds out what happened. But as she probes into the events of that evening, her own nightmares start to return. She has put herself in danger, one that leads to an increasingly tense standoff with a cruel and vicious man who will stop at nothing. Can she find the strength to stand up to her demons, past and present? And will she do so, even if it means risking everything?

    She has a brand-new sister, and her family has moved to a small town, leaving behind everything she knows. She is sure that she will be miserable – but a mysterious old lady, a curious boy and an amazing garden prove her wrong. A story about friendship, hope, and the healing power of nature and art.

    The result is a captivating rural novel, brimming with romance, mystery and suspense.Nina never knew what happened to her father, the celebrated artist Jim Larkin. One minute he was her devoted dad, the next he'd disappeared without trace. Seventeen years later, she's still haunted by the mystery.Until a call from outback Wandalla changes everything.At first, Nina's inheritance of a waterless property and a farmhouse stuffed with junk seems more like a burden than a gift. But this was her father's childhood home – and possibly her last chance to discover the truth.So what is the local solicitor, Harrison Grey, not telling her as he hands over the keys? Why does the area's wealthiest resident, Hilary Flint, seem to hate her so much? What is the significance of the gold locket with cryptic engravings that Nina always wears?And why, on top of everything, is she inexplicably drawn to her soon-to-be-married neighbour, Heath Blackett?

    God’s country. Heartland of the Inner West. Because of its location an always fertile mix of working-class, migrant, genteel, intellectual and eccentric residents. As she got older she noticed Annandale was changing, and she started hearing new words like ‘architect’ and ‘labradoodle’, and eventually entire weeks would go by with no backyard bomb explosions.These stories about neighbourhood warfare, wacky relatives, quashed dreams and facial disfigurement are told with Norton Lodge’s characteristic comic verve and eye for absurdity and menace, inspired by her family, friends, acquaintances and nemeses. Their highlights include Greek grandparents who have lived in mutual resentment for decades and beat each other up with colanders, children who dabble in amateur porn and are sent to school with cat-food sandwiches, ‘distressed’ furniture, rampaging eczema, flying babies and other suburban wonders.

    She feels complicit and remains unable to process what happened. So she ran. Her best friend, Sid, is Zach’s cousin and the one person in the world she can depend upon.But, of course, the road isn’t safe either. Amelia is looking for generosity or human connection in the drivers she finds lifts with, and she does receive that. But she is also let down.Hitch is a raw exploration of consent and its ambiguities, personal agency and the choices we make. It’s the story of twenty-something Amelia and her dog Lucy hitchhiking from one end of the country to the other, trying to outrun grief and trauma, and moving ever closer to the things she longs to escape.

    He trucks north with his eight-year-old-daughter Em into Queensland. There he blows up the dam at Croesus Station, releasing a flood through outback New South Wales into South Australia.As the authorities search for them, Merv and Em ride the flood south in their stolen boat, rescuing a Queensland Minister from the water, and then a young blackfella who fancies he sang the river to life all by himself. Meanwhile, in Canberra, the political flotsam carried by Merv's renegade ocean brings the Federal Government to its knees.The Last Pulse is the story of the last flood that will ever flow down the inland artery that was the Darling River. The stream is broken now and the agriculture and lives of South Australians have been appropriated with the water by a people a thousand kilometres to the north.Throughout their misadventures on his flood, Merv promises his daughter they will be heroes in South Australia, and that they are sailing towards victory parades and happiness. The other crewmembers, however, know he is heading towards a violent reckoning with Australia itself. Blackly humorous, poignant, timely, The Last Pulse is Anson Cameron's finest work to date.

    With literary finesse, compassion, and a powerful gift of storytelling, Marie Williams writes poignantly of her husband Dominic’s struggles with early onset dementia and amyotrophic lateral sclerosis (ALS) at the age of 40, and how their family found hope amidst the wreckage of a mysterious neurological condition.  As the condition develops and progresses, the normally devoted family man and loving partner seems to disappear beneath an expressionless facade, erratic behavior, and a relentless desire to wander that often leaves him lost. The road to diagnosis is long and confusing, and what starts off as perplexing for the family then becomes frightening. The man they love is changing, and no one seems to know why. He no longer turns up to his sons’ high school events. He falls and bumps into things. He becomes verbally disinhibited, emotionally disengaged, and, at times, belligerent. He doesn’t seem to be able to read the social cues of other people. He gets lost in familiar places, as well as on obsessive work trips overseas. He recklessly spends the family money, leaving them in near financial ruin. Despite this, Williams and her children strive to find new ways to keep him safe and to connect with the husband and father they love so dearly.   While the family learns to cope with Dominic’s illness—which they call the Green Goblin—Williams is determined that her children reclaim the dad of their memories. She finds creative ways to make visible the stories of the man beyond the illness, and helps them remember him as the engaged, healthy, and loving man she fell in love with. She humanizes the experience through storytelling and assembling a quilt made up of transferred photographs, painted artwork, family footprints, and personal inscriptions from family and friends. This, along with tea rituals, music, and stories of fatherhood, love and value, support them as fierce advocates for Dominic’s dignity and give the family new ways to be together as they journey through his decline. Spanning between moments of intense joy and incredible sadness, this book is a passionate testament to one family’s unconditional love for one another. It is, “a tale of a strange place—the real world— in which green goblins and hope find a way to live together.”   Above all, it is a love story.

    Tabitha Bird has gifted us this wonder’ Cass MoriartyMeet Willa Waters, aged 8 . . . 33 . . . and 93.On one impossible day in 1965, eight-year-old Willa receives a mysterious box containing a jar of water and the instruction: ‘One ocean: plant in the backyard.’ So she does - and somehow creates an extraordinary time slip that allows her to visit her future selves.On one impossible day in 1990, Willa is 33 and a mother-of-two when her childhood self magically appears in her backyard. But she’s also a woman haunted by memories of her dark past – and is on the brink of a decision that will have tragic repercussions . . .On one impossible day in 2050, Willa is a silver-haired, gumboot-loving 93-year-old whose memory is fading fast. Yet she knows there’s something she has to remember, a warning she must give her past selves about a terrible event in 1990. If only she could recall what it was.Can the three Willas come together, to heal their past and save their future, before it’s too late?'A courageous and magical debut novel that reminds us that while we can’t change events from our past, we do have the power to change the story we tell ourselves about them.' Sally Piper

    Eighteen-year-old Ruby leaves behind the family farm, her serious mother and roguish father, and heads for Adelaide. After a brief courtship, she enters into a hasty marriage with a soldier about to go to war – who returns a changed man.In this absorbing novel, Anna Goldsworthy recreates the world of Adelaide half a century ago, and portrays the phases of a woman’s life with intimacy and sly humour. We follow Ruby as she contends with her damaged husband and eccentric in-laws. We see her experience motherhood and changing social circumstances, until, in a moving twist, a figure from the past reappears, to kindle a late-life romance.In her captivating fiction debut, Goldsworthy evokes a woman’s life in a pre-feminist world. In this tender, funny book, she combines an Austenesque wit with Alice Munro’s feeling for human complexity.

    Mrs Wigg has been gone a few years now and he thinks about her every day. He misses his daughter, too, and wonders when he'll see her again.He spends his time working in the orchard, cooking and preserving his produce and, when it's on, watching the cricket. It's a full life. Things are changing though, with Australia and England playing a one-day match, and his new neighbours planting grapes for wine. His son is on at him to move into town but Mr Wigg has his fruit trees and his chooks to look after. His grandchildren visit often: to cook, eat and hear his stories. And there's a special project he has to finish ...It's a lot of work for an old man with shaking hands, but he'll give it a go, as he always has.

    Heart-wrenching, heart-warming and ultimately uplifting--a story about the power of a little kindnessA story of friendship, love and what it means to truly live when, sometimes, it may seem easier not to.Caitlin is convinced she's going to die.Two years ago she was a normal twenty-something with a blossoming career and a plan to go travelling with her best friend, until a car accident left her with a deep, unshakable understanding that she's only alive by mistake.Caitlin deals with these thoughts by throwing herself into work, self-medicating with alcohol, and attending a support group for people with death-related anxiety, informally known as the Morbids.But when her best friend announces she's getting married in Bali, and she meets a handsome doctor named Tom, Caitlin must overcome her fear of death and learn to start living again.Beautiful, funny, and universally relatable this story of hidden loneliness and the power of compassion and companionship reminds us that life is an adventure truly worth living.

    A no-nonsense magazine editor, Jenna doesn’t believe in leaving love to chance, which is why she’s developed Marriage Material – a fool-proof framework for husband hunting. Shearers and farmhands need not apply.Sheep grazier Luke Tanner has met women like Jenna before, and knows not to waste his time. With the drought dragging on and bushfire season around the corner, the last thing he needs is a spoiled city girl like Jenna adding to his problems. He'll help out with the ball because it's good for the community, but he won't dance, he won't flirt, and he definitely won't be matched. It's been a long dry season, but everyone knows when it rains, it pours.