Some families are torn apart forever by one small act, one solitary mistake. In my family it was a series of small explosions; consistent, passionate, pathetic. Cruel words, crude threats... We spurred each other on till we reached a crescendo of pain and we retired exhaused to our rooms, in tears or in fury.Ari is nineteen, unemployed and a poofter who doesn't want to be gay. He is looking for something - anything - to take him away from his aimless existence in suburban Melbourne. He doesn't believe in anyone or anything, except the power of music. All he wants to do is dance, take drugs, have sex and change the world.For Ari, all the orthodoxies of family, sex, politics and work have collapsed. Caught between the traditional Greek world of his parents and friends and the alluring, destructive world of clubs, chemicals and anonymous sex, all Ari can do is ease his pain in the only ways he knows how.Written in stark, uncompromising prose, Loaded is a first novel of great passion and power.

    'In the beginning, it was the summers I remembered - long warm days under the palest blue skies, the cornflowers and forget-me-nots lining the road through the Lys forest, the buzz of insects going about their work, Violet telling me lies.' Iris is getting old. A widow, her days are spent living quietly and worrying about her granddaughter, Grace, a headstrong young doctor. It's a small sort of life. But one day an invitation comes for Iris through the post to a reunion in France, where she served in a hospital during WWI. Determined to go, Iris is overcome by the memories of the past, when as a shy, naive young woman she followed her fifteen-year-old brother, Tom, to France in 1914 intending to bring him home. On her way to find Tom, Iris comes across the charismatic Miss Ivens, who is setting up a field hospital in the old abbey of Royaumont, north of Paris. Putting her fears aside, Iris decides to stay at Royaumont, and it is there that she truly comes of age, finding her capability and her strength, discovering her passion for medicine, making friends with the vivacious Violet and falling in love. But war is a brutal thing, and when the ultimate tragedy happens, there is a terrible price that Iris has to pay, a price that will echo down the generations. A moving and uplifting novel about the small, unsung acts of heroism of which love makes us capable.

    Her distinguished career ended under a cloud over a decade earlier, following an unspecified scandal involving a much younger male teacher. After losing her savings in the financial crash, she is forced to sell the dream house she had built for her old age and live on in her dilapidated cottage opposite. Initially extremely resentful and hostile towards Frank and Evelyn, the young couple who buy the new house, she develops a flirtatious friendship with Frank, and then a grudging affinity for his 12-year-old niece, Kim, who lives with them. Thea has never liked children, but she discovers an unexpected bond with  the solitary, half-Vietnamese Kim, an awkward, bookish child from a very deprived background. As Thea and Kim become close, Thea begins to find  Frank's behavior increasingly irresponsible, and to harbor worries that all is not well in the house. Her growing suspicions, which may or may not be irrational, start to dominate her life, and build to a catastrophic climax.

    While living with her old-fashioned great-aunts in a small Australian town, twelve-year-old Sarah makes an unlikely friend, learns something about the amazing Piriel Starr, and breaks the habit of a lifetime.

    Determined to solve the mystery of her birth and the reason why she was bequeathed the hotel Belle runs into difficulties with the townsfolk and their desire to keep their secrets safe.Sixty years later Sophie Matheson is on a quest to find Belle and her family after discovering the wedding dress. The Sweet Wattle Creek Centenary brings more challenges when her past catches up and she must fight for all that matters to her. Who were Belle and Martha and what links their lives together?

    There she meets the Aquino family, whose fishing business was founded by their ancestor, Giuseppe, an Italian immigrant, some ninety years before. Life for Cassie on the south west coast is sweet as she sets up a successful restaurant and falls in love with Giuseppe's great grandson Michael. But when the family patriarch dies, a devastating family secret is revealed which threatens to destroy her dreams. Cassie's future happiness now rests with her quest for the truth, in Di Morrissey's The Winter Sea.

    Building a fence is not going to keep the world out and won't keep your children in. Life's not that simple."Gwen Hill has lived on Green Valley Avenue all her adult life. Here she brought her babies home, nurtured her garden and shared life's ups and downs with her best friend and neighbour, Babs. So when Babs dies and the house next door is sold, Gwen wonders how the new family will fit settle into the quiet life of this cosy community.Francesca Desmarchelliers has high hopes for the house on Green Valley Avenue. More than just a new home, it's a clean slate for Frankie, who has moved her brood from Sydney's inner city to the leafy north shore street in a bid to save her marriage and keep her rambunctious family together.To maintain her privacy and corral her wandering children, Frankie proposes a fence between their properties, destroying Gwen's lovingly cultivated front garden.To Gwen, this as an act of war.Soon the neighbours are in an escalating battle that becomes about more than just council approvals, and boundaries aren't the only things at stake.PRAISE FOR THE FENCE"There's nothing polite about this white picket fence drama. In this green-thumbed social satire of suburban neighbourly conflict, Meredith Jaffe's wicked sense of humor blooms in the fertile compost of domestic discord. To be enjoyed in all seasons, in full sun or part shade, requiring no watering or weeding. A mischievous treat for anyone who has ever had tricky neighbours. Jaffe is a welcome new talent." Caroline Baum, Booktopia

    Jack McPhail is a man on the run from his past, a drifter who lands by accident in a sleepy outback Australian town called Banjo Crossing. Jack - almost despite himself - becomes slowly drawn into the town, its community, its characters and its concerns.He's on the brink of falling in love with Mardi, a young widow and owner of the local coffee shop, when the community is confronted and divided by an unexpected development. A coal mining company has come to town, intent on buying up the local properties to build an open cut mine. The town of Banjo Crossing rallies together to fight off the threat. Jack wants to help out his new friends, but if he does, he's at risk of his past being exposed. Having his secret out there could change everything for him. Will he help them out, even if it costs him his second chance at happiness?'Highly topical and engaging ... incubating a mystery which must not be revealed until the exact psychological moment ... entertaining and charismatic' Adelaide Advertiser

    A family secret. Two women hiding from the truth.When successful Sydney lawyer Miranda McIntyre searches for something old to go with her wedding dress, she remembers an antique necklace from her childhood. Her mother's denial of its existence only deepens Miranda's curiosity but the discovery of a faded wedding photo and an old newspaper clipping reveal long-buried family secrets.Who is the woman in the photo? And why are these keepsakes hidden in her mother's closet?Miranda's quest for the truth takes her on a road trip south to the idyllic seaside village of Pelican Point where she stumbles upon a secluded cliff-top cottage and the reclusive Esther Wilson. As Miranda begins to unravel the mystery, a tale of daring rescue, forbidden love and shocking betrayal unfolds.Meeting enigmatic horse trainer Vincent Kennedy forces Miranda to question the life she has worked so hard to create, throwing into turmoil everything she thought she knew about the past and about herself.A multi-generational story of family, hope and following your heart.

    He and his wife Jane are still trying for a baby after seven years. His neighbours have their quirks to be navigated. And his job as a high school teacher, while satisfying, comes with its challenges.Every day is much like the one before that is, until Casper makes a discovery that threatens everything he knows... As Casper 's fears grows into obsessions, his world starts to unravel.Just Another Week in Suburbia is a story about love, trust, and insecurity, and the question of whether you can ever really know another person.

    In writing that is inventive, bold, and generous, Axiomatic introduces an unforgettable voice.

    But will her new job flying an outback air ambulance help her sleep at night or atone for a lost life?Doctor Adam Gilmore touches the lives of his patients, but his own scars mean he can never let a woman touch his heart.Runaway Ellen Parkes wants to build a safe future for her two children. Without a man—not even one as gentle as Jack North.In Coorah Creek, a town on the edge of nowhere, you're judged by what you do, not what people say about you. But when the harshest judge is the one you see in the mirror, there's nowhere left to hide.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    Two years later, Rosie returns to the house and living there is Martha, whom Seb Gennaro married less than a year after the death of Rosie’s mother. Martha is struggling to fulfil Seb’s dream, while Rosie is coming to terms with new responsibilities. And so begins a stand-off between two women who refuse to move out of the home they both lay claim to.As the battle lines are drawn, Jimmy Hailler re-enters Rosie’s life. Having always watched other families from the perimeters, he’s now grappling, heartbreakingly, with forming one of his own . . .An unforgettable story about losing love and finding love; about the interconnectedness of lives and the true nature of belonging, from one of our most acclaimed writers.

    And you can talk about a Mallee tree. And you can talk about the Mallee itself: a land and a place full of red sand and short stubby trees. Silent skies. The undulating scorch of summer plains. Quiet, on the surface of things. But Elise wasn't from the Mallee, and she knew nothing of its ways. Discover the world of a small homestead perched on the sunburnt farmland of northern Victoria. Meet Elise, whose urbane 1950s glamour is rudely transplanted to the pragmatic red soil of the Mallee when her husband returns to work the family farm. But you cannot uproot a plant and expect it to thrive. And so it is with Elise. Her meringues don't impress the shearers, the locals scoff at her Paris fashions, her husband works all day in the back paddock, and the drought kills everything but the geraniums she despises.As their mother withdraws more and more into herself, her spirited, tearaway daughters, Marjorie and Ruby, wild as weeds, are left to raise themselves as best they can. Until tragedy strikes, and Marjorie flees to the city determined to leave her family behind. And there she stays, leading a very different life, until the boy she loves draws her back to the land she can't forget...'In the same vein as Rosalie Ham, Brinsden weaves a compelling story of country Australia with all its stigma, controversy and beauty.' Fleur McDonald