Follow Fishball as she navigates the Malaysian life with her 199 cm tall, geeky boyfriend.

    Enjoying her life as a stay at home wifey, the couple is expecting a set of twins. Their life could not have been any more picture perfect, until the day that Yazmin was involved in a hit and run accident. Scared for the life of her babies, Yazmin damn near goes into shock after she attempts to call Trey only to be greeted by his wife of the past ten years……Monae and Malik have had a drama free long distance relationship for the last two years. Malik is a Marine, and is stationed in San Diego. They both have an understanding that once Monae graduates from UCLA, they will have their dream wedding. Planning an intimate surprise party just for two in his apartment, Monae discovers that she is not the only woman waiting for “her” man to come home……Knowing that Devaugn is in a relationship, Nia simply don’t care. He is the ideal man, and Nia is convinced that if she works hard enough, she can show him that she is all the woman that he needs. Stephanie will be a thing of the past and Devaugn can start taking care of Nia and her three children full time. Or will he…….These three friends all have one thing in common; they are really their man’s chick on the side. What happens when a woman find’s out that she is not her man’s main course, she is only the appetizer…..

    One day, he accidentally opens up the ancient shrine that was in his back yard, and three handsome Inugamis (dog gods) appear from inside. They insist that they will take Yuya and his brothers as their brides as a payment for being locked in the shrine by Yuya's ancestor. Yuya's partner dog god's name is Akatsuki. He is rough and insensitive. Yuya refuses to be his "wife" as he refuses to marry a man, but Akatsuki takes him to bed. Turns out Inugamis need to copulate with their wives to get energy...

    Haunted by her past and unable to let go of what was, she struggles to achieve inner peace while wreaking mayhem on the streets of New York. Renee is queen of the city and runs it with an iron fist, but everything changes when people from her past resurface to seek revenge. They will stop at nothing until she’s dead. Will Renee find happiness and let go of her demons? Or will she allow her past to finish what it started?

    With loving men of power comes drama and jealousy. Can Briana and Persia handle everything that comes their way or will they crack under pressure? They say that love is forever but is forever enough?

    Now, she must return home for her brother's funeral and face seeing her former beau again. Will she finally find peace or will returning home be one of the biggest mistakes she has made in her young life?

    With the notes in his soul, he feels the rhythm in his rhymes and the beat of the instruments even when he closes his eyes. When he meets Saatvika Lakhiani, her voice and her form inspire that music and shine through every interaction they have. There is something about her that pulls him and calls to him… an underlying feeling that maybe she is the one who will complete him and be the partner he need. However, sorority princess Abhilasha walks and talks as if Arjun is already hers, a fact that seems surer by the day. While Saatvika is not exactly looking for a relationship, there is something about Arjun that makes her catch her breath – and ensures that a confrontation with Abhilasha is inevitable.

    In Jazmyn's case the bad outweighed the good .This isn't your ordinary love story. Jazmyn was in love with her boyfriend Prince of four years, but after the constant cheating and being his human punching bag, she is finally fed up. The only problem is she is too scared to leave. Prince is your average pretty boy type. The kind that thinks he can have any woman he wants just with the lick of his lips. He is deadly in love with Jazmyn and won't let nothing or no one get in his way or try to take his girl. That is until Justice Carter comes into the picture. Fresh out the pin and back home to claim what is rightfully his, Justice is a force to be reckoned with. While serving a four year bid, he left to his best friend Diesel who tried to take him for everything he made a name for. But with the help of his brother Harlem they make Diesel wish he never crossed him. Harlem is handling his business and locking down his brothers territory. He has another side to him that nobody wants to meet. After years in therapy, he learns how to control his anger. He is in love with a chick he thinks is too scared to love. But after realizing she's not the woman he thought she was, things get deadly. Samya and Jazmyn are best friends. With a mother as a crack head and a dead beat for a father, Jaz's mother Tuesday takes her in and raises her as her own. She is hard working and don't take no shit but is far from perfect herself. She has secrets and skeletons in her closet so big that she is to scared to tell anyone including Jaz. She is in love with Harlem but even he don't know about her past. Treat me like somebody is filled with drama and suspense. Secrets will be revealed and love will be tested. Will friendship get in the way or will love conquer all?

    Sequel to This Can't Be Life

    Padma Nadir Majhi ( Bengali:,English title: Boatman of the River Padma or The Padma Boatman ) (1993) is an award-winning Indian Bengali feature film directed by Goutom Ghosh from novel,the same name Manik Banerjees Padma Nadir Majhi.Hossian Miya (Utpal Dutta),Bengali Muslim, a trader who offers to take this community to with an idealistic vision: he wants to establish a little utopia on an island (Moynadeep) in the Padma delta . and offer them a better life there. It is apparent that Hossian Miya has a flourishing business there, because he has recently purchased a huge boat because of expanding business.

    Haunted by illness and obsessed with death, he moves to Mumbai from his village Udali, breaking away from his feudal roots. He encounters young men frustrated by the system but refuses to become one of them. Suddenly, he takes a fancy to education and pursues masters in Arts, without his family knowing about it.Bidhar is the story of a pessimist who struggles to move on in life.

    Theatre script, playbook

    Due to a mistake one night, I became the target of the most obsessive man and a villainess!After possessing Ripley, a count’s daughter and an extra in a novel, I became the female lead.Since this is the case, I will try to enjoy the riches and luxuries of a nobleman that I couldn’t experience in my past life.I can remember up to drinking alone in a corner at a party…but I woke up the next day in the male lead’s bed!Ripley became the target of the villainess after the male lead’s remarks that she should be responsible for spending their first night together.Knowing the fate of the female lead, Ripley tries to get rid of the male lead by causing trouble, not washing, and all sorts of things.Nevertheless, the male lead’s unwavering single-minded heart begins to shake.

    Meanwhile, all's not well on the unassuming Midwestern streets of Bloggs: with local children vanishing at an alarming rate, our hero, his lady friend, and a motley assortment of poets, butchers, and punk librarians prepare to battle the darkness on the edge of town.

    What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being.Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.