Ancrum's The Legend of the Golden Raven novella, part fairy tale and part gritty reality, follows a boy as he descends into madness. August and Jack weren’t meant to be friends. One is a misfit with a pyro streak and the other a golden boy on the rugby team. But as their relationship intensifies, Jack slowly begins to lose his mind—taking readers on an intimate journey into the fantasy kingdom creeping into the edges of his world.As the novella moves back and forth between a medieval legend and our own, contemporary world, nothing is as it seems. The boys alienate everyone around them as they struggle with their sanity and as Jack’s quest to fulfill a dark prophecy begins to consume them both . . . Devour this companion novella to The Wicker King. An ImprintBook

    In the heady years before the crash, financiers drape their mistresses in Chanel, while expatriates flock to the avant-garde bookshop Shakespeare and Company. One day in July, a young American named Rafaela Fano gets into the car of a coolly dazzling stranger, the Art Deco painter Tamara de Lempicka.Struggling to halt a downward slide toward prostitution, Rafaela agrees to model for the artist, a dispossessed Saint Petersburg aristocrat with a murky past. The two become lovers, and Rafaela inspires Tamara's most iconic Jazz Age images, among them her most accomplished—and coveted—works of art. A season as the painter's muse teaches Rafaela some hard lessons: Tamara is a cocktail of raw hunger and glittering artifice. And all the while, their romantic idyll is threatened by history's darkening tide.Inspired by real events in de Lempicka's history, The Last Nude is a tour de force of historical imagination. Avery gives the reader a tantalizing window into a lost Paris, an age already vanishing as the inexorable forces of history close in on two tangled lives. Spellbinding and provocative, The Last Nude is a novel about genius and craft, love and desire, regret, and, most of all, hope that can transcend time and circumstance.

    Amy Bloom writes great short stories. Her first collection, Come to Me, was a finalist for the National Book Award, and here she deepens and extends her mastery of the form.Real people inhabit these pages, the people we know and are, the people we long to be and are afraid to be: a mother and her brave, smart little girl, each coming to terms with the looming knowledge that the little girl will become a man; a wildly unreliable narrator bent on convincing us that her stories are not harmless; a woman with breast cancer, a frightened husband, and a best friend, all discovering that their lifelong triangle is not what they imagined; a man and his stepmother engaged in a complicated dance of memory, anger, and forgiveness. Amy Bloom takes us straight to the center of these lives with rare generosity and sublime wit, in flawless prose that is by turns sensuous, spare, heartbreaking, and laugh-out-loud funny.These are transcendent stories: about the uncertain gestures of love, about the betrayals and gifts of the body, about the surprises and bounties of the heart, and about what comes to us unbidden and what we choose.A blind mand can see how much I love you --Rowing to Eden --Lionel and Julia (Night vision, Light into dark) --Stars at elbow and foot --Hold tight --The gates are closing --The story

    Sure to inspire hope and solidarity to anyone who reads it, Our Stories, Our Voices belongs on every young woman’s shelf.This anthology features essays from Martha Brockenbrough, Jaye Robin Brown, Sona Charaipotra, Brandy Colbert, Somaiya Daud, Christine Day, Alexandra Duncan, Ilene Wong (I.W.) Gregorio, Maurene Goo, Ellen Hopkins, Stephanie Kuehnert, Nina LaCour, Anna-Marie McLemore, Sandhya Menon, Hannah Moskowitz, Julie Murphy, Aisha Saeed, Jenny Torres Sanchez, Amber Smith, and Tracy Walker.

    Preferring chaos to bullying, Del makes it her mission to save her dad's crumbling café, the Flywheel, while he 'finds himself' overseas. Accompanied by her charming troublemaker best friend Charlie, Del sets out to save the cafe, keep Charlie out of prison, and maybe get a date with Rosa, the beautiful flamenco dancer from across the road. But when life is messy enough as it is, can girl-on-girl romance ever have a happy ending? This hilarious and accident-prone novel is about how to be heartbroken and how to fall in love; about rising above high-school drama and wrestling with problems that are (almost) too big. It speaks directly to teens and assures them that they’re not alone, and does it all with an abundance of heart.

    Tourists flock to the cities within the city: the Magic City of the World’s Fair on an island created of artifice and illusion; the forbidden city of Chinatown, a separate, alien world of exotic food and nightclubs that offer “authentic” experiences, straight from the pages of the pulps; and the twilight world of forbidden love, where outcasts from conventional society can meet.Six women find their lives as tangled with each other’s as they are with the city they call home. They discover love and danger on the borders where mystery, science, and art intersect.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    Like a fever-pitched dream, Lost Boi situates a children's fantasy within a subversive alternative reality, chronicling the lost bois' search for belonging, purpose, and their struggle against the biggest battle of all: growing up.

    From the author's vivid childhood memories in Harlem to her coming of age in the late 1950s, the nature of Audre Lorde's work is cyclical. It especially relates the linkage of women who have shaped her . . . Lorde brings into play her craft of lush description and characterization. It keeps unfolding page after page.--Off Our Backs

    As the granddaughter of celebrities and the daughter of an interracial couple in an all-black town, she has become adept at isolating herself from curious neighbors. But then her cousin, Trout, comes to visit. Trout is exactly like Staggerlee wishes she could be: outspoken, sure of herself, beautiful. Finally, Staggerlee has a friend, someone she can share her deepest, most private thoughts with. Someone who will teach her how to be the strong girl she longs to be. But is Trout really the girl Staggerlee thinks she is?

    Told in a series of vignettes – sometimes heartbreaking, sometimes deeply joyous–it is the story of a young Latina girl growing up in Chicago, inventing for herself who and what she will become. Few other books in our time have touched so many readers.

    Young, reckless, and catapulted toward uncertain futures, here is the new face of Chinese youth on a quest for every kind of freedom.From a crowded apartment on Mott Street, where an immigrant family raises its first real Americans, to a pair of divers at the Beijing Olympics poised at the edge of success and self-discovery, Wang’s unforgettable characters – with their unusual careers, unconventional sex lives and fantastical technologies – share the bold hope that, no matter where they’ve come from, their lives too can be extraordinary.

    Larissa Lai interweaves three narrative voices and their attendant cultures: an elusive fox growing toward wisdom and her 1000 birthday, the ninth-century Taoist poet/nun Yu Hsuan-Chi (a real person executed in China for murder), and the oddly named Artemis, a young Asian-American woman living in contemporary Vancouver.With beautiful and enchanting prose, and a sure narrative hand, Lai combines Chinese mythology, the sexual politics of medieval China, and modern-day Vancouver to masterfully revise the myth of the Fox (a figure who can inhibit women’s bodies in order to cause mischief).

    So why does everyone have a problem with it? They think the way she looks and acts means she’s trying to be a boy—that she should quit trying to be something she’s not. If she dresses like a girl, and does what her folks want, it will show respect. If she takes orders and does what her friend Colby wants, it will show her loyalty. But respect and loyalty, Pen discovers, are empty words. Old-world parents, disintegrating friendships, and strong feelings for other girls drive Pen to see the truth—that in order to be who she truly wants to be, she’ll have to man up.

    Honestly, though? I think the answer’s much simpler than that. Color outside the Lines is a collection of stories about young, fierce, brilliantly hopeful people in love.—Sangu Mandanna, editor of Color outside the Lines

    These thirty-three short stories and poems, crafted with a deliberate delicacy, each capture the candid, private moments of women in love.Together, these stories and the women who inhabit them reveal an illuminating portrait of the sacred female romance, with all its nuances, complexities, burdens, and triumphs revealed. Violence, sickness, chaos, tenderness, beauty, and freedom adorn these pages in a mosaic of unforgettable moments, including a lesbian granddaughter discovering unexpected commonalities with her grandmother, a teenager’s tryst with her friend after disenchanting sex with a boy, and an old couple’s dreamy Sunday-morning ritual.Sweeping nearly every major Brazilian literary prize in 2016—including the Prêmio Jabuti and Prêmio Açorianos de Literatura—Amora has propelled Natália Borges Polesso to the forefront of the international literary world.