But for Sarah Durandt the nightmare is just beginning... Sarah has just witnessed the execution of the man who confessed to killing her husband and son, among others. She leaves with no closure as the killer has refused her repeated requests to reveal the site of her family's graves. Sarah returns home to her small town of Hopewell in the Adirondacks Mountains and vows to search until she finds Sam and Josh.Her hunt leads her to a trail of lies and unearths a new killer. In a race to save everything she holds dear, Sarah is forced to place her faith in the man who betrayed her...her husband.

    Still, an aristocracy would emerge in this society: artist, poets, and musicians, plantation owners, scientists and craftsmen whose talents and reputations would extend far beyond the limits of their small world. Mega-selling author Anne Rice's probing, lyrical style sweeps us into their midst as she introduces Marcel, the sensitive, blue-eyed scholar, Marie, his breathtakingly beautiful sister, whose curse is to pass for white; Christophe, novelist and teacher, the idol of all young gens and stunning Anna Bella, whose allure for the well-to-do white man would become legend.Here is a compelling and richly textured tale of a people forever caught in the shadows between black and white.

    Sansom. In September 1940, the Spanish Civil War is over and Madrid lies in ruins while the Germans continue their march through Europe. Britain stands alone as General Franco considers whether to abandon neutrality and enter the war. Into this uncertain world comes Harry Brett, a privileged young man who was recently traumatized by his experience in Dunkirk and is now a reluctant spy for the British Secret Service. Sent to gain the confidence of Sandy Forsyth, an old school friend turned shadowy Madrid businessman, Brett finds himself involved in a dangerous game and surrounded by memories. Meanwhile, Sandy’s girlfriend, ex-Red Cross nurse Barbara Clare, is engaged in a secret mission of her own—to find her former lover Bernie Piper, whose passion for the Communist cause led him into the International Brigades and who vanished on the bloody battlefields of the Jarama.In a vivid and haunting depiction of wartime Spain, Winter in Madrid is an intimate and riveting tale that offers a remarkable sense of history unfolding and the profound impact of impossible choices.

    In an effort to retrieve his past, he withdraws to the family home somewhere in the hills between Milan and Turin. There, in the sprawling attic, he searches through boxes of old newspapers, comics, records, photo albums, and adolescent diaries. And so Yambo relives the story of his generation: Mussolini, Catholic education and guilt, Josephine Baker, Flash Gordon, Fred Astaire. His memories run wild, and the life racing before his eyes takes the form of a graphic novel. Yambo struggles through the frames to capture one simple, innocent image: that of his first love. A fascinating, abundant novel-wide-ranging, nostalgic, funny, full of heart-from the incomparable Eco.

    The Nazi regime, under the leadership of Adolf Hitler, has surged to power and now hold Germany by the throat. All non-Aryans - especially Jews like Jacob and his family - are treated like dogs.When tragedy strikes during one terrible night of violence, Jacob flees and joins rebel forces working to undermine the regime. But after a raid goes horribly wrong, Jacob finds himself in a living nightmare - trapped in a crowded, stinking car on the train to the Auschwitz death camp.As World War II rages and Hitler begins implementing his "final solution" to systematically and ruthlessly exterminate the Jewish people, Jacob must rely on his wits and a God he's not sure he believes in to somehow escape from Auschwitz and alert the world to the Nazi's atrocities before Fascism overtakes all of Europe. The fate of millions hangs in the balance.©2014 Joel C. Rosenberg; (P)2014 Brilliance Audio, all rights reserved.

    Gallery owner Ethan Muller can see its brilliance—and money-making potential. When Ethan displays the art, the show attracts the attention of the police. Because the subjects of the pictures look exactly like the victims in a long-cold murder case. Ethan has received a letter saying stop, stop, stop. And the still-missing genius may be the link to a madman—or the madman himself.

    Both the twelve-year-old and his father become fugitives, forced to run from Coos County–to Boston, to southern Vermont, to Toronto–pursued by the implacable constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.In a story spanning five decades, Last Night in Twisted River–John Irving’s twelfth novel–depicts the recent half-century in the United States as “a living replica of Coos County, where lethal hatreds were generally permitted to run their course.” From the novel’s taut opening sentence–“The young Canadian, who could not have been more than fifteen, had hesitated too long”–to its elegiac final chapter, Last Night in Twisted River is written with the historical authenticity and emotional authority of The Cider House Rules and A Prayer for Owen Meany. It is also as violent and disturbing a story as John Irving’s breakthrough bestseller, The World According to Garp.What further distinguishes Last Night in Twisted River is the author’s unmistakable voice–the inimitable voice of an accomplished storyteller. Near the end of this moving novel, John Irving writes: “We don’t always have a choice how we get to know one another. Sometimes, people fall into our lives cleanly–as if out of the sky, or as if there were a direct flight from Heaven to Earth–the same sudden way we lose people, who once seemed they would always be part of our lives.”

    Four boys becoming men: Juice Terry, the work-shy fanny-merchant, with corkscrew curls and sticky fingers; Billy the boxer: driven, controlled, playing to his strengths; Carl, the Milky Bar Kid, drifting along to his own soundtrack; and the doomed Gally - who has one less skin than everyone else and seems to find catastrophe at every corner. As we follow their lives from the seventies into the new century - from punk to techno, from speed to Es - we can see each of them trying to struggle out from under the weight of the conditioning of class and culture, peer pressure and their parents' hopes that maybe their sons will do better than they did. What binds the four of them is the friendship formed by the scheme, their school, and their ambition to escape from both; their loyalty fused in street morality: back up your mates, don't hit women and, most importantly, never grass - on anyone. Despite its scale and ambition, Glue has all Irvine Welsh's usual pace and vigour, crackling dialogue, scabrous set-pieces and black, black humour, but it is also a grown-up book about growing up - about the way we live our lives, and what happens to us when things become unstuck.

    The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law–in the person of aging, disillusioned Sheriff Bell–can contain.As Moss tries to evade his pursuers–in particular a mysterious mastermind who flips coins for human lives–McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph.

    (Can you guess which one?) She discovers a cache of papers that appear to give an account of the murders by an eyewitness. The plot weaves between the narrative of the eyewitness and Jean's private struggle with jealousies and suspicions as her marriage teeters. A rich, textured novel.

    They never woke up.Susan Wheeler is a third-year medical student working as a trainee at Boston Memorial Hospital. Two patients during her residency mysteriously go into comas immediately after their operations due to complications from anesthesia. Susan begins to investigate the causes behind both of these alarming comas and discovers the oxygen line in Operating Room 8 has been tampered with to induce carbon monoxide poisoning.Then Susan discovers the evil nature of the Jefferson Institute, an intensive care facility where patients are suspended from the ceiling and kept alive until they can be harvested for healthy organs. Is she a participant in--or a victim of--a large-scale black market dealing in human organs?

      With the world slowly sliding into war, it is crucial that enemies of the Reich flee Europe at once. But so many routes are closed, and so much money is needed. Then one night in Lisbon, as a poor young refugee gazes hungrily at a boat bound for America, a stranger approaches him with two tickets and a story to tell.   It is a harrowing tale of bravery and butchery, daring and death, in which the price of love is beyond measure and the legacy of evil is infinite. As the refugee listens spellbound to the desperate teller, in a matter of hours the two form a unique and unshakable bond—one that will last all their lives.

    A confrontation with the outlaws ends as Weldon puts a bullet through the rear window of Clyde’s stolen automobile.Ten years later, Second Lieutenant Weldon Holland and his sergeant, Hershel Pine, escape certain death in the Battle of the Bulge and encounter a beautiful young woman named Rosita Lowenstein hiding in a deserted extermination camp. Eventually, Weldon and Rosita fall in love and marry and, with Hershel, return to Texas to seek their fortunes.There, they enter the domain of jackals known as the oil business. They meet Roy Wiseheart—a former Marine aviator haunted with guilt for deserting his squadron leader over the South Pacific—and Roy’s wife Clara, a vicious anti-Semite who is determined to make Weldon and Rosita’s life a nightmare. It will be the frontier justice upheld by Weldon’s grandfather, Texas lawman Hackberry Holland, and the legendary antics of Bonnie and Clyde that shape Weldon’s plans for saving his family from the evil forces that lurk in peacetime America and threaten to destroy them all.

    London is in shock. The very look of daily life is a walking nightmare of German uniforms, artifacts, regulations. There are collaborators. There are profiteers. But there are others working in hope, in secret, and desperate danger, against the invader. And still others are living strangely ambiguous lives – none more so than Detective Superintendent Douglas Archer ("Archer of the yard" as the press like to call him), trying to maintain a peculiarly, almost sacredly, British institution under a Nazi chief. Archer has started work on what seems, at first, a routine murder case. But suddenly an SS Standartenführer from Himmler's personal staff flies in from Berlin to supervise the investigation, and Archer is plunged deep into an espionage battle for which he is completely unprepared, and where the stakes are incredibly high. "We’re dealing with something that could prove so deadly that not even the Black Death would compare with the consequences", the SS man tells him.Setting forth on a tight rope trail of violence, betrayal and danger, Archer moves into worlds within worlds of intrigue. The British resistance, wealthy collaborators, high-level scientists, German army and SS factions and vicious rivalry, a beautiful American reporter on assignment for the still-neutral papers back home – these are the players that Deighton's treacherously shifting drama, as it races toward its chattering climax that involves the fate of the King, and of England itself.SS–GB is fascinating in its premise, utterly authentic and convincing in its detail. It is the most gripping novel we have had from the author of The Ipcress File, Funeral in Berlin, and Bomber. Already, in England, it has become Len Deighton's greatest best seller.

    We first meet ex-policeman Bernie Gunther in 1936, in March Violets (a term of derision which original Nazis used to describe late converts.) The Olympic Games are about to start; some of Bernie's Jewish friends are beginning to realize that they should have left while they could; and Gunther himself has been hired to look into two murders that reach high into the Nazi Party. In The Pale Criminal, it's 1938, and Gunther has been blackmailed into rejoining the police by Heydrich himself. And in A German Requiem, the saddest and most disturbing of the three books, it's 1947 as Gunther stumbles across a nightmare landscape that conceals even more death than he imagines. (For a review of Kerr's latest novel, The Grid, see our Thrillers section.)