. . Odair, one of the Designers of All Things and grandson of the esteemed inventor of the rainbow, has been banished to the insect laboratory as punishment for his overactive imagination. But he still dreams of one day creating a cross between a bird and a flower. Then, after a helpful chat with a dog . . . Gioconda Belli's novel, The Inhabited Woman, was a worldwide bestseller. She has since enjoyed international success with her many collections of poetry and her novels. Wolf Erlbruch is the author of over 25 illustrated books and the recipient of countless international prizes.

    Unicorns and their magical powers are studied as they appear in legend and literature, including the Bibles of both East and West.

    But what do those elf stories really tell us about the Iceland of old and the people who lived there? In this book, author Alda Sigmundsdóttir presents twenty translated elf stories from Icelandic folklore, along with fascinating notes on the context from which they sprung. The international media has had a particular infatuation with the Icelanders’ elf belief, generally using it to propagate some kind of “kooky Icelanders” myth. Yet Iceland’s elf folklore, at its core, reflects the plight of a nation living in abject poverty on the edge of the inhabitable world, and its people’s heroic efforts to survive, physically, emotionally and spiritually. That is what the stories of the elves, or hidden people, are really about. In a country that was, at times, virtually uninhabitable, where poverty was endemic and death and grief a part of daily life, the Icelanders nurtured a belief in a world that existed parallel to their own. This was the world of the hidden people, which more often than not was a projection of the most fervent dreams and desires of the human population. The hidden people lived inside hillocks, cliffs or boulders, very close to the abodes of the humans. Their homes were furnished with fine, sumptuous objects. Their clothes were luxurious, their adornments beautiful. Their livestock was better and fatter, their sheep yielded more wool than regular sheep, their crops were more bounteous. They even had supernatural powers: they could make themselves visible or invisible at will, and they could see the future. To the Icelanders, stories of elves and hidden people are an integral part of the cultural and psychological fabric of their nation. They are a part of their identity, a reflection of the struggles, hopes, resilience and endurance of their people. All this and more is the subject of this book.

    Dark and funny, lyrical and earthy, these fifty stories are part of an important and enduring historical tradition that dates back hundreds of years. Described by Neil Gaiman as the "master", Crossley-Holland's unforgettable retellings will capture the imagination of readers young and old alike.

    the 16 does not refer to the volume number of the original work.

    The first three fairy tales are “The Sleeping Beauty,” “Blue Beard,” and “Cinderella,” all three of which were popularized in France by Charles Perrault in 1697 in his Tales of Mother Goose. The last tale in the compilation is “Beauty and the Beast,” this version attributed to Gabrielle de Villeneuve, who published it in 1740 and 1756.Quiller-Couch had this to say regarding his translation of these tales: “I began by translating Perrault’s tales, very nearly word for word…the translations, when finished, did not satisfy me, and so I turned back to the beginning and have rewritten the stories in my own way, which (as you may say with the Irish butler) ‘may not be the best claret, but ‘tis the best we’ve got...’”

    

    This is the world of the Irish fairy tale, a magical realm kept alive by generations of storytellers and their avid listeners. As Alfred Perceval Graves, author of the ballad "Father O'Flynn" and a former president of the Irish Literary Society, wrote in the introduction, "The truth is that the Gaelic peasant, Scotch and Irish, is a mystic, and believes not only in this world, and the world to come, but in that other world which is the world of Faery, and which exercises an extraordinary influence upon many actions of his life." In The Irish Fairy Book, Graves has collected Ireland's best-loved fairy tales written by some of its favorite authors. Included are W.B. Yeats' "The Stolen Child," Lady Gregory's "Cuchulain of Muirthemne," Standish James O'Grady's "The Coming of Finn," Lady Wilde's "The Horned Women" and "The Demon Cat," and many more. Illustrations by George Dunham add a delightful touch to this charming collection.

    A resourceful samurai and a faithful daughter. A spirit of the moon and a dragon king.This collection of 15 traditional Japanese folktales transports readers to a time of adventure and enchantment. Drawn from the works of folklorists Lafcadio Hearn and Yei Theodora Ozaki, these tales are by turns terrifying, exhilarating, and poetic.• Striking illustrations by contemporary Japanese artist Kotaro Chiba• Special gift edition features an embossed, textured case with metallic gold ink, and a satin ribbon page marker• Part of the popular Tales series, featuring Nordic Tales, Celtic Tales, Tales of India, and Tales of East AfricaFans of Ghostly Tales, and Japanese Notebooks will love this book.This book is ideal for:• Fans of fairytales, folklore, ghost stories, Greek mythology, roman mythology, Chinese mythology, and Celtic mythology• Anyone interested in Japan's history books and culture studies• People of Japanese heritage• Collectors of illustrated classics

    A panther runs through the forests of England and pixies prey upon violent men.From the islands of Scotland to the coast of Cornwall, the mountains of Galway to the depths of the Fens, these forgotten folktales howl, cackle and sing their way into the 21st century, wildly reimagined by some of the most exciting women writing in Britain and Ireland today.

    Davenport Adams (1828 – 91) established a reputation for himself as a popular science writer, translator and lexicographer. He also wrote several children's books. In this 1889 work, Adams gives a general introduction to alchemy in Europe and traces the development of magic and alchemy in England from the fourteenth century onwards. Initially the disciplines were persecuted by the Church and met with 'the prejudice of the vulgar', languishing throughout the sixteenth and seventeenth centuries.In Book 1 Adams portrays the English 'magicians' Roger Bacon, whom he considers to have been ahead of his contemporaries; John Dee and William Lilly, astrologists of the sixteenth and seventeenth centuries, respectively; and the English Rosicrucians. Book 2 is a historical account of witchcraft in England and Scotland, from the middle ages to the witch trials of the seventeenth century, and includes a chapter on witchcraft in literature. This edition contains both Book 1 and Book 2. Description from Cambridge University Press.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    In this fascinating collection, Idries Shah shares this insight with us as we read the astonishingly similar versions of tales as they developed throughout the world.

    Some of the stories here were collected by folklorists during the last two centuries, while the others are reworkings of oral tales by four of the greatest writers in Russian literature: Nadezhda Teffi, Pavel Bazhov, Andrey Platonov, and Alexander Pushkin, author of Eugene Onegin, the classic Russian novel in verse. Among the many classic stories included here are the tales of Baba Yaga, Vasilisa the Beautiful, Father Frost, and the Frog Princess.

    Brings to vivid life the trials and tribulations of young Ella, mistreated by her nasty stepmother and unattractive stepsisters, who dreams of going to the Prince's ball.

    The more than 175 tales culled from a centuries-old Russian storytelling tradition by the outstanding Russian ethnographer Aleksandr Afanas’ev reveal a rich, robust world of the imagination that will fascinate readers both young and old.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library