It’s 1899, and she’s on her own in a remote sawmill town where Company is king, men are rough, and a woman alone has few options. Her only resources are her pet sow’s litter of pigs and the attachment of an unruly 13-year-old girl.The company doctor wants to help, but he’s married, and his interest is personal. The company manager offers work, but his concern for May Rose may not be proper. Then there’s Suzie, operator of the brothel, who’d gladly welcome both her and the girl. As May Rose struggles to earn her keep, her troubles seem directed by others.Soon an accident leaves the town in desperate straits. Through it all, May Rose must earn respect, protect herself, and save the girl who sleeps with a doll clutched tight and a knife under her pillow.The story of May Rose and Wanda is the first book in the Mountain Women Series, bringing to life the struggles and triumphs, friendships and families of women in a small West Virginia town in the early 1900s.

    Because, although I didn't know it yet, I was about to meet Ben and nothing would ever be the same again.Martin Gilmour is an outsider. When he wins a scholarship to Burtonbury School, he doesn’t wear the right clothes or speak with the right kind of accent. But then he meets the dazzling, popular and wealthy Ben Fitzmaurice, and gains admission to an exclusive world. Soon Martin is enjoying tennis parties and Easter egg hunts at the Fitzmaurice family’s estate, as Ben becomes the brother he never had.But Martin has a secret. He knows something about Ben, something he will never tell. It is a secret that will bind the two of them together for the best part of 25 years.At Ben’s 40th birthday party, the great and the good of British society are gathering to celebrate in a haze of champagne, drugs and glamour. Amid the hundreds of guests–the politicians, the celebrities, the old-money and newly rich–Martin once again feels that disturbing pang of not-quite belonging. His wife, Lucy, has her reservations too. There is disquiet in the air. But Ben wouldn’t do anything to damage their friendship. Would he?

    . . but will it ever be the right time?Perfect for fans of One Day and Me Before You, this is a tragic love story spanning three decades that starts and ends on a bench. The most heartbreaking novel to date by the Richard & Judy Book Club bestselling author Saskia Sarginson.It begins at the end.It begins on a bench, on a heath, where a woman waits for a man.Ten years ago, they made a pact:On this bench, on this day, they will end a love affair that's spanned three decades, or start again.They should never have met. They should never have fallen in love.But they did, until a lie separated them for a lifetime.Can they fix the mistake, forgive the lie, erase the years in-between?Can what was lost ever truly be found?

    A workaholic chef, at least there she’s in control. So when her free-spirited and often-gullible mother, Connie, calls to announce that she’s won a bed-and-breakfast on the Jersey Shore, Faith’s patience boils over. Convinced the contest is a scam, she rushes to Wave’s End to stop Connie from trading her steady job for an uncertain future.When a hurricane ravages the coast, Faith is torn between supporting the shore rescue and bailing out her beleaguered boss. But the storm dredges up deceptions and emotional debris that threaten to destroy the inn’s future and her fragile bonds with her mother.As the women struggle to salvage both the inn and their relationship, Faith begins to see herself and Connie in a new light—and to realize that some moments are better left to chance.

    After the war, the couple settles in Morocco to start a farm. While Amine tries to cultivate the rocky and unforgiving terrain, Mathilde feels suffocated by the harsh climate. Alone and isolated with her two children, she struggles with assimilation and classism. The ten years of the novel are also those of a rise in tensions and violence that will lead in 1956 to Morocco's independence. All the characters in this novel live "in the country of others": settlers vs. natives, soldiers vs. peasants, and exiles. Women, especially, live in the country of men, and must constantly fight for their emancipation.

    tank, The Korean Word For Butterfly is told from three alternating points-of-view:Billie, the young wanna-be poet looking for adventure with her boyfriend who soon finds herself questioning her decision to travel so far from the comforts of American life;Moon, the ex K-pop band manager who now works at the English school struggling to maintain his sobriety in hopes of getting his family back;And Yun-ji , a secretary at the school whose new feelings of resentment toward Americans may lead her to do something she never would have imagined possible. The Korean Word For Butterfly is a story about the choices we make and why we make them. It is a story, ultimately, about the power of love and redemption.*The author would like to note that this book deals, in part, with abortion. It tries, as best it can, to explore the issue with compassion rather than judgement.*"5 stars...full of fresh and original writing." -Kindle Book Review

    

    His life, now at a crossroads, has been a jumble of invention, elusive memories, and handed-down stories. But when Richard finds his mother’s hidden notebook, written by her during World War II, he discovers a confession that was never meant to be read by anyone—least of all, her son.,p>Richard’s quest for the truth about his life leads him to an embattled Sarajevo. In the chaos of the besieged city, he discovers something more: a transformative romance and unexpected new friendships that will change the course of his search. But fate has been playing with all of them. And just as fate determines the lives of the characters in his novel, a betrayal reaching back half a century has yet to loosen its grip—on Richard, on everyone he has come to love, and on those he has no choice but to try to forgive.

    The thing she did is so bad she doesn't deserve to ever feel good again.But her counsellor, Erika, won't give up on her. She asks Beth to make a list of all the good things in her life. So Beth starts to write down her story, from sharing silences with Foster Dad No. 1, to flirting in the Odeon on Orange Wednesdays, to the very first time she sniffed her baby's head.But at the end of her story, Beth must confront the bad thing.What is the truth hiding behind her crime? And does anyone-even a 100% bad person-deserve a chance to be good?

    The new novel from the author of international bestsellers The Sweetness of Forgetting and The Life Intended shows why her books are hailed as “engaging” (People), “absorbing” (Kirkus Reviews) and “enthralling” (Fresh Fiction).Emily Emerson is used to being alone; her dad ran out on the family when she was a just a kid, her mom died when she was seventeen, and her beloved grandmother has just passed away as well. But when she’s laid off from her reporting job, she finds herself completely at sea…until the day she receives a beautiful, haunting painting of a young woman standing at the edge of a sugarcane field under a violet sky. That woman is recognizable as her grandmother—and the painting arrived with no identification other than a handwritten note saying, “He always loved her.”Emily is hungry for roots and family, so she begins to dig. And as she does, she uncovers a fascinating era in American history. Her trail leads her to the POW internment camps of Florida, where German prisoners worked for American farmers...and sometimes fell in love with American women. But how does this all connect to the painting? The answer to that question will take Emily on a road that leads from the sweltering Everglades to Munich, Germany and back to the Atlanta art scene before she’s done. Along the way, she finds herself tempted to tear down her carefully tended walls at last; she’s seeing another side of her father, and a new angle on her painful family history. But she still has secrets, ones she’s been keeping locked inside for years. Will this journey bring her the strength to confront them at last?

    He likes old bicycles, new music, and (don’t say it too loud), model railroading. As the only child of wealthy Dallas executives, it appears that a life of trustafarian ease is his birthright. All those expectations are upended, however, the day he is summoned to the hospital bed of his friend (and fellow English three-speed enthusiast), Morgan Davies. Professor Davies has a secret to share: he once was a time traveler. He also has a task for his young friend: Miles is to travel back in time to 1928, and across the sea to England. Once there, he is to find “a girl with a gift, a girl born out of her time” and a “secret that was not meant to be” and then return home with them both. Miles must first find the courage to pass through the strange portal in the Vermont woods that will launch him on this mission, and then to face down a series of do-or-die crises (including a crisis of confidence). He must also navigate the low-tech, class-bound world of England in 1928 while keeping his true identity a secret. Miles' quest for the girl and the secret carries him from a great estate in England's beautiful countryside to London's jazz-age cabarets, and from terrified boy to heroic young man.

    Scrawled on the back of the picture are the words 'Forgive me'. Unable to resist the mystery behind it, she begins to unravel the story of two star-crossed lovers and one irrevocable betrayal.Take a moment to savour an evocative, bittersweet love story that echoes through the decades – perfect for fans of Kate Morton, Rachel Hore and Victoria Hislop.

    But the belongings she's treasured for so long just don't seem to fit who she is now.So Gina makes a resolution. She'll keep just a hundred special items - the rest can go.But that means coming to terms with her past and learning to embrace the future, whatever it might bring . . .

    But it is his bitter feud with Giovanni Roero, a brutal knight in the Maltese Order of St. John, that is his fatal error.Now, in the village of Monte Piccolo, a priest claims to have discovered a lost painting by the famed artist in the storage room of an orphanage. Retired professor A. R. Richman believes it’s a delusional dream. But Lucia, a visiting art student, convinces him otherwise and recruits her best friend, Moto, to join in the quest. They think The Judas Kiss is worth investigating. But tracing its provenance back four hundred years could prove to be just as treacherous as the master’s final days.Richman, Lucia, and Moto begin chasing the mystery, uncovering a blood feud hidden for years that has now spilled into the twenty-first century. As they follow where it leads—down a trail of murder, betrayal, and vengeance—they find a secret history that someone will kill to keep buried.

    Diagnosed with MS, she awaits the results of another anxiety-inducing MRI. She’s just walked away from Connor, “a fixer” but possibly the love of her life. And nearing the holidays, the sights and sounds of winter in South Dakota only prick memories of better years gone by. Then, on a December morning at the university where she works, jarring gunshots pierce the halls. In a temporary safe place and terrified, Simone listens and pretends this will all be over soon.As she waits for silence, her mind racing, Simone’s past year comes into focus. Falling in love and missing it. Finding strength in family and enduring friendships. Planning for the future, fearing it, and hoping against hope in dark places. Her life has been changing at the speed of light, and each crossroad brought Simone here, to this day, to endure the things she can’t control and to confront those that she can.