In “Losing Nora,” she deftly captures the rivalry, mutual respect, and intimacy that made up her relationship with her older sister and frequent writing companion. “Blame It on the Movies” is Ephron’s wry and romantic essay about surviving her disastrous twenties, becoming a writer, and finding a storybook ending. “Bakeries” is both a lighthearted tour through her favorite downtown patisseries and a thoughtful, deeply felt reflection on the dilemma of having it all. From keen observations on modern living, the joy of girlfriends, and best-friendship, to a consideration of the magical madness and miracle of dogs, to haunting recollections of life with her famed screenwriter mother and growing up the child of alcoholics, Ephron’s eloquent style and voice illuminate every page of this superb and singular work.

    The child of two lawyers, they are staunchly anti-death penalty. But the moment convicted murderer Ricky Langley’s face flashes on the screen as they review old tapes—the moment they hear him speak of his crimes -- they are overcome with the feeling of wanting him to die. Shocked by their reaction, they dig deeper and deeper into the case. Despite their vastly different circumstances, something in his story is unsettlingly, uncannily familiar.Crime, even the darkest and most unsayable acts, can happen to any one of us. As Alex pores over the facts of the murder, they find themself thrust into the complicated narrative of Ricky’s childhood. And by examining the details of Ricky’s case, they are forced to face their own story, to unearth long-buried family secrets, and reckon with a past that colors their view of Ricky's crime.But another surprise awaits: They weren’t the only one who saw their life in Ricky’s.An intellectual and emotional thriller that is also a different kind of murder mystery, THE FACT OF A BODY is a book not only about how the story of one crime was constructed -- but about how we grapple with our own personal histories. Along the way it tackles questions about the nature of forgiveness, and if a single narrative can ever really contain something as definitive as the truth. This groundbreaking, heart-stopping work, ten years in the making, shows how the law is more personal than we would like to believe -- and the truth more complicated, and powerful, than we could ever imagine.

    This is Beginner's Mind, Ma’s extraordinary addition to Audible’s Words + Music series, blending vivid personal memoir and breathtaking exclusive performances with indelible lessons gained over a lifetime pursuing meaning, connection, and shared purpose.Beginner's Mind continues Ma’s passionate exploration of culture’s role in helping us to imagine and build a better future, asking each of us "to strip away preconceptions and reclaim a beginner's mind…one open to new questions, new connections, new explorations, and unexpected answers." As Ma tracks his own profound journey through "four stories of beginnings," listeners gain insight into his past and discover how the cultural visionary continues to find hope in the endless possibility of human curiosity, creativity, and collaboration.Beginner's Mind joins Audible’s ongoing Words + Music series, providing an outlet for musical icons to defy traditional formats with an innovative, and unprecedented approach to musical storytelling and personal expression.©2021 Yo-Yo Ma (P)2021 Audible Originals LLC

      Raised in northern New Jersey, Cory Booker went to Stanford University on a football scholarship, accepted a Rhodes Scholarship to Oxford University, then studied at Yale Law School. Graduating from Yale, his options were limitless.   He chose public service.   He chose to move to a rough neighborhood in Newark, New Jersey, where he worked as a tenants’ rights lawyer before winning a seat on the City Council. In 2006, he was elected mayor, and for more than seven years he was the public face of an American city that had gone decades with too little positive national attention and investment. In 2013, Booker became the first African American elected to represent New Jersey in the U.S. Senate.   In United, Cory Booker draws on personal experience to issue a stirring call to reorient our nation and our politics around the principles of compassion and solidarity. He speaks of rising above despair to engage with hope, pursuing our shared mission, and embracing our common destiny.   Here is his account of his own political education, the moments—some entertaining, some heartbreaking, all of them enlightening—that have shaped his civic vision. Here are the lessons Booker learned from the remarkable people who inspired him to serve, men and women whose example fueled his desire to create opportunities for others. Here also are his observations on the issues he cares about most deeply, from race and crime and the crisis of mass incarceration to economic and environmental justice.   “Hope is the active conviction that despair will never have the last word,” Booker writes in this galvanizing book. In a world where we too easily lose touch with our neighbors, he argues, we must remember that we all rise or fall together—and that we must move beyond mere tolerance for one another toward a deeper connection: love.Praise for United   “An exceedingly good book, and an important book, and a reminder of what makes Booker an important and, through it all, a promising public figure.”—PolitickerNJ   “What sets Senator Booker’s work apart from that of similar political books is that it seeks to elevate discourse rather than bring down opponents of the opposite partisan persuasion. This is a refreshing take, one that is truly worthy of study and contemplation.”—The Huffington PostFrom the Hardcover edition.

    Until one day they all flood back in horrible detail.When television producers approached Alan Cumming to appear on a popular celebrity genealogy show, he hoped to solve the mystery of his maternal grandfather's disappearance that had long cast a shadow over his family. But this was not the only mystery laid before Alan.Alan grew up in the grip of a man who held his family hostage, someone who meted out violence with a frightening ease, who waged a silent war with himself that sometimes spilled over onto everyone around him. That man was Alex Cumming, Alan's father, whom Alan had not seen or spoken to for more than a decade when he reconnected just before filming for Who Do You Think You Are? began. He had a secret he had to share, one that would shock his son to his very core and set into motion a journey that would change Alan's life forever.With ribald humor, wit, and incredible insight, Alan seamlessly moves back and forth in time, integrating stories from his childhood in Scotland and his experiences today as the celebrated actor of film, television, and stage. At times suspenseful, at times deeply moving, but always incredibly brave and honest, Not My Father's Son is a powerful story of embracing the best aspects of the past and triumphantly pushing the darkness aside.

    The result is this stunning memoir. Featuring 78 poems, 78 essays and intimate family photographs, Alexie shares raw, angry, funny, profane, tender memories of a childhood few can imagine--growing up dirt-poor on an Indian reservation, one of four children raised by alcoholic parents. Throughout, a portrait emerges of his mother as a beautiful, mercurial, abusive, intelligent, complicated woman. You Don't Have To Say You Love Me is a powerful account of a complicated relationship, an unflinching and unforgettable remembrance.

    Powell first arrived at the servants' entrance of one of those great houses in the 1920s. As a kitchen maid - the lowest of the low - she entered an entirely new world; one of stoves to be blacked, vegetables to be scrubbed, mistresses to be appeased, and bootlaces to be ironed. Work started at 5:30am and went on until after dark. It was a far cry from her childhood on the beaches of Hove, where money and food were scarce, but warmth and laughter never were. Yet from the gentleman with a penchant for stroking the housemaids' curlers, to raucous tea-dances with errand boys, to the heartbreaking story of Agnes the pregnant under-parlormaid, fired for being seduced by her mistress's nephew, Margaret's tales of her time in service are told with wit, warmth, and a sharp eye for the prejudices of her situation. Margaret Powell's true story of a life spent in service is a fascinating "downstairs" portrait of the glittering, long-gone worlds behind the closed doors of Downton Abbey and 165 Eaton Place.

    In the course of all these lives, I had a front-row seat at the birth of television; wrote, produced, created, or developed more than a hundred shows; had nine on the air at the same time; founded the 300,000-member liberal advocacy group People For the American Way; was labeled the “no. 1 enemy of the American family” by Jerry Falwell; made it onto Richard Nixon’s “Enemies List”; was presented with the National Medal of the Arts by President Clinton; purchased an original copy of the Declaration of Independence and toured it for ten years in all fifty states; blew a fortune in a series of bad investments in failing businesses; and reached a point where I was informed we might even have to sell our home. Having heard that we’d fallen into such dire straits, my son-in-law phoned me and asked how I was feeling. My answer was, “Terrible, of course,” but then I added, “but I must be crazy, because despite all that’s happened, I keep hearing this inner voice saying, ‘Even this I get to experience.’”Norman Lear’s work is legendary. The renowned creator of such iconic television programs as All in the Family; Maude; Good Times; The Jeffersons; and Mary Hartman, Mary Hartman, Lear remade our television culture from the ground up. At their peak, his programs were viewed by 120 million people a week, with stories that dealt with the most serious issues of the day—racism, poverty, abortion —yet still left audiences howling with laughter. In EVEN THIS I GET TO EXPERIENCE, Lear opens up with all the candor, humor, and wisdom to be expected from one of America’s greatest living storytellers.But TV and politics are only a fraction of the tale. Lear’s early years were grounded in the harshness of the Great Depression, and further complicated by his parents’ vivid personalities. The imprisonment of Lear’s father, a believer in the get-rich-quick scheme, colored his son’s childhood. During this absence, Lear’s mother left her son to live with relatives. Lear’s comic gifts were put to good use during this hard time, even as they would be decadeslater during World War II, when Lear produced and staged a variety show for his fellow airmen in addition to flying fifty bombing missions.After the war, Lear tried his hand at publicity in New York before setting out for Los Angeles in 1949. A lucky break had a powerful agent in the audience the night Danny Thomas performed a nightclub routine written by Lear, and within days his career in television began. Before long his work with Dean Martin and Jerry Lewis (and later Martha Raye and George Gobel) made him the highest-paid comedy writer in the country, and he was spending his summers with the likes of Carl Reiner and Mel Brooks. Movies followed, and soon he was making films starring Frank Sinatra, Dick Van Dyke, and Jason Robards. Then came the ’70s, and Lear’s unprecedented string of TV hits.Married three times and the father of six children ranging in age from nineteen to sixty-eight, Lear’s penetrating look at family life, parenthood, and marriage is a volume in itself. A memoir as touching, funny, and remarkable as any of Lear’s countless artistic creations, EVEN THIS I GET TO EXPERIENCE is nothing less than a profound gift, endlessly readable and characteristically unforgettable.

    She had arranged for a ride through the campus bulletin board at the University of Michigan in Ann Arbor, where she was one of a handful of pioneering women students at the law school. Her body was found the following morning just inside the gates of a small cemetery fourteen miles away, shot twice in the head and strangled. Six other young women were murdered around the same time, and it was assumed they had all been victims of alleged serial killer John Collins, who was convicted of one of these crimes not long after. Jane Mixer's death was long considered to be one of the infamous Michigan Murders, as they had come to be known. But officially, Jane's murder remained unsolved, and Maggie Nelson grew up haunted by the possibility that the killer of her mother's sister was still at large.In an instance of remarkable serendipity, more than three decades later, a 2004 DNA match led to the arrest of a new suspect for Jane's murder at precisely the same time that Nelson was set to publish a book of poetry about her aunt's life and death - a book she had been working on for years, and which assumed her aunt's case to be closed forever.The Red Parts chronicles the uncanny series of events that led to Nelson's interest in her aunt's death, the reopening of the case, the bizarre and brutal trial that ensued, and the effects these events had on the disparate group of people they brought together. But The Red Parts is much more than a "true crime" record of a murder, investigation, and trial. For into this story Nelson has woven an account of a girlhood and early adulthood haunted by loss, mortality, mystery, and betrayal, as well as a look at the personal and political consequences of our cultural fixation on dead (white) women.

    The girl with the pigtails, the symbol of innocence in The Wizard of Oz. The brightest star of the Hollywood musical and an entertainer of almost magical power. The woman of a half-dozen comebacks, a hundred heartbreaks, and thousands of headlines. Yet much of what has been written about her is either inaccurate or incomplete, and the Garland the world thought it knew was merely a sketch for the astonishing woman Gerald Clarke portrays in Get Happy. Here, more than thirty years after her death, is the real Judy.

    Their father was the Duke of York, the second son of King George V, and their Uncle David was the future King of England.We all know how the fairy tale ended: When King George died, “Uncle David” became King Edward VIII---who abdicated less than a year later to marry the scandalous Wallis Simpson. Suddenly the little princesses’ father was King. The family moved to Buckingham Palace, and ten-year-old Princess Elizabeth became the heir to the crown she would ultimately wear for over fifty years.The Little Princesses shows us how it all began. In the early thirties, the Duke and Duchess of York were looking for someone to educate their daughters, Elizabeth and Margaret, then five- and two-years-old. They already had a nanny---a family retainer who had looked after their mother when she was a child---but it was time to add someone younger and livelier to the household.Enter Marion Crawford, a twenty-four-year-old from Scotland who was promptly dubbed “Crawfie” by the young Elizabeth and who would stay with the family for sixteen years. Beginning at the quiet family home in Piccadilly and ending with the birth of Prince Charles at Buckingham Palace in 1948, Crawfie tells how she brought the princesses up to be “Royal,” while attempting to show them a bit of the ordinary world of underground trains, Girl Guides, and swimming lessons.The Little Princesses was first published in 1950 to a furor we cannot imagine today. It has been called the original “nanny diaries” because it was the first account of life with the Royals ever published. Although hers was a touching account of the childhood of the Queen and Princess Margaret, Crawfie was demonized by the press. The Queen Mother, who had been a great friend and who had, Crawfie maintained, given her permission to write the account, never spoke to her again.Reading The Little Princesses now, with a poignant new introduction by BBC royal correspondent Jennie Bond, offers fascinating insights into the changing lives and times of Britains royal family.

    More family soon followed, and the clan has been here ever since. Funny in Farsi chronicles the American journey of Dumas's wonderfully engaging family: her engineer father, a sweetly quixotic dreamer who first sought riches on Bowling for Dollars and in Las Vegas, and later lost his job during the Iranian revolution; her elegant mother, who never fully mastered English (nor cared to); her uncle, who combated the effects of American fast food with an army of miraculous American weight-loss gadgets; and Firoozeh herself, who as a girl changed her name to Julie, and who encountered a second wave of culture shock when she met and married a Frenchman, becoming part of a one-couple melting pot.

    In it you'll find essays on such topics as: - Menopause Spurs Thoughts of Death and Turkey- I Dreamed a Dream That My Lashes Were Long- Twitter Woes: I've Got Plenty of Characters, Just No Character- Movie To-Do List: Cook Like Julia, Adopt Really Big Kid - Charlie Bit Your Finger? Good! - And other thoughts on the virus that is YouTube- And much more!And much more! For any woman who longs for the good old days when Jane Fonda in legwarmers was the only one who saw you exercise, YOU DON'T SWEAT MUCH FOR A FAT GIRL is comfort food in book form.

    When Roz needs help after surgery, it falls to Betsy to take care of her. She expected a week of tense civility; what she got instead were the Bridge Ladies. Impressed with their loyalty, she realized her generation was lacking. Facebook was great, but it wouldn’t deliver a pot roast.Tentatively at first, Betsy becomes a regular fixture at her mother’s Monday Bridge Club. Before long, she braves the intimidating world of Bridge and comes under its spell. But it is through her friendships with the ladies that she is finally able face years of misunderstandings and family tragedy. The Bridge Ladies become a Greek chorus, a catalyst for change between mother and daughter. By turns darkly funny and deeply moving, The Bridge Ladies brilliantly weaves the stories of the Bridge Ladies, along with those of Betsy and her mother across a lifetime of missed opportunities. The result is an unforgettable and profound journey into a hard-won—but never-too-late—bond between mother and daughter.

    One woman’s letters stood out: those from Valy—Valerie Scheftel. Her grandfather’s lover who had remained behind when he fled Europe six months after the Nazis annexed Austria.Valy’s name wasn’t unknown to her—Wildman had once asked her grandmother about a dark-haired young woman whose images she found in an old photo album. “She was your grandfather’s true love,” her grandmother said at the time, and refused any other questions. But now, with the help of the letters, Wildman started to piece together Valy’s story. They revealed a woman desparate to escape and clinging to the memory of a love that defined her years of freedom.Obsessed with Valy’s story, Wildman began a quest that lasted years and spanned continents. She discovered, to her shock, an entire world of other people searching for the same woman. On in the course of discovering Valy’s ultimate fate, she was forced to reexamine the story of her grandfather’s triumphant escape and how this history fit within her own life and in the process, she rescuing a life seemingly lost to history.