For this superbly disquieting collection, he selected fourteen of his favorite tales by such authors as E.F. Benson, Rosemary Timperley, and Edith WhartonIncludes:"W.S." L.P. Hartley"Harry" Rosemary Timperley"The Corner Shop" Cynthia Asquith"In the Tube" E.F. Benson"Christmas Meeting" Rosemary Timperley"Elias and the Draug" Jonas Lie"Playmates" A.M. Burrage"Ringing the Changes" Robert Aickman"The Telephone" Mary Treadgold"The Ghost of a Hand" J. Sheridan Le Fanu"The Sweeper" A.M. Burrage"Afterward" Edith Wharton"On the Brighton Road" Richard Middleton"The Upper Berth" F. Marion Crawford

    The stories have been selected and introduced by Haruki Murakami.

    Brought together in this volume, these stories represent an unprecedented accomplishment in American literature. In their iconoclasm and needle-sharp irony, their formal and thematic ingenuity and element of surprise, they differ markedly from the fiction admired in Bierce's time. Readers familiar with the classic An Occurrence at Owl Creek Bridge will want to turn to Bierce's other Civil War stories. Also included here are his horror stories, among them The Death of Halpin Frayser and The Damned Thing, and such tall tales as Oil of Dog and A Cargo of Cat.

    These stories about love and death, truth and lies, myth and reality range across many epochs and settings. Brilliantly combining fact and fiction, epic and miniature, horror and comedy, this was Danilo Kiš final work, published in Serbo-Croatian in 1983.Kiš is one of the great European writers of the post-war period - GuardianCompulsively readable - Daily Telegraph Fantasy chases reality and reality chases fantasy. Pirandello and Borges are not far away. But these names are intended as approximate references. Kiš is a new, original writer - Times Literary Supplement Intense and exotic, his mysteries hint at unspeakable secrets that remain forever beyond the story-teller's grasp - Boyd TonkinDanilo Kiš was born in the then Kingdom of Yugoslavia in 1935. After an unsettled childhood during the Second World War, in which several of his family members were killed, Kiš studied literature at the University of Belgrade where he lived for most of his adult life. He wrote novels, short stories and poetry and went on to receive the prestigious NIN Award for his novel Pešcanik. He died in Paris in 1989.

    I Lord Peter Views the Body (1928) 12 stories: The .. 1 Abominable History of the Man with Copper Fingers2 Entertaining Episode of the Article in Question3 Fascinating Problem of Uncle Meleager's Will4 Fantastic Horror of the Cat in the Bag5 Unprincipled Affair of the Practical Joker6 Undignified Melodrama of the Bone of Contention7 Vindictive Story of the Footsteps That Ran8 Bibulous Business of a Matter of Taste9 Learned Adventure of the Dragon's Head10 Piscatorial Farce of the Stolen Stomach11 Unsolved Puzzle of the Man with No Face"12 Adventurous Exploit of the Cave of Ali Baba"II Hangman's Holiday (1933) 4 stories: The ..1 Image in the Mirror"2 Incredible Elopement of Lord Peter Wimsey"3 Queen's Square"4 Necklace of Pearls"III In the Teeth of the Evidence (1939)1 In the Teeth of the Evidence2 Absolutely Elsewhere"IV Striding Folly (1972)1 Striding Folly2 The Haunted Policeman3 Talboys* Sayers, Lord Peter and God by Carolyn Heilbrun* Greedy Night, A Parody by E. C. Bentley

    It was edited by Harlan Ellison, illustrated by Ed Emshwiller. Like its predecessor, Again, Dangerous Visions and the 46 stories within it received many awards. The Word for World Is Forest, by Ursula K. Le Guin, won a Hugo for Best Novella. When It Changed by Joanna Russ won a Nebula Award for Best Short Story. For a 2nd time, Ellison received a special Hugo for editing the anthology. Again, Dangerous Visions was to be followed by a 3rd anthology, The Last Dangerous Visions. At this point, Ellison has said that it will probably never see the light of day.Introduction: An Assault of New Dreamers by Harlan Ellison The Counterpoint of View by John Heidenry Ching Witch! by Ross Rocklynne The Word for World Is Forest by Ursula K. Le Guin For Value Received by Andrew J. Offutt Mathoms from the Time Closet: 1/Robot's Story, 2/Against the Lafayette Escadrille, 3/Loco Parentis by Gene Wolfe Time Travel for Pedestrians by Ray Nelson Christ, Old Student in a New School (poem) by Ray Bradbury King of the Hill by Chad Oliver The 10:00 Report Is Brought to You by... by Edward Bryant The Funeral by Kate Wilhelm Harry the Hare by James B. Hemesath When It Changed by Joanna Russ The Big Space Fuck by Kurt Vonnegut Bounty by T.L. Sherred Still-Life by K.M. O'Donnell (Barry N. Malzberg) Stoned Counsel by H.H. Hollis Monitored Dreams & Strategic Cremations: 1/The Bisquit Position, 2/The Girl with Rapid Eye Movements by Bernard Wolfe With a Finger in My I by David Gerrold In the Barn by Piers Anthony Soundless Evening by Lee Hoffman [█] by Gahan Wilson The Test-Tube Creature, Afterward by Joan Bernott And the Sea Like Mirrors by Gregory Benford Bed Sheets Are White by Evelyn Lief Tissue: At the Fitting Shop & 53rd American Dream by James Sallis Elouise and the Doctors of the Planet Pergamon by Josephine Saxton Chuck Berry, Won't You Please Come Home by Ken McCullough Epiphany for Aliens by David Kerr Eye of the Beholder by Burt K. Filer Moth Race by Richard Hill In re Glover by Leonard Tushnet Zero Gee by Ben Bova A Mouse in the Walls of the Global Village by Dean R. Koontz Getting Along by James Blish & Judith Ann Lawrence Totenbüch by Parra y FiguéredoThings Lost by Thomas M. Disch With the Bentfin Boomer Boys on Little Old New Alabama by Richard A. Lupoff Lamia Mutable by M. John Harrison Last Train to Kankakee by Robin Scott Empire of the Sun by Andrew Weiner Ozymandias by Terry Carr The Milk of Paradise by James Tiptree, Jr.

    Stories deal with a young divorcee, a shared summer home, a troubled family, a wedding, childhood fears, the death of a pet, a lying child, and enlightenment.

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes.Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original.CONTENTS"I Have No Mouth & I Must Scream""Big Sam Was My Friend""Eyes of Dust""World of the Myth""Lonelyache""Delusion for Dragonslayer""Pretty Maggie Moneyeyes"

    From the beach towns of Normandy to the streets of New Orleans, these thirteen vignettes introduce us to a covetous French painter, a sleepless wanderer of the night, a guitar-playing gypsy, and a host of others who yearn for and dive into the turbulent depths of romantic experience.

    An astronaut struggles to adapt to life back on earth; a young man discovers he is going blind in a foreign city; a retired plastic surgeon uncovers old wounds; and two lovers become unexpectedly intimate. Each tale in K J Orr’s moving collection is charged with the irrepressible human urge to connect in the face of disorientating change.With exquisitely cadenced storytelling, Orr introduces us to worlds and places that are both familiar and askew. Her landscapes are instantly recognisable, yet tinged with a lingering sense of uncertainty. The result is a wonderfully diverse and captivating debut from a rising literary talent.

    In Doors of His Face, The Lamps of His Mouth, Zelazny's rare ability to mix the dream-like, disturbing imagery of fantasy with the real-life hardware of science fiction is on full display. His vivid imagination and fine prose made him one of the most highly acclaimed writers in his field.Contents:· The Doors of His Face, the Lamps of His Mouth · nv F&SF Mar ’65 · The Keys to December · nv New Worlds Aug ’66 · Devil Car [Sam Nurdock] · ss Galaxy Jun ’65 · A Rose for Ecclesiastes · nv F&SF Nov ’63 · The Monster and the Maiden · vi Galaxy Dec ’64 · Collector’s Fever · vi Galaxy Jun ’64 · This Mortal Mountain · nv If Mar ’67 · This Moment of the Storm · nv F&SF Jun ’66 · The Great Slow Kings · ss Worlds of Tomorrow Dec ’63 · A Museum Piece · ss Fantastic Jun ’63 · Divine Madness · ss Magazine of Horror Sum ’66 · Corrida · ss Anubis v1 #3 ’68 · Love Is an Imaginary Number · ss New Worlds Jan ’66 · The Man Who Loved the Faioli · ss Galaxy Jun ’67 · Lucifer · ss Worlds of Tomorrow Jun ’64

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    The birthplace and graveyard of American myths and dreams, the city harbours a group of people trapped between the beauty of their surroundings and their own moral impoverishment. This novel is a chronicle of their voices.

    Living and working in Los Angeles, a young African-American woman finds herself torn between loyalty to her race and her commitment to a cause.