Yet these two epics have identical building blocks, identical themes, and identical history.In this ground-breaking book, Devdutt Pattanaik, India’s most popular mythologist, explores the similarities and dissimilarities between the two epics in a ‘playful analysis’ accompanied by his signature illustrations. Whether it is the family structure, forest exile, or war, the comparison between the two epics proves a startling point—the Mahabharata is in fact a reaction to the events in the Ramayana.Ideas in this book are distributed over 56 chapters. In temple ritual, Vishnu is offered 8 different meals daily, different on all seven days of the week—56 dishes in all. May each chapter serve as a mouth-watering offering to the Vishnu within you.

    She has a guardian angel in the form of Sir William Dartmouth, but even when he engineers her release, Phoebe must struggle to make a living for herself. And Annie has not given up her own perverse quest for revenge . . .

    This vivid portrayal of the universal search for love brings with it a darker tale, heartbreaking in its poignancy.

    

    The neighborhood is a bubble within a bubble, and the residents are immediately intrigued by the eccentric newcomer and his family. Along with his improbable name, untraceable accent, and unmistakable whiff of danger, Nero Golden has brought along his three adult sons: agoraphobic, alcoholic Petya, a brilliant recluse with a tortured mind; Apu, the flamboyant artist, sexually and spiritually omnivorous, famous on twenty blocks; and D, at twenty-two the baby of the family, harboring an explosive secret even from himself. There is no mother, no wife; at least not until Vasilisa, a sleek Russian expat, snags the septuagenarian Nero, becoming the queen to his king—a queen in want of an heir.Our guide to the Goldens’ world is their neighbor René, an ambitious young filmmaker. Researching a movie about the Goldens, he ingratiates himself into their household. Seduced by their mystique, he is inevitably implicated in their quarrels, their infidelities, and, indeed, their crimes. Meanwhile, like a bad joke, a certain comic-book villain embarks upon a crass presidential run that turns New York upside-down.Set against the strange and exuberant backdrop of current American culture and politics, The Golden House also marks Salman Rushdie’s triumphant and exciting return to realism. The result is a modern epic of love and terrorism, loss and reinvention—a powerful, timely story told with the daring and panache that make Salman Rushdie a force of light in our dark new age.

    So, with great resourcefulness, she advertised for a companion and eventually staked out a corner of her own—one with a view. Mildred Walker's skill as a storyteller never falters in this portrayal of an elderly woman who won't give up.

    Here, Stevenson shares about the turmoil of his early life, the rejection and pain faced in his initial attempts to launch his music career, the grief experienced during his mother’s long battle with cancer, the stress and burnout of his days working as a paramedic, and how an unexpected lightning storm gave him a front-row seat to a miracle that would turn his life around. When the dark clouds roll in, Stevenson has learned to listen to that still, small voice he hears—the voice of a trustworthy God who holds on to him even during the fiercest storms.

    Revealing the phenomenon and difference between faith and belief with prospective to after death ritual.

    The youngest of three, she longs to be loved by her mother, but Ellen spends all her time with her eldest son, while Abbie and her brother, Sam, take refuge with their neighbours, Sandra Lewis and Peter Ryan. Although vibrant and attractive, Abbie pushes people away with her constant need for reassurance. Infatuated with Peter, she longs for the day when he tells her that he loves her. And Sam is courting Sandra. But Peter and Sandra have a secret - one that could destroy the friends' relationship should it become known. Will Abbie finally find the security and affection she has been searching for all her life, or will she always be looking for love...?

    Tower A is a relic from a co-operative housing society established in the 1950s. When a property developer offers to buy out the residents for eye-watering sums, the principled yet arrogant teacher is the only one to refuse the offer, determined not to surrender his sentimental attachment to his home and his right to live in it, in the name of greed. His neighbours gradually relinquish any similar qualms they might have and, in a typically blunt satirical premise take matters into their own hands, determined to seize their slice of the new Mumbai as it transforms from stinky slum to silvery skyscrapers at dizzying, almost gravity-defying speed.

    At the bottom of that iceberg of 'dark arts' - hacking, bugging and bribing bent cops - is the body of Daniel Morgan. The truth behind his killing is obscured by a web of corruption and cover-ups.Written by Daniel's brother Alastair, with investigative journalist Peter Jukes, Untold marks the 30th anniversary of the murder once described by an Assistant Commissioner of the Met as 'one of the most disgraceful episodes in the entire history of the Metropolitan Police Service.'Going beyond the number one hit podcast of the same name, this is the inside story in full. Including fresh revelations, new evidence, all the latest findings and, at its heart, the tragic story of a family whose lives have been torn apart in the search for answers.If you haven't heard of this story, ask yourself, why?

    And his eyes! They look at you intently, they pierce you! I am scared of his eyes. It all started that day, actually it was night. I was sleeping near my daddy. All of a sudden, a noise woke me up. Whole house was shaking violently with the noise. It was a drum beating loudly, rhythmically. The beat was moving everything in the surrounding. Suddenly, the noise stopped. Then it was the sound of a honey fly, goo, goo, again the drum beats started. I was so scared, I tried to wake up daddy, it was then I realized that daddy was not in his bed. I was alone; there was no one else on the bed. Daddy was nowhere, I felt lonely! The darkness surrounded me and that drum beat was getting on my nerves. I screamed at the top of my voice." When you start reading these stories something familiar, something unfamiliar will create fear in your minds. It will freeze you; it will be so very realistic that you will forget that it is unreal. The fear never experienced before, but somewhere within you, deep inside, it will start beating drums in your mind. Listen to it carefully, surely it will clear your mind of all the hidden consciousness you had till today. This great author introduces us to our own fears buried deep inside.

    They have almost no idea what awaits them.In a dilapidated shared house in Sheffield, Tarlochan, a former rickshaw driver, will say nothing about his life in Bihar. Avtar and Randeep are middle-class boys whose families are slowly sinking into financial ruin, bound together by Avtar's secret. Randeep, in turn, has a visa wife across town, whose cupboards are full of her husband's clothes in case the immigration agents surprise her with a visit. She is Narinder, and her story is the most surprising of them all. The Year of the Runaways unfolds over the course of one shattering year in which the destinies of these four characters become irreversibly entwined, a year in which they are forced to rely on one another in ways they never could have foreseen, and in which their hopes of breaking free of the past are decimated by the punishing realities of immigrant life. A novel of extraordinary ambition and authority, about what it means and what it costs to make a new life—about the capaciousness of the human spirit, and the resurrection of tenderness and humanity in the face of unspeakable suffering.

    Certain that the loss of her mother is somehow connected to the decade-old disappearance of Bashir Ahmed, a charming Kashmiri salesman who frequented her childhood home, she is determined to confront him. But upon her arrival, Shalini is brought face to face with Kashmir's politics, as well as the tangled history of the local family that takes her in. And when life in the village turns volatile and old hatreds threaten to erupt into violence, Shalini finds herself forced to make a series of choices that could hold dangerous repercussions for the very people she has come to love.With rare acumen and evocative prose, in The Far Field Madhuri Vijay masterfully examines Indian politics, class prejudice, and sexuality through the lens of an outsider, offering a profound meditation on grief, guilt, and the limits of compassion.

    His fleeting fame as the drummer for a one-hit wonder rock band is nearly a decade behind him. His ex-wife is about to marry a terrific guy. And his Princeton-bound teenage daughter Casey has just confided in him that she’s pregnant—because Silver is the one she cares least about letting down.So when Silver learns that he requires emergency life-saving heart surgery, he makes the radical decision to refuse the operation, choosing instead to spend what time he has left to repair his relationship with Casey, become a better man, and live in the moment—even if that moment isn’t going to last very long. As his exasperated family looks on, Silver grapples with the ultimate question of whether or not his own life is worth saving.