The second collection drawn together by editor Wendy Martin, these twenty-four exquisite examples of contemporary writing feature stories by Joyce Carol Oates, Margaret Atwood, Mary Gaitskill, Alice Munro, Sandra Cisneros, and Lorrie Moore (to name a few).We Are the Stories We Tell is also available from Pantheon.

    To her surprise, Jackson is a catch. But whenwedding catastrophe ensues, will their sparks fizzle orignite into flames?

    Now, over a year has passed since they said goodbye with the promise to stay in touch, and their daily emails have dwindled to nothing. Ellie is a freshman in college and has told herself to move on, and Graham has kept himself busy starring in more movies, as well as a few tabloid columns. But fate brought these two together once before—and it isn't done with them yet.In this sequel novella to This Is What Happy Looks Like, Jennifer E. Smith revisits two beloved characters to tell the story of one magical night in Manhattan. When Ellie and Graham come face to face once more, can they get past the months of silence and the hurt feelings to find their happily-ever-after again?

    A Hollywood icon, Ringwald defined the teenage experience in the eighties in such classic films as Pretty in Pink, The Breakfast Club, and Sixteen Candles. Ringwald brings that same compelling candour she displayed in her film roles to the unforgettable characters she has created in this series of intertwined and linked stories about the particular challenges, joys and disappointments of adult relationships. Her characters grapple with infertility and infidelity, fame and familial discord, in a magnificent debut that will resonate broadly with readers - from fans of Melissa Banks to Meg Wolitzer to Lorrie Moore.

    His two earliest, and perhaps most accessible, successes—A Portrait of the Artist as a Young Man and Dubliners—are here brought together in one volume. Both works reflect Joyce’s lifelong love-hate relationship with Dublin and the Irish culture that formed him.In the semi-autobiographical Portrait, young Stephen Dedalus yearns to be an artist, but first must struggle against the forces of church, school, and society, which fetter his imagination and stifle his soul. The book’s inventive style is apparent from its opening pages, a record of an infant’s impressions of the world around him—and one of the first examples of the “stream of consciousness” technique.Comprising fifteen stories, Dubliners presents a community of mesmerizing, humorous, and haunting characters—a group portrait. The interactions among them form one long meditation on the human condition, culminating with “The Dead,” one of Joyce’s most graceful compositions centering around a character’s epiphany. A carefully woven tapestry of Dublin life at the turn of the last century, Dubliners realizes Joyce’s ambition to give his countrymen “one good look at themselves.” Kevin J. H. Dettmar is Professor of English and Cultural Studies at Southern Illinois University Carbondale. He is the author or editor of a half-dozen books on James Joyce, modernist literature, and rock music. He is currently finishing a term as President of the Modernist Studies Association.--back cover

    He digs into the snowman to discover two things: the weapon fits into the body just under the head, and the snowman was supposed to be the back drop for Lexi's next show.From this improbable beginning comes friendship. Can there be more for a woman who is afraid to get close again and a man who has shadows from his childhood?Families join together and hearts are healed as this couple goes walking in a winter wonderland.

    Only ramped up in ways that you never expected. This is ANNIHILATE ME at its best! And it's packed with more than 250,000 words! DESCRIPTION: In ANNIHILATE HIM: OMNIBUS, love is tested. Lives are claimed. Nothing is certain. In a flash, one can lose it all. But what happens to those who are left behind? Jennifer Wenn and her husband, Alex, must face just that when a crisis first takes hold of Wenn Enterprises—and then when a second, wholly unexpected crisis throws everything into turmoil. Is love enough to see Jennifer, Alex, Tank, Lisa, and Blackwell's two daughters through one of the most terrifying events of their lives? As this this harrowing love story and adventure unfolds, the suspense deepens, people rise up, enemies dig in, secrets are exposed, love burns hard—and a white-hot war takes place that will rattle Wenn Enterprises to its core.

    The interlinked stories are set in the late twentieth century, before a wave of anticolonialism crested across India and resulted in Bombay's rechristening. The stories feature everyday characters who face challenges unique to Bombay life, from the schoolboy who forms an unlikely friendship with a street vendor to the retired serviceman whose livelihood is threatened by the city's notorious bureaucracy. Readers familiar with Bombay will reawaken their memories, while those new to the city will experience a taste of its varied flavors.

    However, when questioned, Romaine informs the police that Vole returned home late that night covered in blood. During the trial, Ms. French's housekeeper, Janet, gives damning evidence against Vole and, as Romaine's cross-examination begins, her motives come under scrutiny in the courtroom. One question remains, will justice prevail?Librarian's note #1: this is the original short story. It was published in the print anthologies "The Witness for The Prosecution and Other Stories," and "The Hound of Death and Other Stories." It first appeared in "Flynn's Weekly" under the title of "Traitor Hands" in 1925. The author adapted it into a play in 1953 with additional material following the original ending, which became the basis for the 1957 film of the same name with Charles Laughton and Marlene Dietrich.

    Perfect for fans of Becky Albertalli, the movie Love, Simon, and the new Hulu series spin-off, Love, Victor!It’s been more than a year since Simon and Blue turned their anonymous online flirtation into an IRL relationship, and just a few months since Abby and Leah’s unforgettable night at senior prom.Now the Creekwood High crew are first years at different colleges, navigating friendship and romance the way their story began—on email.

    She had a face of feral sweetness, its color yellow; her eyes were long and dark, her mouth a taut bow, her nostrils upturned as if she were scenting the wind."In "How Shall I Know You?," a melancholic and ailing writer reluctantly travels east of London to give a lecture before a literary society. Mr. Simister, the organization's secretary, lures the world-weary novelist turned biographer with promises of a modest stipend and lodging at a charming bed-and-breakfast for her trouble. Nevertheless, on that rainy day she meets Mr. Simister at the train station, she wonders why she ever agreed to come in the first place. Driving past steel-shuttered windows and Day-Glo banners, Mr. Simister takes the writer to her hotel for the evening, which turns out to be crumbling and isolated rather than picturesque. As she crosses the threshold into the dank stench of Eccles House she is faced with the feral porter, Louise, and suffers through an evening that may be more than she bargained for.From Hilary Mantel's brilliant and darkly comic collection of contemporary stories, The Assassination of Margaret Thatcher, comes a tale told with her distinctive blend of subversive wit and gimlet-eyed characterization. "How Shall I Know You?" showcases the extraordinary genius of Hilary Mantel, called one of our "greatest living novelists" (NPR).

    From shopkeepers to kings, everyone wants the help of Sherlock Holmes, but can he solve these mysteries?

     Brothers cease speaking to each other, husbands abandon wives and children, grown men are haunted by childhood fears. People struggle against the weight of their own history and try to reconcile themselves to their place in the world. With extraordinary insight and tenderness, Winton explores the demons and frailties of ordinary people whose lives are not what they had hoped.

     You don’t have to travel through time to experience catastrophe on an epic scale, as the disaster-magnets from St Mary’s are about to find out… For Max, what starts off as a perfectly normal week is about to degenerate into a quagmire of egotistical film producers, monumental pub crawls, unsigned contracts, exploding rocks, Professor Rapson and his megaphone, the world’s biggest bacon butty – and Angus – the third component of the most notorious love triangle since Menelaus, Paris and Whatshername – the one with the face they launched ships off. A Perfect Storm of calamity, devastation and misfortune only ever encountered at St Mary’s.

    He came of age during the Haight-Ashbury period and has been called “the last of the Beats.” His early books became required reading for the hip generation, and on its publication Trout Fishing in America became an international bestseller. An indescribable romp, the novel is best summed up in one word: mayonnaise. This new edition includes an introduction by the poet Billy Collins, who first encountered Brautigan’s work as a student in California.