The Red Sox finally won a World Series, in a triumph of unconventional wisdom. They rethought the batting order and committed to Johnny Damon as lead-off. Saw the talent in David Ortiz that other teams overlooked. Had the courage to trade one of the game’s top shortstops for the good of the team. They knocked over the sacred cows of RBIs, sacrifice bunts, the hit-and-run, and hewed to the new thinking about pitch count—allowing Pedro Martinez, arguably baseball’s best pitcher ever, to excel. Weaving statistics, narrative, personalities, and anecdote, Mind Game reveals exactly how this group of “idiots,” led by Theo Epstein and Terry Francona, was in fact the smartest team in the league, and revolutionizes the thinking fan’s understanding of how baseball games are really won and lost.

    In Somebody Told Me, he offers the best of his work as a Pulitzer-Prize winning journalist writing the remarkable stories of others.For twenty years, Bragg has focused his efforts on the common man. So while some of these stories are about people whose names we know-such as Susan Smith, the South Carolina mother who drowned her two sons-most are people whose names we've never heard, people who have survived tornadoes and swamps, racism and bombs. In incisive, unadorned prose that is nonetheless strikingly beautiful, these pieces rise above journalism to become literature and show the triumph of the human spirit.

    His reputation for controversy is exceeded only by a universal respect for his intellect and passion. As Gary Giddons notes: “Stanley may be the only jazz writer out there with the kind of rhinoceros hide necessary to provoke and outrage and then withstand the fulminations that come back.” In Considering Genius, Crouch collects some of his best loved, most influential, and most controversial pieces (published in Jazz Times, The New Yorker, the Village Voice, and elsewhere), together with two new essays. The pieces range from the introspective “Jazz Criticism and Its Effect on the Art Form” to a rollicking debate with Amiri Baraka, to vivid, intimate portraits of the legendary performers Crouch has known.

    Joyce Carol Oates has collected a group of works that are both intimate and important, essays that move from personal experience to larger significance without severing the connection between speaker and audience. From Ernest Hemingway covering bullfights in Pamplona to Martin Luther King, Jr.’s “Letter from Birmingham Jail,” these essays fit, in the words of Joyce Carol Oates, “into a kind of mobile mosaic suggest[ing] where we’ve come from, and who we are, and where we are going.” Among those whose work is included are Mark Twain, John Muir, T. S. Eliot, Richard Wright, Vladimir Nabokov, James Baldwin, Tom Wolfe, Susan Sontag, Maya Angelou, Alice Walker, Joan Didion, Cynthia Ozick, Saul Bellow, Stephen Jay Gould, Edward Hoagland, and Annie Dillard.Foreword / by Robert Atwan --Introduction / by Joyce Carol Oates --Corn-pone opinions / Mark Twain --Of the coming of John / W.E.B. Du Bois --Law of acceleration / Henry Adams --Stickeen / John Muir --Moral equivalent of war / William James --Handicapped / Randolph Bourne --Coatesville / John Jay Chapman --Devil baby at Hull-house / Jane Addams --Tradition and the individual talent / T.S. Eliot --Pamplona in July / Ernest Hemingway --Hills of Zion / H.L. Mencken --How it feels to be colored me / Zora Neale Hurston --Old stone house / Edmund Wilson --What are master-pieces and why are there so few of them / Gertrude Stein --Crack-up / F. Scott Fitzgerald --Sex Ex Machina / James Thurber --Ethics of living Jim Crow: an autobiographical sketch / Richard Wright --Knoxville: Summer of 1915 / James Agee --Figure a poem makes / Robert Frost --Once more to the lake / E.B. White --Insert flap "A" and throw away / S.J. Perelman --Bop / Langston Hughes --Future is now / Katherine Anne Porter --Artists in uniform / Mary McCarthy --Marginal world / Rachel Carson --Notes of a native son / James Baldwin --Brown wasps / Loren Eiseley --Sweet devouring / Eudora Welty --Hundred thousand straightened nails / Donald Hall --Letter from Birmingham jail / Martin Luther King, Jr. --Putting daddy on / Tom Wolfe --Notes on "Camp" / Susan Sontag --Perfect past / Vladimir Nabokov --Way to Rainy Mountain / N. Scott Momaday --Apotheosis of Martin Luther King / Elizabeth Hardwick --Illumination rounds / Michael Herr --I know why the caged bird sings / Maya Angelou --Lives of a cell / Lewis Thomas --Search for Marvin Gardens / John McPhee --Doomed in their sinking / William H. Gass --No name woman / Maxine Hong Kingston --Looking for Zora / Alice Walker --Women and honor: some notes on lying / Adrienne Rich --White album / Joan Didion --Aria: a memoir of a bilingual childhood / Richard Rodriguez --Solace of open spaces / Gretel Ehrlich --Total eclipse / Annie Dillard --Drugstore in winter / Cynthia Ozick --Okinawa: the bloodiest battle of all / William Manchester --Heaven and nature / Edward Hoagland --Creation myths of Cooperstown / Stephen Jay Gould --Life with daughters: watching the miss America Pageant / Gerald Early --Disposable rocket / John Updike --hey all just went away / Joyce Carol Oates --Graven images / Saul Bellow --Biographical notes --Appendix: Notable twentieth-century American literary nonfiction

    It is a creation of David Chang, the James Beard Award–winning chef behind the Momofuku restaurants in New York, Momofuku cookbook cowriter Peter Meehan, and Zero Point Zero Production—producers of the Travel Channel’s Emmy Award–winning Anthony Bourdain: No Reservations.The result of this collaboration is a mélange of travelogue, essays, art, photography, and rants in a full-color, meticulously designed format. Recipes will defy the tired ingredients-and-numbered-steps formula. They’ll be laid out sensibly, inspired by the thought process that went into developing them. The aim of Lucky Peach is to give a platform to a brand of food writing that began with unorthodox authors like Bourdain, resulting in a publication that appeals to diehard foodies as well as fans of good writing and art in general.What's inside?-David Simon, creator of The Wire and Treme, remembers his father via pickles and cream.-Jonathan Gold and Robert Sietsema talk Teletubbies in Kansas City.-There's a “Choose Your Own Adventure”–style hunt for tacos through Texas and California.-Plus stuff from Harold McGee, Anthony Bourdain, Elvis Mitchell, and more!

    The Rockstar Series Bundle - Books 1 - 14 LIMITED EDITIONAvailable only September 2018 Contains:1 - Falling Down2 - Blush3 - A Very Xander Christmas4 - Amplify5 - Interlude6 - Ballad7 - Lullabye8 - A Very Xander Christmas 29 - Kadence 10 - A Very Xander Christmas 3 11 - Duet12 - Xander: Book 1, The Beginning13 - A Very Rockstar Holiday Season14 - Xander: Book 2, The Present BONUS CONTENT:* All Rockstar Interviews To Date* All Interviews With Anne To Date* All Q & A Sessions with Anne To Date* A Very Xander Halloween 2017* Links to a downloadable character chart, list, and glossary

    Matthew Bannister said he was going to reinvent the station, the most popular in Europe. But things didn't go exactly to plan. The station lost millions of listeners. Its most famous DJs left, and their replacements proved to be disasters. Radio 1's commercial rivals regarded the internal turmoil with glee. For a while a saviour arrived, in the shape of Chris Evans. But his behaviour caused further upheavals, and his eventual departure provoked another mass desertion by listeners. What was to be done? In the middle of this crisis, Radio 1 bravely (or foolishly) allowed the writer Simon Garfield to observe its workings from the inside. For a year he was allowed unprecedented access to management meetings and to DJs in their studios, to research briefings and playlist conferences. Everyone interviewed spoke in passionate detail about their struggle to make their station credible and successful once more. The result is a gripping and often hilarious portrait a much loved national institution as it battles back from the brink of calamity.

    There can be so much good, so much power, so much love in female friendships. But there is also a dark side of pain and loss. And surrounding that dark side there is often silence. There is shame, the haunting feeling that the loss of a friendship is a reflection of our own worth and capacity to be loved. My Other Ex: Women's True Stories of Losing and Leaving Friends is a step toward breaking that silence. The brave writers in this engrossing, diverse collection of 35 essays tell their own unique stories of failed friendships and remind us of the universality of loss.

    Authors discuss what impels them to write: creating a sense of control in a turbulent universe; bearing witness to events that would otherwise be lost in history or within the writer's soul; recapturing a fragment of time. Others praise mentors and lessons, whether from the classroom, daily circumstances, or the pages of a favorite writer. For anyone interested in the art and rewards of writing, Writers on Writing offers an uncommon and revealing view of a writer's world.Contributors include Russell Banks, Saul Bellow, E. L. Doctorow, Richard Ford, Kent Haruf, Carl Hiaasen, Alice Hoffman, Jamaica Kincaid, Barbara Kingsolver, Sue Miller, Walter Mosley, Joyce Carol Oates, Annie Proulx, Carol Shields, Jane Smiley, Susan Sontag, John Updike, Kurt Vonnegut Jr., Alice Walker, and Elie Wiesel.

    In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.” David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home. In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”

    

    There is also a bonus scene! It is a delivery/baby chapter told in Gage Grendel's POV.Who He Is (Book 1)Eliza Smith has never been the one to seek a relationship. She's never dated a guy in her life, never even hugged a man (outside of her father/manager of the hot and popular rock band, FireNine) but when she decides to spend her summer on tour with FireNine, it all changes. Eliza really gets to meet Gage Grendel - her former crush from high school and the lead singer of FireNine - and witness sides to him to which she'll begin to truly despise.She'll ignore him, she'll dislike his ways, she'll do anything to try and stay away from him until Gage finally gets her to slip up and give in. She agrees on a casual fling with Gage, but soon they'll both see how the fling will blur into something they can't control and when it's finally time for Eliza to go and accomplish her own dreams, she'll know there's more she took from Gage than she ever thought possible.Who We Are (Book 2)Eight months.That's how long it's been since Eliza last saw Gage and they both feel as if they don't deserve one another's forgiveness. He screwed up. She walked away without looking back. They'll try and make up all the time they've lost with one another, that is until they're facing the choices of either going their separate ways, or hanging on and fighting for dear life.The fights will be endless. They heartache will be real. The demons will return, and they won't back down without a fight.There are some who will do anything to keep true love apart, and those same people will dig deep into their demonic ways until Eliza and Gage are literally no more.Can Eliza and Gage overcome it all? Will they be able to face the true demons that are seeking to destroy them? Or will they just forget about everything they've worked so hard for and go their separate ways?Sometimes you have to go through struggles in order to reach an ultimate point of peace... but will their struggle be worth it?Who I Am (Book 3)Some stories aren't easy to tell.Some situations aren't easy to relive.But I was raised to be strong--to hold my own. Because of it, I was hurt, torn down, beaten and even had my heart snatched right out of my chest.But I'm ready now. It's time for me to speak up. You want to know what really goes on inside my head, well I'm right here.Real. Raw. Intense.This is all me. Roy Sykes. This is my story, and trust me... its far from pretty.Who I'm Becoming (Book 4)Montana Delray is the most laid back of the popular rock band, FireNine. He's goofy, charming, blatantly honest, talented, a massive flirt, and extremely handsome. The girls literally throw themselves at him, and he accepts it. He loves the attention. The fame. The parties. His single life. With so many women to choose from, it's not in his nature to chase after just one, but when Lauren Harkin enters his life, that all changes. Lauren is smart, sexy, confident, and knows exactly how to get under his skin... and although he hates to admit it, he loves it. He wants her in every way possible, but she doesn't want anything to do with him. Famous FireNine rocker, Delray isn't the kind of guy Lauren needs to bring into her life. After having her emotions tampered with repeatedly, she refuses to give into someone who will most likely take her for granted and make things worse.

    Even the circumstances of its recording, purportedly in an abandoned cinema and a cave formed from Icelandic lava, have achieved legendary status among their ever-loyal fanbase. Have a Bleedin Guess tells the story of the album, including how each song was written, performed and recorded. It also includes new interviews with key players. Author Paul Hanley, who was one of The Fall's two drummers when Hex was created, is uniquely placed to discuss the album's impact, both when it was released and in the ensuing years.

    B. White. Written for the New Yorker over a span of forty-nine years, they show White’s changing concerns and development as a writer. In matchless style White writes about everything from cicadas to Khrushchev, from Thoreau to hyphens, from academic freedom to lipstick, from New York garbagemen to the sparrow, from Maine to the space age, from the Constitution to Harold Ross and even the common cold.White has been described by one critic as “our finest essayist,” and these short pieces and essays are classics to be read, savored, and read again. Also included are an Introduction and Selective Bibliography by Rebecca M. Dale.

    Through a collection of fast-paced interlocking narratives, it animates the tale of an alternate America and its wide-eyed citizens: the LSD-slinging graffiti writers of Central Park, the Dead-loving AI scientists of Stanford, utopian Whole Earth homesteaders, black market chemists, government-wanted Anonymous hackers, rogue explorers, East Village bluegrass pickers, spiritual seekers, Internet pioneers, entrepreneurs, pranksters, pioneering DJs, and a nation of Deadheads.WFMU DJ and veteran music writer Jesse Jarnow draws on extensive new firsthand accounts from many never-before-interviewed subjects and a wealth of deep archival research to create a comic-book-colored and panoramic American landscape, taking readers for a guided tour of the hippie highway filled with lit-up explorers, peak trips, big busts, and scenic vistas, from Vermont to the Pacific Northwest, from the old world head capitals of San Francisco and New York to the geodesic dome-dotted valleys of Colorado and New Mexico. And with the psychedelic research moving into the mainstream for the first time in decades, Heads also recounts the story of the quiet entheogenic revolution that for years has been brewing resiliently in the Dead's Technicolor shadow.Featuring over four dozen images, many never before seen-including pop artist Keith Haring's first publicly sold work-Heads weaves one of the 20th and 21st centuries' most misunderstood subcultures into the fabric of the nation's history. Written for anyone who wondered what happened to the heads after the Acid Tests, through the '70s, during the Drug War, and on to the psychedelic present, Heads collects the essential history of how LSD, Deadheads, tie-dye, and the occasional bad trip have become familiar features of the American experience.