She is an artist who evokes the wonder, terror, and heartache of her native Haiti--and the enduring strength of Haiti's women--with a vibrant imagery and narrative grace that bear witness to her people's suffering and courage.When Haitians tell a story, they say "Krik?" and the eager listeners answer "Krak!" In Krik? Krak! Danticat establishes herself as the latest heir to that narrative tradition with nine stories that encompass both the cruelties and the high ideals of Haitian life. They tell of women who continue loving behind prison walls and in the face of unfathomable loss; of a people who resist the brutality of their rulers through the powers of imagination. The result is a collection that outrages, saddens, and transports the reader with its sheer beauty.

    A beckoning mansion in a dark clearing. A short modern-day retelling of Hansel and Gretel by the #1 New York Times bestselling author of Dear Martin.It’s bad enough that Hazel and Gray have defied the demands of Hazel’s foul stepfather. The Monster has forbidden their romance. Now they’ve awakened in the forest, phones dead, hours past curfew. But not far away is a grand estate in the middle of nowhere. The door is open. In this short story about choosing your own path, the fury of the Monster that awaits them back home may be nothing compared to what lies ahead.

    The system worked this way: When a man committed a crime important enough to interest the king, notice was given that the fate of the accused person would be decided, on a given date, in the arena of the amphitheater. When the date arrived and everyone had assembled in the galleries, the king gave a signal, a door beneath him opened, and the accused stepped out into the arena. Two doors, exactly alike and side by side, faced the accused, and it was his duty to open one of them. He could open either door he pleased. If he opened the one, a hungry tiger would spring upon him and tear him to pieces. But, if he opened the other door, a beautiful lady came out and the accused was immediately married to her, as a reward for his innocence.The king had a beautiful daughter, with whom a young man of common blood fell in love. The king's daughter was also in love with the young man. The love affair went on for some time before the king discovered its existence. Immediately, the king had the youth placed into prison and set a day for the trial in the arena. The appointed day arrived, and the galleries of the arena were filled. The signal was given, a door beneath the royal party opened, and the lover of the princess walked into the arena. The princess, through the use of her position and money, had learned behind which door stood the lady and behind which waited the tiger. The youth expected her to have learned this information, and he looked toward her for a signal. Her signal was toward the right, and the youth went to the door on the right and opened it. The story leaves it up to the reader to decide which came out of the door--the lady or the tiger. Which did the princess decide? Was it to let her lover to live and love another woman, or did she decide that if she couldn't have him no one would?

    It tells the story of a discussion between Death and a philosopher, in which the philosopher attempts to use the many-worlds interpretation of quantum mechanics to argue death is not a certainty.

    This collects "Sonny's Blues", "The Rockpile" and "Previous Condition", all taken from Going to Meet the Man (Penguin, 1991).

    

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    And expected. And still expected, despite endless proof that young Dennison Crestmar has no talent whatsoever for war. But the life Dennison is forced to live will have its surprising lessons to impart.

    Heid E. Erdrich has selected twenty-one poets whose first books were published after the year 2000 to highlight the exciting works coming up after Joy Harjo and Sherman Alexie. Collected here are poems of great breadth―long narratives, political outcries, experimental works, and traditional lyrics―and the result is an essential anthology of some of the best poets writing now.Poets included are Tacey M. Atsitty, Trevino L. Brings Plenty, Julian Talamantez Brolaski, Laura Da’, Natalie Diaz, Jennifer Elise Foerster, Eric Gansworth, Gordon Henry, Jr., Sy Hoahwah, LeAnne Howe, Layli Long Soldier, Janet McAdams, Brandy Nalani McDougall, Margaret Noodin, dg okpik, Craig Santos Perez, Tommy Pico, Cedar Sigo, M. L. Smoker, Gwen Westerman, and Karenne Wood.

    He now shares them in this jewel of a book.

    Henry-prize winner Swamy's debut collection of stories, dreams collide with reality, modernity collides with antiquity, myth with true identity, and women grapple with desire, with ego, with motherhood and mortality. In "Earthly Pleasures," Radika, a young painter living alone in San Francisco, begins a secret romance with one of India's biggest celebrities. In "A Simple Composition," a husband's moment of crisis leads to his wife's discovery of a dark, ecstatic joy and the sense of a new beginning. In the title story, an exhausted mother watches, distracted and paralyzed, as a California wildfire approaches her home. With a knife blade's edge and precision, the stories of A House Is a Body travel from India to America and back again to reveal the small moments of beauty, pain, and power that contain the world.

    Sure, she loves her boyfriend, Rishi, but why does she need to validate that with an institution that has historically never favored the woman? Why go through all that hassle?Rishi Patel deeply disagrees. He believes in the power that comes with combining love and tradition, and when the time comes, wants nothing more than to honor those things in a huge celebration with his friends and family. He knows Dimple loves him, but in hearing her rant about how marriage is a “construct of hegemonic masculinity” for the millionth time, a small, niggling part of him worries that it’s not the institution of marriage Dimple has a problem with; maybe it’s him.The two lovebirds find themselves at a philosophical impasse. Can they find a way to work it out, or does kismet have other plans?

    A henpecked husband copes with the frustrations of his dull life by imagining he is a fearless airplane pilot, a brilliant doctor, and other dashing figures.

    All aspects, all directions. On either side of Highway 62, the sand cast up visions of evaporated civilizations, dissolved castles that lay buried under the desert. Any human eye, goggled by a car’s windshield, can graft such fantasies onto the great Mojave. And the girl and the boy in the Dodge Charger were exceptionally farsighted. Mirages rose from the boulders, a flume of dream attached to real rock.And hadn’t their trip unfolded like a fairy tale? the couple later quizzed each other, recalling that strange day, their first in California, hiking among the enormous apricot boulders of Joshua Tree National Park. The girl had got her period a week early and was feeling woozy; the boy kept bending over to remove a pebble from his shoe, a phantom that he repeatedly failed to find. Neither disclosed these private discomforts. Each wanted the other to have the illusion that they might pause, anywhere, at any moment, and make love. And while both thought this was highly unlikely—not in this heat, not at this hour—the possibility kept bubbling up, every place they touched. This was the only true protection they’d brought with them as they walked deeper into the blue-gold Mojave.On the day they arrived in Joshua Tree, it was a hundred and . . .

    Venturing inside minds and landscapes that are at once recognisable and utterly strange, these stories reaffirm Wallace's reputation as one of his generation's pre-eminent talents, expanding our ides and pleasures fiction can afford.Among the stories are 'The Depressed Person', a dazzling and blackly humorous portrayal of a woman's mental state; 'Adult World', which reveals a woman's agonised consideration of her confusing sexual relationship with her husband; and 'Brief Interviews with Hideous Men', a dark, hilarious series of portraits of men whose fear of women renders them grotesque. Wallace's stories present a world where the bizarre and the banal are interwoven and where hideous men appear in many different guises. Thought-provoking and playful, this collection confirms David Foster Wallace as one of the most imaginative young writers around. Wallace delights in leftfield observation, mining the ironic, the surprising and the illuminating from every situation. This collection will delight his growing number of fans, and provide a perfect introduction for new readers.