“Well written and I was left wanting to read on.... It is certainly an intriguing concept” (Troubador)“Writing is dynamic and fast-paced. There's a definite charm about the novel that, I think, would appeal to the kind of audience cultivated by writers such as Marina Lewycka” (HHB Agency)“What a charming novel. I’m from Dundee myself, and the masterful way you wove together setting and culture was admirable. Your characters, too, were powerful yet compassionate, and the prose had a lovely twisting quality” (Canongate Press)“This is fresh and intriguing” (Andrew Lownie)Mrs Keiller's Marmalade is a book about marmalade, the isolation of old age, respect for tradition and the pain of abandonment. Maggie Keiller is a fictional descendent of John Keiller, the last patriarch of Keiller marmalade, whose clan famously created the first ‘Dundee Marmalade’. She is married John's son Billy Keiller in 1909 but lost him in the same year to a storm which visited their small enclave of Auchobane, a village perched precociously on the Dundee coastline of North-East Scotland. Forward fifty years, and Maggie lives a lonely life in Rose Cottage surrounded only by her jars of fine and vintage homemade marmalade. Her only visitor is Dougie, an elderly grocery man and decorated veteran. Maggie’s life is changed when she unexpectedly receives a letter from her estranged niece in London, asking for haven for her teenage daughter. Maggie takes her on, not out of affection for her niece whom she loathes, but to fill the void left by her childless marriage. Isla arrives in 1969, a year on the cusp of a revolution in the London she has just left, and in her own life, hiding the pregnancy she has kept from her mother. Maggie teaches Isla about her heritage, and hopes to pass on to her the tradition of marmalade making. For Isla, abandoned by mother and lover, and struggling to cope with the imminent arrival of an unwanted child, her bond with Maggie becomes a channel to help regain the self-esteem taken from her over her young years. The book culminates in Isla’s entry into the silver spoon Marmalade competition, fifty years after Maggie Keiller had taken the same prize.

    Taking genre fiction for a ride, Slow Death uses obscenity, black humor and repetition for the sake of ironic deconstruction. The sleazy sex is always pornographic, and all traditional notions of literary taste and depth are ditched in favor of a transgressive aesthetic inspired by writers as diverse as Home, de Sade, Klaus Theweleit, and 70s cult writer Richard Allen.

    Their handsome widower father, Rupert Carrington, too occupied with his London business to see very much of them, merely provides for them generously and leaves them to cultivate their talents -- which they energetically do. Richard, the eldest, is a composer; Clare, whose true talent (if it can be called that) has never disclosed itself, attempts to paint; Drew is collecting material for a novel to be set in the Edwardian era; and Merry, still at school, already works hard towards a stage career. Jane Minton, warmly welcomed into this happy household, feels her luck is too good to be true. And it is certainly too good to last. The delightful private world of Dome House is fated to break up. It is Jane who learns from Rupert Carrington that he is in danger of prosectuion for fraud and must leave England. He asks her to break the news to his children -- who must now fend completely for themselves -- and do what she can to help. She is very willing to, for his sake as well as theirs, as she is greatly attracted by him. What happens then makes an engrossing and unpredicable story, for the Carringtons are not usual young people, and it is, perhaps, their own basic originality which draws to them unusual adventures, in which humor and more than a touch of strangeness are often inextricably blended.

    The fishermen call him The Spuddy. The only person to care for him is Andy, a young dumb boy. For both of them their meeting brings friendship after loneliness. But when they become friends with Jake, skipper of the Silver Crest, events take an unexpected turn...

    She should not speak of "being friends" with him -- a young man is either eligible or he is not-and never, but never, should she get herself talked about, for a young girl who does so is doomed. "Men may dance with her, or flirt with her, but they don't propose." It would be quite a coup for a girl to find a husband during her first season, but if, God forbid, three seasons pass without success, she must join the ranks of those sad women who are a great embarrassment to society and, above all, to their disappointed mothers . . . With such thoughts in mind, how can Monica fail to look forward to her first ball?

    Childhood playmates in Beech Green, they would remain close throughout their long lives, eventually sharing a cottage in their retirement. They felt grief when a village family was lost on the Titanic. They each experienced young love and then heartbreak when the First World War interrupted both of their romances. The triumphs and tragedies of their days are depicted with all the humor, heartbreak, and human warmth for which Miss Read is known, providing a sensitive portrait of life in the country.

    It tells the story of Priscilla, a hugely popular German princess, who grows tired of her lavish and pampered life. Through the instruction of her mentor, Herr Fritzing, she learns there is a wide and varied world outside the castle walls and yearns to escape.

    

    Wells' attempt to make sense of World War I. It begins with a lighthearted account of an American visiting England for the first time, but the outbreak of war changes everything. Day by day and month by month, Wells chronicles the unfolding events and public reaction as witnessed by the inhabitants of one house in rural Essex. Each of the characters tries in a different way to keep their bearings in a world suddenly changed beyond recognition. This book was published in 1916 while the war was still in progress, so no clear resolution was possible. Wells did not know how long the war would last or which side would ultimately win, but he hoped that somehow, something good might eventually come of it.

    She had forfeited university, parties, boyfriends, summer jobs - all the usual preoccupations of a woman her age - in order to care for Arlette in their dilapidated, albeit charming home on the English island of Guernsey. Her will included a beneficiary unknown to Betty and her family, a woman named Clara Pickle who presumably could be found at a London address. Now, having landed on a rather shabby street corner in '90s Soho, Betty is determined to find the mysterious Clara. She's ready for whatever life has to throw her way. Or so she thinks . . . In 1920s bohemian London, Arlette De La Mare is starting her new life in a time of postwar change. Beautiful and charismatic, she is soon drawn into the hedonistic world of the Bright Young People. But two years after her arrival in London, tragedy strikes and she flees back to her childhood home and remains there for the rest of her life. As Betty navigates the ups and downs of city life and begins working as a nanny for a rock star tabloid magnet, her search for Clara leads her to a man - a stranger to Betty, but someone who meant the world to her grandmother. Will the secrets of Arlette's past help Betty find her own way to happiness in the present? A rich detective story and a captivating look at London then and now, "Before I Met You" is an unforgettable novel about two very different women, separated by seventy years, but united by big hearts and even bigger dreams.

    PERFECT FOR FANS OF 'CALL THE MIDWIFE', Jodi Picoult, Katie Flynn, Nadine Dorries & Rosie Goodwin it's about TWO WOMEN CAUGHT UP IN A PHARMACEUTICAL DISASTER . . Sandy an aspiring model has a one-night stand with a journalist that results in pregnancy. Shunned by her family, she quietly checks herself into a maternity home to wait out her pregnancy and prepare to have the baby adopted. Rona and her husband have been trying for a baby for years, but Rona is unable to conceive. When Sandy delivers a child disabled by thalidomide, Rona commits a terrible crime and makes a life-changing decision that will have dramatic consequences.Meanwhile, Sandy’s journalist lover stumbles upon the scoop of a century. As he investigates corruption entrenched in the company that developed thalidomide, he is surprised to reconnect with Sandy. He and Sandy feel drawn to each other, but both will have to confront old wounds if they want to be together. An interesting slice of social history which will stir every emotion within you.

    Then she was gone.When Maggie’s new job takes her from bombed-out London to grand Snowden Hall in the Cotswolds she’s apprehensive but determined to do her bit for the war effort. She’s also keeping a secret, one she knows would turn opinion against her. Her mother is German: Maggie is related to the enemy.Then her evacuee sister sends her a worrying letter, missing the code they agreed Violet would use to confirm everything was well, and Maggie’s heart sinks. Violet is miles away; how can she get to her in the middle of a war? Worse, her mother, arrested for her nationality, is now missing, and Maggie has no idea where she is.As a secret project at Snowden Hall risks revealing Maggie’s German side, she becomes even more determined to protect her family. Can she find a way to get to her sister? And will she ever find out where her mother has been taken?

    But his past life is a recurring nightmare—filth, desperation, and blackouts. And more trouble is only a hundred miles away. Darren and Alastair leave Liverpool, heading south in a rickety old car. They have been sent by their gang boss to wreak violent revenge, but they have only a rough idea of their quarry: a one-armed man.Interspersed between the scabrous banter and a pitch-perfect street dialect, Niall Griffiths offers stunning descriptions of the Welsh landscape and a dark, knowing humor. Despite the ever present drugs, violence, and anger, he reveals a fragile humanity. Graywolf is proud to introduce this striking, distinctive voice to American readers.

    Floods. Foot and mouth. The disappearances of Tony Blair and Madeleine MacCann. The arrival of Gordon Brown. Terror attacks in Glasgow. And Gordon Burn, artist, journalist and true-crime author, has taken the events from this bleak summer and turned them into a novel about the way news is made, and the way the media creates and manipulates the stories we see before us.This is a daring and thrilling novel from one of the most astute observers of celebrity and tragedy. It is sure to make the headlines itself for the way it is written and for the controversial subjects he tackles. In Born Yesterday Gordon Burn creates a whole new way of writing a novel, and makes us think again about the stories we are fed by the media around us.

    Porritt, a plumber, into "good service" on a country estate. One of the precipitating events was her having tea at the Ritz. Obviously didn't know her place! How worrisome! Lovely, thoughtful, full of marvelous characters and an abundance of humor.