This companion book to the award-winning We Are Grateful: Otsaliheliga offers readers everything they never learned in school about Native American people's past, present, and future. Precise, lyrical writing presents topics including: forced assimilation (such as boarding schools), land allotment and Native tribal reorganization, termination (the US government not recognizing tribes as nations), Native urban relocation (from reservations), self-determination (tribal self-empowerment), Native civil rights, the Indian Child Welfare Act (ICWA), religious freedom, economic development (including casino development), Native language revival efforts, cultural persistence, and nationhood.

    From fighting for the use of a soccer field in middle school to fighting for the people of her home state in Congress, Senator Harris used her voice to speak up for what she believed in and for those who were otherwise unheard. And now this dedication has led her all the way to being elected Vice President of the United States.

    It was a voice that made people sit up, stand up, and take notice.So what do you do with a voice like that?Barbara took her voice to places few African American women had been in the 1960s: first law school, then the Texas state senate, then up to the United States congress. Throughout her career, she persevered through adversity to give voice to the voiceless and to fight for civil rights, equality, and justice.

    Schmidt comes a picture book biography of a giant in the struggle for civil rights.Sojourner Truth was born into slavery but possessed a mind and a vision that knew no bounds. So Tall Within traces her life from her childhood through her emancipation to her leadership in the movement for rights for both women and African Americans.

    She never thought her wheelchair could slow her down, but the way the world around her was built made it hard to do even simple things. Like going to school, or eating lunch in the cafeteria.Jennifer knew that everyone deserves a voice! Then the Americans with Disabilities Act, a law that would make public spaces much more accessible to people with disabilities, was proposed to Congress. And to make sure it passed, Jennifer went to the steps of the Capitol building in Washington DC to convince them.And, without her wheelchair, she climbed.ALL THE WAY TO THE TOP!

    She sang before she talked and learned to play piano at a very young age. With the support of her family and community, she received music lessons that introduced her to classical composers like Bach who remained with her and influenced her music throughout her life. She loved the way his music began softly and then tumbled to thunder, like her mother's preaching, and in much the same way as her career. During her first performances under the name of Nina Simone her voice was rich and sweet but as the Civil Rights Movement gained steam, Nina's voice soon became a thunderous roar as she raised her voice in powerful protest in the fight against racial inequality and discrimination.

    Seeking truth, justice, and equality, Ethel followed stories from her school newspaper in Chicago to Japan during World War II. It even led her to the White House briefing room, where she broke barriers as the only black female journalist. Ethel wasn’t afraid to ask the tough questions of presidents, elected officials, or anyone else in charge, earning her the title, “First Lady of the Black Press.” Fearless and determined, Ethel Payne shined a light on the darkest moments in history, and her ear for stories sought answers to the questions that mattered most in the fight for Civil Rights.

    Award-winning author Rob Sanders’s stirring text, and acclaimed illustrator Steven Salerno’s evocative images, combine to tell this remarkable—and undertold—story. A story of love, hope, equality, and pride.

    As she listened to the preacher’s words, smooth as glass, she sat up tall. And when she heard the plan—picket those white stores! March to protest those unfair laws! Fill the jails!—she stepped right up and said, I’ll do it! She was going to j-a-a-il!Audrey Faye Hendricks was confident and bold and brave as can be, and hers is the remarkable and inspiring story of one child’s role in the Civil Rights Movement.

    Integral to the Freedom Summer of 1964, Ms. Hamer gave a speech at the Democratic National Convention that, despite President Johnson’s interference, aired on national TV news and spurred the nation to support the Freedom Democrats. Featuring luminous mixed-media art both vibrant and full of intricate detail, Singing for Freedom celebrates Fannie Lou Hamer’s life and legacy with an inspiring message of hope, determination, and strength.

    Gone were the Saturdays at Abuela's house, filled with cousins and sunshine. Instead, things were busy and fast and noisy. Areli's limited English came out wrong, and schoolmates accused her of being illegal. But time passed, and Areli slowly became a New Yorker--although not an American citizen. I could do anything here, Areli says one day to the city sky. Someday, I will.This is a moving story--one that resonates with millions of immigrants who make up the fabric of our country--about one girl living in two worlds, a girl whose DACA application was eventually approved and who is now living her American dream.

    But in 1956, the federal government uprooted her family and moved them to California, wrenching them from their home, friends, and traditions. Separated from her community and everything she knew, Wilma felt utterly lost until she found refuge in the Indian Center in San Francisco. There, she worked to build and develop the local Native community and championed Native political activists. She took her two children to visit tribal communities in the state, and as she introduced them to the traditions of their heritage, she felt a longing for home.Returning to Oklahoma with her daughters, Wilma took part in Cherokee government. Despite many obstacles, from resistance to female leadership to a life-threatening accident, Wilma's courageous dedication to serving her people led to her election as the first female chief of the Cherokee Nation. As leader and advocate, she reinvigorated her constituency by empowering them to identify and solve community problems.This beautiful addition to the Big Words series will inspire future leaders to persevere in empathy and thoughtful problem-solving, reaching beyond themselves to help those around them. Moving prose by award-winning author Doreen Rappaport is interwoven with Wilma's own words in this expertly researched biography, illustrated with warmth and vivacity by Linda Kukuk.

    In this comprehensive picture-book biography geared towards older readers, Bethany Hegedus lyrically traces Maya's life from her early days in Stamps, Arkansas through her work as a freedom fighter to her triumphant rise as a poet of the people. A foreword by Angelou's grandson, Colin A. Johnson, describes how a love of literature and poetry helped young Maya overcome childhood trauma and turn adversity into triumph. Coupled with Tonya Engel's metaphorical and emotive illustrations, this biography beautifully conveys the heartaches and successes of this truly phenomenal woman, and is a powerful tribute to the written word.

    Born in 1876 on the Yankton Sioux reservation in South Dakota, Zitkala-Sa willingly left her home at age eight to go to a boarding school in Indiana. But she soon found herself caught between two worlds--white and Native American. At school she missed her mother and her traditional life, but Zitkala-Sa found joy in music classes. "My wounded spirit soared like a bird as I practiced the piano and violin," she wrote. Her talent grew, and when she graduated, she became a music teacher, composer, and performer. Zitkala-Sa found she could also "sing" to help her people by writing stories and giving speeches. As an adult, she worked as an activist for Native American rights, seeking to build a bridge between cultures. The coauthors tell Zitkala-Sa's life by weaving together pieces from her own stories. The artist's acrylic illustrations and collages of photos and primary source documents round out the vivid portrait of Zitkala-Sa, a frightened child whose spirit "would rise again, stronger and wiser for the wounds it had suffered."

    She tries to remember who she is and where she came from, despite the efforts of the nuns who are in charge at the school and who tell her that she is not to use her own name but instead use the number they have assigned to her. When she goes home for summer holidays, Irene's parents decide never to send her and her brothers away again. But where will they hide? And what will happen when her parents disobey the law? Based on the life of co-author Jenny Kay Dupuis’ grandmother, I Am Not a Number is a hugely necessary book that brings a terrible part of Canada’s history to light in a way that children can learn from and relate to.