And they were told the story of a fierce fairy knight who now guarded the woods for the fairy queen. But Janet didn't believe in fairy stories and Janet didn't like being told what to do.

    One time during this magical celebration, a faerie boy meets a human girl, and the two become friends. Here is their story...

    Now celebrating its fiftieth anniversary, Lafcadio is being reissued with a full-color cover featuring vintage art from Shel Silverstein discovered in the archives.Lafcadio, the Lion Who Shot Back is the book that started Shel Silverstein's incomparable career as a bestselling children's book author and illustrator. He is also the creator of picture books such as A Giraffe and a Half, Who Wants a Cheap Rhinoceros?, The Missing Piece, The Missing Piece Meets the Big O, and the perennial favorite The Giving Tree and of classic poetry collections such as Where the Sidewalk Ends, A Light in the Attic, Falling Up, Every Thing On It, Don't Bump the Glump!, and Runny Babbit.And don't miss Runny Babbit Returns, the new bookk from Shel Silverstein!

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Introduced by Grimm Tales author Philip Pullman and leading fairy tale scholar Jack Zipes, The Singing Bones breathes new life into some of the world's most beloved fairy tales.

    In a compelling fable, she explores the temptations and pitfalls that accompany freedom and choice in all our lives.Jarrod lives far away in a land where children climb trees and soar without fear of falling, and sunlight keeps out dark shadows.As happy as Jarrod is living with his mother and his sister, he is also curious and daring. He wonders about the mysterious pond, the one place his mother wants him to stay away from. How deep is it? Why can't he go into the water? Why is his mother so afraid for him?

    With a little courage Emily quickly discovers how powerful her quills are and regains her self-esteem as she finds her unique place in the group.Emily’s Quills is a heartwarming story that can help both parents and teachers discuss important life lessons such as: kindness, cooperation, self-esteem, acceptance of differences, empathy, compassion, resilience and friendship.

    This reissue of a favorite classic, with the original story and illustrations as they first appeared in 1922, will work its magic for all who read it.

    What little secret would scare three terrible giants?. Why would a giant tremble at the sight of a butterfly?. Do giants throw temper tantrums?The answers to these questions are found in three mesmerizing tales of giants and a child. But the giants that crash and bellow through this book are unlike the giants of folklore. They behave in the most unusual manner, and find themselves in the most peculiar situations. What do these cantankerous, yet sympathetic giants have in common? They encounter a small little boy, who towers over the giants by way of wit and common sense. David L. Harrison's classic collection, richly illustrated by Philippe Fix, has been translated into ten languages and sold close to a million copies in it original edition. Now this Christopher Award-winning book is available again to a new generation of children.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Two distinguished knights -- one Saxon, one Norman -- have returned from the Crusades. Though they fought on the same side, they now have a score to settle. What begins as a joust between two rivals quickly escalates into clanwide mayhem and a fast-paced series of battles for revenge, honor, and love.Sir Walter Scott's Ivanhoe was one of the first great historical novels of western literature. At last, this extraordinary work has been brought to life as a lavishly illustrated storybook. Marianna Mayer's inspired adaptation combined with magnificent oil paintings by John Rush create an essential introduction to the classic. This exquisitely designed page-turning volume is perfect for anyone with a passion for adventure.

    But when the boy fairy Kip invites her to attend the May Dance, she saves the day when a wicked troll arrives seeking a late-night snack of fairy wings. Full color.

    In this unusual version of a folktale favorite, Jude Daly introduces readers to a beautiful young woman named Trembling, her selfish sisters Fair and Brown, and the old henwife who changes everything.

    It is beautiful and it is comic. It is philosophical and it is cheery. What we suppose we are trying fumblingly to say is, in a word, that it is Thurber.There are only a few reasons why everybody has always wanted to read this kind of story: if you have always wanted to love a Princess; if you always wanted to be a Prince; if you always wanted the wicked Duke to be punished; or if you always wanted to live happily ever after. Too little of this kind of thing is going on in the world today. But all of it is going on valorously in The 13 Clocks.

    Even with the rain, they were glad to be on their way--priests, nuns, tradesmen, men from the city, all pilgrims on the road to Canterbury. To pass the long journey they told each other stories: of magic and trickery, of animals with blazing eyes, of people with their pants on fire, of two thousand men battling before smoking walls, stories of love and death and the devil. There were written down by Geoffrey Chaucer, and he called them The Canterbury Tales. Geraldine McCaughrean retells The Canterbury Tales for children in a lively and humorous style which captures the original flair of Chaucer himself. She introduces us to the characters who told these tales: the shy, battle-hardened Knight, the Summoner whose breath smells of onions, the angry Miller with his read beard, and the Widow of Bath who likes a happy ending. The stories and the characters are vividly brought to life by Victor Ambrus, with pictures of wild chases, exciting battles, and the April countryside through which the pilgrims travel.