The woman introduces herself as Martha and soon confesses that she’s been stuck in an affair with her boss. Selena, in turn, confesses that she suspects her husband is sleeping with the nanny. When the train arrives at Selena’s station, the two women part ways, presumably never to meet again.Then the nanny disappears.As Selena is pulled into the mystery of what happened, and as the fractures in her marriage grow deeper, she begins to wonder, who was Martha really? But she is hardly prepared for what she’ll discover…

    Strangers and friends, neighbors and rescue workers, set up search parties and held vigils, praying for her safe return. Against all odds, she was found, alive, clinging to a storm drain. The girl from Widow Hills was a living miracle. Arden’s mother wrote a book. Fame followed. Fans and fan letters, creeps, and stalkers. And every year, the anniversary. It all became too much. As soon as she was old enough, Arden changed her name and disappeared from the public eye.Now a young woman living hundreds of miles away, Arden goes by Olivia. She’s managed to stay off the radar for the last few years. But with the twentieth anniversary of her rescue approaching, the media will inevitably renew its interest in Arden. Where is she now? Soon Olivia feels like she’s being watched and begins sleepwalking again, like she did long ago, even waking outside her home. Until late one night she jolts awake in her yard. At her feet is the corpse of a man she knows—from her previous life, as Arden Maynor.And now, the girl from Widow Hills is about to become the center of the story, once again, in this propulsive page-turner from suspense master Megan Miranda.

    She realizes very quickly that the letter was sent to the wrong person—but also that the cold-reading skills she’s honed as a tarot card reader might help her claim the money.Soon, Hal finds herself at the funeral of the deceased…where it dawns on her that there is something very, very wrong about this strange situation and the inheritance at the centre of it.

    When her latest client, Nadia Denham, a curio shop owner, dies from an apparent suicide, Mickie honors the old woman’s last wish and begins curating her peculiar objets d’art. A music box, a hair clip, a key chain―twelve mementos in all that must have meant so much to Nadia, who collected them on her flea market scavenges across the country.But these tokens mean a lot to someone else, too. Mickie has been receiving threatening messages to leave Nadia’s past alone.It’s becoming a mystery Mickie is driven to solve. Who once owned these odd treasures? How did Nadia really come to possess them? Discovering the truth means crossing paths with a long-dormant serial killer and navigating the secrets of a sinister past. One that might, Mickie fears, be inescapably entwined with her own.

    Hospitals and lakes. When Ian drinks vodka in the basement. ISIS. When Ian gets angry... That something is really, really wrong with me.Maddie and Ian's romance began with a chance encounter at a party overseas; he was serving in the British army and she was a travel writer visiting her best friend, Jo. Now almost two decades later, married with a beautiful son, Charlie, they are living the perfect suburban life in Middle America. But when a camping accident leaves Maddie badly scarred, she begins attending writing therapy, where she gradually reveals her fears about Ian's PTSD; her concerns for the safety of their young son, Charlie; and the couple's tangled and tumultuous past with Jo.From the Balkans to England, Iraq to Manhattan, and finally to an ordinary family home in Kansas, sixteen years of love and fear, adventure and suspicion culminate in The Day of the Killing, when a frantic 911 call summons the police to the scene of a shocking crime.

    There she sets up her new home with her husband and two young daughters, and goes into business with her difficult mother managing a guesthouse in the Brecon Beacons. But when the guesthouse is ready to be occupied, Kirsty encounters the last person she ever expected to see: her estranged cousin Selena. It has been seventeen years since they last talked—when Selena tore everything apart between them.Why has she chosen now to walk back into Kirsty's life? Is Selena running from something too? Or is there an even darker reason for her visit?As Kirsty becomes increasingly concerned for the safety of her daughters, her dream home begins to feel like her worst nightmare.Kirsty knows that once you invite trouble into your home, it can be murder getting rid of it . . .

    No one knew where she went - no note, no body. It was a mystery that was never solved and it tore her family apart.Now another girl has disappeared, with chilling echoes of the past. And it seems that she might not be the only one.Claire is convinced Julia's disappearance is linked.But when she begins to learn the truth about her sister, she is confronted with a shocking discovery, and nothing will ever be the same...

    But what starts as an innocent fascination spirals into an addictive obsession met with a screeching halt the day the McMullen family closes their Instaface account without so much as a warning.  Frantic and desperate to reconnect with her daughter, Autumn applies for a nanny position with the McMullens, manipulating herself into Grace's life under false pretenses. And it's only then that Autumn discovers pictures lie, the perfect family doesn't exist, and beautiful people? They have the ugliest secrets.

    Old money, old ties, old secrets. Marcie may have married into this world — but she’ll never be part of it.SOMETHING NEWThen Jason’s boss brings back a new wife from his trip to London. Young, attractive, reckless — nobody can take their eyes off Keisha. Including Marcie’s husband.SOMETHING YOU CAN NEVER, EVER UNDO…Some people would kill for the life Marcie has—what will she do to keep it?

    The local junkyard is burning, and the town pariah Lizzie Oullette is dead—with her husband, Dwayne, nowhere to be found. As scandal ripples through the community, Detective Ian Bird’s inquiries unexpectedly lead him away from small-town Maine to a swank city townhouse several hours south. Adrienne Richards, blonde and fabulous social media influencer and wife of a disgraced billionaire, had been renting Lizzie’s tiny lake house as a country getaway…even though Copper Falls is anything but a resort town.As Adrienne’s connection to the case becomes clear, so too does her connection to Lizzie, who narrates their story from beyond the grave. Each woman is desperately lonely in her own way, and they navigate a relationship that cuts across class boundaries: transactional, complicated, and, finally, deadly. A Gone Girl for the gig economy, this is a story of privilege, identity, and cunning, as two devious women from opposite worlds discover the dangers of coveting someone else’s life.

    And she's made it clear that she doesn't want to be found.Then, quite by chance, you see her busking in New York's Central Park.But she's not the girl you remember. This woman is wasted, frightened and clearly in trouble.You don't stop to think. You approach her, beg her to come home.She runs. And you follow her into a dark and dangerous world you never knew existed. Where criminal gangs rule, where drugs are the main currency, and murder is commonplace.Now it's your life on the line. And nowhere and no one is safe.

    A new beginning, a new house, a new town: Featherbank.But Featherbank has a dark past. Twenty years ago, a serial killer abducted and murdered five residents. Until Frank Carter was finally caught, he was nicknamed "The Whisper Man," for he would lure his victims out by whispering at their windows at night.Just as Tom and Jake settle into their new home, a young boy vanishes. His disappearance bears an unnerving resemblance to Frank Carter's crimes, reigniting old rumors that he preyed with an accomplice. Now, detectives Amanda Beck and Pete Willis must find the boy before it is too late, even if that means Pete has to revisit his great foe in prison: The Whisper Man. And then Jake begins acting strangely. He hears a whispering at his window.

    One person. And I will make them disappear . . . When Sarah rescues a young girl in trouble, she expects nothing in return. But her act of bravery puts a powerful and dangerous man in her debt. He lives by his own brutal code, and all debts must be repaid - in the only way he knows how.He offers Sarah a way to solve a desperate situation with her intolerable boss. A once-in-a-lifetime deal that will make all her problems disappear.No consequences. No comeback. No chance of being found out.All it takes is a 29 second phone call.Because everyone has a name to give. Don't they?

    Mike’s love story.Mike Hayes fought his way out of a brutal childhood and into a quiet, if lonely life, before he met Verity Metcalf. V taught him about love, and in return, Mike has dedicated his life to making her happy. He’s found the perfect home, the perfect job, he’s sculpted himself into the physical ideal V has always wanted. He knows they’ll be blissfully happy together.It doesn’t matter that she hasn’t been returning his emails or phone calls.It doesn’t matter that she says she’s marrying Angus.It’s all just part of the secret game they used to play. If Mike watches V closely, he’ll see the signs. If he keeps track of her every move he’ll know just when to come to her rescue…A spellbinding, darkly twisted novel about desire and obsession, and the complicated lines between truth and perception, Our Kind of Cruelty introduces Araminta Hall, a chilling new voice in psychological suspense.

    But after her mother's death, Sarah spirals into depression and overdoses on sleeping pills. While Sarah claims it was an accident, her teenage children aren't so sure. Patrick decides they all need a fresh start and he knows just the place, since the idyllic family home where he was raised has recently come up for sale. There's only one catch: for the past fifteen years, it has become infamous as the "Murder House", standing empty after a family was stabbed to death within its walls.Patrick believes they can bring the house back to its former glory, so Sarah, uprooted from everything she knows, pours her energy into painting, gardening, and giving the rotting old structure the warmth of home. But with locals hinting that the house is haunted, the news that the murderer has been paroled, strange writing on the walls, and creepy "gifts" arriving on the doorstep at odd hours, Sarah can't shake the feeling that something just isn't right. Not with the house, not with the town, or even with her own, loving husband--whose stories about his perfect childhood suddenly aren't adding up. Can Sarah uncover the secrets of the Murder House before another family is destroyed?