Throughout her life, which spanned the Nazi era, the war, and the postwar consumer economy, she struggled to maintain appearances, only to arrive at a terrible recognition: "I'm not human any more." Not long after, she killed herself with an overdose of sleeping pills.In A Sorrow Beyond Dreams her son sits down to record what he knows, or thinks he knows, about his mother's life and death before, in his words, "the dull speechlessness—the extreme speechlessness" of grief takes hold forever. And yet the experience of speechlessness, as it marks both suffering and love, lies at the heart of Handke's brief but unforgettable elegy. This austere, scrupulous, and deeply moving book is one of the finest achievements of a great contemporary writer.

    A magnificent blend of travel journal, cultural commentary, and historical insight, Black Lamb and Grey Falcon probes the troubled history of the Balkans, and the uneasy relationships amongst its ethnic groups. The landscape and the people of Yugoslavia are brilliantly observed as West untangles the tensions that rule the country's history as well as its daily life.

    There was no knowing what the crowd might do after this, if they began to fight again. So they lay on the ground and made no attempt to interfere with the popular rejoicings. What they wanted, as Arnold of Sewa might have said if he had been there, was a few moments' complete rest. Leuthold's helmet had been hammered with sticks until it was over his eyes and all out of shape, and Friesshardt's was very little better.

    Let us go then, you and I, When the evening is spread out against the sky Like a patient etherized upon a table; Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    A 19th-century maritime classic brimming with courage, ingenuity, and daring.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Presents an introduction to Shakespeare's greatest plays including Hamlet Othello, As You Like It, The Taming of the Shrew, The Tempest and Pericles.

    The manner is what Goethe called 'a cultured comic language'-a genre which he regarded as not possible in Geman and which he felt Byron managed superbly.

    The carefully orchestrated abductions were Escobar's attempt to extort from the government its assurance that he, and other narcotics traffickers, would not be extradited to the United States if they were to surrender.From the highest corridors of government to the domain of the ruthless drug cartels, we watch the unfolding of a bizarre drama replete with fascinating characters Cesar Gaviria, the nation's cool and secretive president; Diana Turbay, a famous television journalist and magazine editor; three indomitable women who are imprisoned for miserable months in a small room with a light perpetually on; an eighty-two-year-old priest with a mission to bring the regime and the cartel to the negotiating table; and Escobar himself, the legendary drug baron who changes his bodyguards daily and maintains a private zoo with giraffes and hippos from Africa.All of this takes place in a country where presidential candidates and cabinet officers are routinely assassinated; where police go into the Medellín slums to murder boys they think may be working for Escobar; but where brave and honest citizens are trying desperately to make democracy survive.An international best-seller, News of a Kidnapping combines journalistic tenacity with the breathtaking language and perception that distinguish the writings of Gabriel Garcí­a Márquez. It draws us unto into a world that, like some phantasmagorical setting in a great Garcí­a Márquez novel, we can scarcely believe exists--but that continually shocks us with its cold, hard reality.

    In 1936, Shostakovitch, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovitch reflects on his predicament, his personal history, his parents, various women and wives, his children—and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovitch's career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.

    It is also one of the most notorious. Used as evidence in a 1940 court case in which Russell was declared unfit to teach college-level philosophy, What I Believe was to become one of his most defining works. The ideas contained within were and are controversial, contentious and - to the religious - downright blasphemous. A remarkable work, it remains the best concise introduction to Russell's thought.

    'What those buildings had been used for in other days was not obvious to the casual and careless observer, but to the least observant their present use was obvious enough. Here were piles of timber from Norway; there were stacks of slate from Wales; here was marble from Aberdeen, and there cement from Portland: the old chambers of the grey buildings were filled to overflowing with all the things that go towards making a house-ironwork, zinc, lead, tiles, great coils of piping, stores of domestic appliances. And on a shining brass plate, set into the wall, just within the gateway, were deeply engraven the words: Mallalieu and Cotherstone, Builders and Contractors ...'

    He had known leaders he esteemed as the greatest of statesmen…Churchill, however, was the leader he admired above all…In hundreds of studies of Churchill, no one else, remarkably enough, has focused on Churchill's predictions and prophecies. James Humes has produced a book that is unique as well as necessary for an understanding of statesmanship."—David Eisenhower, author and senior fellow at the Foreign Policy Research Institute

    Alfred R. Ferguson was founding editor of the edition, followed by Joseph Slater (until 1996).