A collection of poetry by the German poet whose parents were murdered in Nazi concentration camps and who eventually committed suicide features essays on Jewish heritage and alienation.

    It describes the beginning of the war - the machine gun fire that sounded like a sewing machine in the distance - and the author's family's growing anxiety, culminating in the decision to send her and her sister to Britain.

    This book is an authorized translation of the original book that was written in Croatian in 1966. What follows was written by the original publisher. There is no stronger or more reliable material than the one that is born from one’s own experience. Eyewitnesses and direct participants provide us with not only the facts, but also that sublimely human spirit common to all happenings in which people participate. It doesn’t matter that this account is about the fear that the people of Jasenovac experienced, or about the deeds of their torturers. For every one hundred thousand people in the Jasenovac camp during its horrifying four-year existence, there was only one—literally one—who survived. Those were the odds in the balance of life and death: one hundred thousand dead and one alive. And there is a witness, right in front of us, who found the strength to reminisce, to go back to the place of his torture, to break the psychological barriers, and to lead us step by step through his nightmare, through waves of terror that exceed every notion of horror. From the beginning of his time at Jasenovac to the end, Egon Berger was witness—and victim—to a rampage without limit. Of those who survived, he is the only one who told the story. Berger does not bring us a literary masterpiece—he brings us only the experience, a story about forty-four months of his life in a camp, told simply. A story is enough—a story that calls images to mind and makes us tremble with the thought, “Are such things possible?” For myself and every person who had been to Jasenovac and lived, it is a miracle that we survived. Yes, it is possible, it is real, and it is true. A terror arose in front of us from the oblivion. It should not be forgotten. Share this record with future generations who will hopefully not know such terror. Ivo Frol, 1966

    In this highly acclaimed short history, Mark Mazower sheds light on what has been called the tinderbox of Europe, whose troubles have ignited wider wars for hundreds of years. Focusing on events from the emergence of the nation-state onward, The Balkans reveals with piercing clarity the historical roots of current conflicts and gives a landmark reassessment of the region’s history, from the world wars and the Cold War to the collapse of communism, the disintegration of Yugoslavia, and the continuing search for stability in southeastern Europe.

    Ten-year-old Ana Jurić is a carefree tomboy who runs the streets of Croatia's capital with her best friend, Luka, takes care of her baby sister, Rahela, and idolizes her father. But as civil war breaks out across Yugoslavia, soccer games and school lessons are supplanted by sniper fire and air raid drills. When tragedy suddenly strikes, Ana is lost to a world of guerilla warfare and child soldiers; a daring escape plan to America becomes her only chance for survival.Ten years later Ana is a college student in New York. She's been hiding her past from her boyfriend, her friends, and most especially herself. Haunted by the events that forever changed her family, she returns alone to Croatia, where she must rediscover the place that was once her home and search for the ghosts of those she's lost.

    Three women challenge the course of history…King Henry VI’s grip on the crown hangs by a thread as the Wars of the Roses starts to tear England apart. And from the ashes of war, the House of Paston begins its rise to power.Led by three visionary women, the Pastons are a family from humble peasant beginnings who rely upon cunning, raw ambition, and good fortune in order to survive.Their ability to plot and scheme sees them overcome imprisonment, violence and betrayal, to eventually secure for their family a castle and a place at the heart of the Yorkist Court. But success breeds jealousy and brings them dangerous enemies…An inspirational story of courage and resilience, The Royal Game charts the rise of three remarkable women from obscurity to the very heart of Court politics and intrigue.

    A Bulgarian geographer who visited Kosovo during WWI remarked it was "almost as unknown & inaccessible as a stretch of land in Central Africa." The observation would prove ironically fitting by the '90s, as Central Africa & Kosovo both became sites of widespread genocide, fueled by ethnic hatreds, of the deepest international significance. Noel Malcolm, British historian & journalist who's written extensively about the Balkans (including a companion volume of sorts on Bosnia), provides an overview of Kosovo's long-standing cultural divisions in his "short history" (altho, at more than 500 pages, a not so short book). Readers following the unfolding war in Kosovo thru newspaper & tv coverage may well ask why ethnic Albanians & Serbs are struggling so violently to command the small region. Kosovo, he explains, is the birthplace of Serbian nationalism; the defeat of Serbian forces there in 1389 by Turkish troops became emblematic of the fall of the Serbian empire, as it led to Turkish domination of the Balkans. Contemporary warriors of Serbia are evidently attempting to reverse the course of history by reclaiming the land from its Turkish conquerors--but in the absence of the Turks, they'll take it from the Albanians (the largest ethnic group among Kosovo's inhabitants) whose ancestors converted to Islam when Turks ruled the region. His lucid text shows again & again that the ethnic conflict in Kosovo is less a battle over bloodlines & religion than it's one over differing conceptions of national origins & history. "When ordinary Serbs learn to think more rationally & humanely about Kosovo, & more critically about some of their national myths," he concludes, "all the people of Kosovo & Serbia will benefit--not least the Serbs themselves."--Gregory McNamee (edited)

    People thirst for it; the entire country is mad with desire for it...” A dying man’s cryptic letter to an enigmatic professor launches student Steven Roberts on an unwitting quest, shrouded in mystery, into the war-torn labyrinth of a disintegrating Eastern European country. Steven plunges into the maelstrom to unearth long-forgotten documents holding clues to an ancient Emperor’s deeply buried secret, an inconceivable and long-forgotten evil that has slumbered for centuries. Steven’s perilous journey stretches from Southern California’s sunny beaches, to the exotically dystopian city-scapes of Budapest, Belgrade, and Bosnia, as it plays out against a backdrop of events that occurred centuries before in the Balkans.Kirkus Reviews wrote: “In the glut of vampire-themed novels now on the market, Lyon’s debut stands out… skillful… authentic… fascinating… inspired… Lyon executes it perfectly... vivid... engaging... highly promising... sophisticated...”Meticulously researched and set against the background of collapsing Yugoslavia, “Kiss of the Butterfly” weaves Balkan folklore together with intricate historical threads from the 15th, 18th and 20th centuries to create a rich phantasmagorical tapestry of allegory and reality. It is about passion and betrayal, obsession and desire, the thirst for life and the hunger for death. And vampires – which have formed an integral part of Balkan folklore for over a thousand years – are portrayed in their original folkloric form, which differs dramatically from today’s pop culture creations.“Kiss of the Butterfly” is based on true historical events. In the year of his death, 1476, the Prince of Wallachia -- Vlad III (Dracula) -- committed atrocities under the cloak of medieval Bosnia’s forested mountains, culminating in a bloody massacre in the mining town of Srebrenica. A little over 500 years later, in July 1995, history repeated itself in Srebrenica, when nearly 8,000 people were slaughtered, making it the worst massacre Europe had seen since the Second World War. For most people, the two events seemed unconnected…From Kirkus ReviewsAs Yugoslavia disintegrates, an American bent on investigating Balkan vampire folklore becomes caught up in evils both supernatural and political.In Yugoslavia on a scholarship to study Balkan ethnography, graduate student Steven Roberts finds his research being directed toward vampires, which have a rich folkloric history in the region. Vampires, he learns, aren’t what Bram Stoker, Anne Rice and Hollywood said they were. For example, the folklore suggests that only newly made vampires are nocturnal, meaning that older ones should be harder to spot—though one of Steven’s professors notes that in 1992 Yugoslavia, it might be hard to tell the vampires from the thugs: “Haven’t you seen all the black jeeps and limousines with darkened windows? If I were a vampire, that would be the ideal way to travel around during daytime.” As Steven delves further into crumbling archives and into an underground labyrinth hiding vampiric secrets, he and his friends get caught up in a perilous confluence of events. Steven must confront his past, his loss of faith and how he might regain it, and his attraction to a mysterious, dangerous woman. He learns the truth about his professor Slatina, who in turn faces a crucial decision that will affect not just vampires but all of the Balkans. In the glut of vampire-themed novels now on the market, Lyon’s debut stands out for its skillful integration of authentic, fascinating myth with the political events of the early 1990s. Linking the horror of the supernatural with the horror of human violence is an inspired idea, and Lyon executes it perfectly. He evidently knows the area, its history and its languages, giving the reader vivid details not just of long-ago history but of the 1990s Balkans: socialist-chic shabbiness, ever-present cigarette smoke, the way every Serb that Steven meets has a cousin in Chicago, and the corrupt Milosevic government. “Slobo keeps prices low so people won’t complain,” a character nicknamed Bear says. “It’s okay if we don’t have gas, just so the gas we don’t have is cheap.” Steven can be irritatingly slow on the uptake, and the ending is less satisfying than it could be, since Lyon is apparently leaving room for sequels. Still, it’s a highly promising start with an engaging cast of characters.No capes, no glitter: a vampire novel for readers who value sturdy mythology and a sophisticated understanding of history, along with warmblooded, human connections.ReviewPublishers Weekly"A fast-pacedadventure into a modern heart of Balkan darkness... A truly original take on theblood-sucking undead." -Publishers Weekly "In the glut ofvampire-themed novels now on the market, Lyon's debut stands out... skillful... authentic...fascinating... inspired... Lyon executes it perfectly... vivid... engaging... sophisticated.... No capes, no glitter: a vampire novel for readers who value sturdymythology and a sophisticated understanding of history, along withwarmblooded, human connections." -Kirkus Reviews "A wonderfulsurprise...the modern day vampire mythos is completely shattered and restructuredas a truth, backed by historical fact...My heart and spirit stirred." -Horror-Web "A denouement ofaction and heart-pounding resolution... It was a wild ride to the ending,... If youliked "The Historian", you'll love Kiss of the Butterfly." -Vampire Romance Books"Immediately gratifying...a worthy addition to any vampire enthusiast's collection." -Vampires.com

    He vows to sit in the hollow where the mortar fell and play Albinoni’s Adagio once a day for each of the twenty-two victims. The Adagio had been re-created from a fragment after the only extant score was firebombed in the Dresden Music Library, but the fact that it had been rebuilt by a different composer into something new and worthwhile gives the cellist hope. Meanwhile, Kenan steels himself for his weekly walk through the dangerous streets to collect water for his family on the other side of town, and Dragan, a man Kenan doesn’t know, tries to make his way towards the source of the free meal he knows is waiting. Both men are almost paralyzed with fear, uncertain when the next shot will land on the bridges or streets they must cross, unwilling to talk to their old friends of what life was once like before divisions were unleashed on their city. Then there is “Arrow,” the pseudonymous name of a gifted female sniper, who is asked to protect the cellist from a hidden shooter who is out to kill him as he plays his memorial to the victims. In this beautiful and unforgettable novel, Steven Galloway has taken an extraordinary, imaginative leap to create a story that speaks powerfully to the dignity and generosity of the human spirit under extraordinary duress.

     Sara Foster has left America for the adventure of a lifetime—teaching English to the sons and daughters of statesmen in Hungary—but her idyllic adventure instead reveals a dark world of pain and redemption when she ends up teaching in a refugee camp. Sara discovers that one of her students is a celebrated composer and soon finds herself crossing the border to his war-torn homeland, determined to exonerate him for the death of his brother. In a journey that takes her to Dubrovnik, a magnificent stone city on the Croatian Riviera, Sara contemplates her own identity, struggling to understand why the region's ancient and extraordinary beauty belies a history of grief. As Sara unveils the secret of the composer's escape, The Sound of Blue reveals poignant truths about the quests for refuge we all pursue.

    His life, now at a crossroads, has been a jumble of invention, elusive memories, and handed-down stories. But when Richard finds his mother’s hidden notebook, written by her during World War II, he discovers a confession that was never meant to be read by anyone—least of all, her son.,p>Richard’s quest for the truth about his life leads him to an embattled Sarajevo. In the chaos of the besieged city, he discovers something more: a transformative romance and unexpected new friendships that will change the course of his search. But fate has been playing with all of them. And just as fate determines the lives of the characters in his novel, a betrayal reaching back half a century has yet to loosen its grip—on Richard, on everyone he has come to love, and on those he has no choice but to try to forgive.

    A hurricane of violence was unleashed by Serbian President Slobodan Miloševic and his allies, the Bosnian Serbs, in pursuit of a 'Greater Serbia'. An infamous campaign of 'ethnic cleansing' demanded the annihilation of all Bosniaks, Croats and other peoples through either death or enforced deportation, with any trace of their existence destroyed. Such brutality was presided over and tolerated by the so-called 'International Community' including, perhaps most vividly in the popular memory, concentration and death camps in our lifetime. It was Vulliamy's accursed honour to reveal these camps to the world in August 1992, when he penetrated both Omarska and Trnopolje. The War is Dead, Long Live the War charts this discovery, but it is much more than a memoir: Vulliamy passionately bears witness to the Bosnian war's aftermath, revealing the human consequences as well as the trials and traumas of exile or homecoming. It is only now, through the eyes and memories of the survivors and the bereaved - and, in different ways, the perpetrators - that we can really understand the bloody catastrophe in Bosnia. The world moves on over twenty years, but in Bosnia, there has been no thaw in the hatred; no reckoning. The war may be over, but the war lives on.

    Inthis sequel to the bestselling ELENI Nicholas gage tells the moving story of meeting his father and growing up in Worcester, Mass.

    No other book covers the entire region, or offers such profound insights into the roots of Balkan violence, or explains so vividly the origins of modern Serbia, Croatia, Bosnia, Greece, Bulgaria, Romania, and Albania. Misha Glenny presents a lucid and fair-minded account of each national group in the Balkans and its struggle for statehood. The narrative is studded with sharply observed portraits of kings, guerrillas, bandits, generals, and politicians. Glenny also explores the often-catastrophic relationship between the Balkans and the Great Powers, raising some disturbing questions about Western intervention.

    But it was months, even years, before the mass graves started to yield up their dead and the process of identification, burial, and mourning could begin. Here we travel through the ravaged postwar landscape in the company of a few survivors (mostly women) as they visit the scenes of their loss: a hall where victims' clothing is displayed; an underground cave littered with pale jumbles of bones; a camp for homeless refugees; a city now abandoned to the ghosts of painful memories; a funeral service where a family can finally say goodbye. These encounters are snapshots and memorials, a feat of powerful reportage told from the viewpoint of people who have lost nearly everything. With the sensibility of Philip Gourevitch or Ryszard Kapuscinski, Tochman captures a painful moment in history, as an entire community comes to terms with its raw and recent past.