It starts with a body—a young woman found dead in an Iowa cornfield, on one of the few family farms still managing to compete with the giants of Big Agriculture.When Sergeant Riley Fisher, newly promoted to head of investigations for the Black Hawk County Sheriff’s Office, arrives on the scene, an already horrific crime becomes personal when she discovers the victim was a childhood friend, connected to a dark past she thought she’d left behind.The investigation grows complicated as more victims are found. Drawn deeper in, Riley soon discovers implications far beyond her Midwest town.

    Watson and Ruth Ware.I have no memory of what happened but I was told I killed my son. And you believe what your loved ones, your doctor and the police tell you, don't you? My name is Emma Cartwright. Three years ago I was Susan Webster, and I murdered my twelve-week-old son Dylan. I was sent to Oakdale Psychiatric Institute for my crime, and four weeks ago I was released early on parole with a new identity, address, and a chance to rebuild my tattered life. This morning, I received an envelope addressed to Susan Webster. Inside it was a photograph of a toddler called Dylan. Now I am questioning everything I believe because if I have no memory of the event, how can I truly believe he's dead? If there was the smallest chance your son was alive, what would you do to get him back?

    Fans of I LET YOU GO and THE GIRL ON THE TRAIN will be gripped. No one ever disappears completely...You leave for work one morning.Another day in your normal life.Until you come home to discover that your boyfriend has gone. His belongings have disappeared. He hasn't been at work for weeks. It's as if he never existed.But that's not possible, is it?And there is worse still to come.Because just as you are searching for himsomeone is also watching you.

    Others claim she's obsessed and can't stop the vicious circle of finding a cure at her daughter's expense. Fifteen-year-old Meghan has been in and out of hospitals with a plague of unexplained illnesses. But when the ailments take a sharp turn, doctors intervene and immediately suspect Munchausen syndrome by proxy, a rare behavioral disorder where the primary caretaker, typically the mother, seeks medical help for made-up symptoms of a child. Is this what's going on? Or is there something even more sinister at hand?

    But she soon falls in with a cabal of posh, reckless girls—the B4—who turn her quaint fantasies into an erotic and dangerous rush through the darkest realms of friendship and love. Abroad is a chilling parable of modern girlhood from an author who “from her opening line . . . grabs you and never lets go” (People).     Not since Donna Tartt’s The Secret History have we been treated to such an addictive tale of tumultuous adolescence. We see Taz scared and alone, but hungry for new experience and piqued by the thrill of living abroad. We see her roommate, the plainspoken American Claire, who worries about Taz’s motives and expresses sincere concern for her safety—but everything changes when they fall for the same man.     And then there’s what we don’t see—the perils that lurk around the corner. We don’t see the secrets that friends—and lovers—keep from one another. And we don’t see the force that is bigger than Taz, bigger than her friends and loves, a force that seems to be propelling them all toward a dark, awful end. Inspired by real events but tackled with grace and sharpness by a master storyteller, this is Katie Crouch at her finest.

    But Eliza swears she was pushed, and her rescuer is the only witness.Desperate to find out who attacked her, Eliza takes it upon herself to investigate. But as the publication date for her novel draws closer, Eliza finds more questions than answers. Like why are her editor, agent, and family mixing up events from her novel with events from her life? Her novel is completely fictional, isn’t it?The deeper Eliza goes into her investigation while struggling with memory loss, the closer her life starts to resemble her novel until the line between reality and fiction starts to blur and she can no longer tell where her protagonist’s life ends and hers begins.

    No stranger to tragedy, Polly was a runaway at the age of fifteen, escaping a nightmarish Mississippi childhood.Lonely, that is, until she encounters architect Marshall Marchand. Polly is immediately smitten. She finds him attractive, charming, and intelligent. Marshall, a lifelong bachelor, spends most of his time with his brother Danny. When Polly’s two young daughters from her previous marriage are likewise taken with Marshall, she marries him. However, as Polly begins to settle into her new life, she becomes uneasy about her husband’s increasing dark moods, fearing that Danny may be influencing Marshall in ways she cannot understand.But what of the ominous prediction by a New Orleans tarot card reader, who proclaims that Polly will murder her husband? What, if any, is the Marchands' connection to the infamous "Butcher Boy" multiple homicide? And could Marshall and his eccentric brother be keeping a dark secret from Polly, one that will shatter the happiness she has forever prayed for?

    What if she's not dead?Pushed to the breaking point, Cara Burrows flees her home and family and escapes to a five-star spa resort she can't afford. Late at night, exhausted and desperate, she lets herself into her hotel room and is shocked to find it already occupied — by a man and a teenage girl.A simple mistake at the front desk... but soon Cara realizes that the girl she saw alive and well in the hotel room is someone she can't possibly have seen: the most famous murder victim in the country, Melody Chapa, whose parents are serving natural life sentences for her murder.Cara doesn't know what to trust — everything she's read and heard about the case, or the evidence of her own eyes. Did she really see Melody? And is she prepared to ask herself that question and answer it honestly if it means risking her own life?

    What could be interesting about an unhappy housewife who drowns her sorrows in ice cream and wine and barely leaves her house?Only one knows why.When a new family moves in across the street--the exuberant Vicki, who just might become the gossipy best friend Phoebe's always wanted, and her handsome college-bound son, Jake, who offers companionship of a different variety--Phoebe finds her dull routine infused with the excitement she's been missing. But with her head turned she's no longer focused on the woman in the car. And she really should be...An addictive domestic thriller for fans of The Last Mrs. Parrish and The Couple Next Door, The Other Mrs. Miller serves up a delicious brew of dark secrets and stunning plot twists that will keep you captivated until the very last page.

    “With its tale of provincial life, gimlet-eyed spinsters, and thwarted love…it feels almost like a Miss Marple mystery written by Colm Tóibín” (New York Times).The remote Irish village of Duneen has known little drama, and yet its inhabitants are troubled: Sergeant P.J. Collins hasn’t always been this overweight; Brid Riordan, a mother of two, hasn’t always been an alcoholic; and elegant Evelyn Ross hasn’t always felt that her life was a total waste.So when human remains—suspected to be those of Tommy Burke, a former lover of both Brid and Evelyn—are discovered on an old farm, the village’s dark past begins to unravel. As a frustrated P.J. struggles to solve a genuine case for the first time in his professional life, he unearths a community’s worth of anger and resentments, secrets and regrets.Darkly comic, at times profoundly sad, and “especially inviting because of its tongue-in-cheek wit” (Kirkus Reviews), Holding is a masterful debut. Graham Norton employs his acerbic humor to breathe life into a host of lovable characters, and explore—with searing honesty—the complexities and contradictions that make us human.

    She’s been trying to put the crime out of her mind; what could she have done, really? It’s a dangerous road to be on in the middle of a storm. Her husband would be furious if he knew she’d broken her promise not to take that shortcut home. And she probably would only have been hurt herself if she’d stopped.But since then, she’s been forgetting every little thing: where she left the car, if she took her pills, the alarm code, why she ordered a pram when she doesn’t have a baby.The only thing she can’t forget is that woman, the woman she might have saved, and the terrible nagging guilt.Or the silent calls she’s receiving, or the feeling that someone’s watching her…

    Immediately shut out by a local police department already stretched thin by budget cuts and the growing OxyContin and meth epidemic, Vega enlists the help of a disgraced former cop, Max Caplan. Cap is a man trying to put the scandal of his past behind him and move on, but Vega needs his help to find the girls, and she will not be denied. With little to go on, Vega and Cap will go to extraordinary lengths to untangle a dangerous web of lies, false leads, and complex relationships to find the girls before time runs out, and they are gone forever.

    Suddenly the town, with its peaceful streets and excellent public schools, finds itself at the mercy of a serial killer who slips through windows and screen doors, shattering illusions of safety. As Ben and forensic specialist Natasha Betencourt struggle to stay one step ahead of the killer, Ben’s own world is rocked again by a teen’s suicide. Ben must decide how far he is willing to go, and how much he will risk, to rescue the town from a long-buried secret, as well as from a psychotic murderer. With eerie, chilling, fine prose, Alan Drew brings us into the treacherous underbelly of a suburban California town in this brilliant novel of suspense about a man, and a community, confronted with the heart of human darkness.

    It’s what I do. This time I'm tidying up the loose ends after a casino heist gone bad. The loose ends being a million cash. But I only have 48 hours, and there’s a guy out there who wants my head in a bag.He'll have to find me first. They don’t call me the Ghostman for nothing...

    Their daughter, Anna, has struggled to come to terms with their loss ever since.Now with a young baby of her own, Anna misses her mother more than ever and starts to question her parents’ deaths. But by digging up their past, she’ll put her future in danger. Sometimes it’s safer to let things lie…The stunning, twisty new psychological thriller from number one bestseller Clare Mackintosh, author of I Let You Go and I See You.