They have been dreaming of a little cottage away from it all, long walks in the country and just a bit of time away from it all. But when they arrive in Ren Dullem, a small Yorkshire seaside town, it seems it is not the place they thought it was...May has never quite found her niche in life, or her Mr Right. Then in Dullem she falls hook line and sinker at first glance for one of the inhabitants - but he's already taken.Lara is living with James and his awful step-children who taunt her with tales of his younger, prettier ex whom they adored. The woman who Lara walks in to find James in bed with despite all his protestations that he wouldn't touch her again with a barge pole. Reeling from the hurt, she needs the sea air of Dullem to heal her. What she doesn't need is to be constantly in battle with the owner of the holiday cottage - a man who is every bit as bitter and resentful and untrusting of the other sex as she is. Clare's fiance Hugh wants her to go and live abroad with him for two years, but she's just been offered the promotion of a life-time. She needs some headspace to think about what she needs to do, but then she meets a very bad boy who is everything Hugh isn't - impulsive, wild and dangerous. Will this holiday be the break they all need? Or will it bring them all to breaking point...?

    and then one of them crawls up out of the pages and confronts her face to face. A deranged, fanatical fan who believes he is The Beast of Babylon from her novel turns up at a book signing and then comes after her to claim her as his bride. And to sacrifice her son, Ty, as an offering to their unholy union. Gabriella, Ty and Ty's grandfather, Theo-the crusty old stand-up comic called Slap Yo Mama Carmichael-run for their lives, back to the only place in Gabriella's life where she ever felt safe. But once there, she discovers that facing the demons from her past may be harder and more dangerous than facing the one who hunts her. As Ty and Theo battle their own, personal monsters, Gabriella begins to fall for a man who carries a guilt she can't even begin to imagine. The predator who stalks Gabriella and her family tracks them down and corners his prey as a full moon rides high in the night sky and lightning explodes on the mountaintop. Then all their lives and demons collide in a final, apocalyptic celebration of one man's madness. Gabriella's only hope lies in the unexplainable power of 2,000-year-old tree. Is it strong enough to save them? Can a single, perfect bristlecone pine somehow determine the fate of them all?

    Now Scarlett’s father has arranged a marriage for her, and Scarlett thinks her dreams of seeing Caraval—the faraway, once-a-year performance where the audience participates in the show—are over.But this year, Scarlett’s long-dreamt-of invitation finally arrives. With the help of a mysterious sailor, Tella whisks Scarlett away to the show. Only, as soon as they arrive, Tella is kidnapped by Caraval’s mastermind organizer, Legend. It turns out that this season’s Caraval revolves around Tella, and whoever finds her first is the winner.Scarlett has been told that everything that happens during Caraval is only an elaborate performance. Nevertheless she becomes enmeshed in a game of love, heartbreak, and magic. And whether Caraval is real or not, Scarlett must find Tella before the five nights of the game are over or a dangerous domino effect of consequences will be set off, and her beloved sister will disappear forever.Welcome, welcome to Caraval . . . beware of getting swept too far away.

    The massage therapist who struggles to help a veteran who's biggest regret is tattooed in living detail across his back. The retired CIA operative, now a mother of two, who is still packing heat for the just-in-case scenario that has her trigger finger itching...With award-winning reportage, memoir, fiction and photography, Granta has illuminated the most complex issues of modern life through the refractory light of literature. Feel the sting of betrayal via new writing by Ben Marcus, Janine di Giovanni, Karen Russell, Samantha Harvey, Colin Robinson, Jennifer Vanderbes, Callan Wink, John Burnside and a host of others, including debut author Lauren Wilkinson, whose heroine moves through decades with the forward lean of Richard Yates and the grace of Garcia Marquez.

    The newest Broadway musical by Pulitzer Prize-winning collaborators Stephen Sondheim and James Lapine, winner of the Tony Award for Best Musical, 1994.

    Short story, published in The Atlantic

    In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    The thief then leaves, and the patrons all survive, but strange things soon begin to happen to them: One survivor’s tattoo jumps off her ankle and chases her around; another wakes up to find that she’s made of candy; and Stacey Hinterland discovers that she’s shrinking, incrementally, a little every day, and nothing that her husband or son do can reverse the process. The Tiny Wife is a fable about losing yourself in circumstances and finding yourself in the the love of another.

    

    But there it was, floating in the water. Still, if she’d needed a sign that she was meant to use her magic to help her grandpa solve the town’s troubles, she couldn’t ask for a better one.Except, her police chief grandfather wants her far from danger, and his assistant police chief, though too sexy to ignore, is keeping some of the evidence to himself.Either way, Opal’s having none of it. She’s going to prove she’s a valuable asset, and the best way to do that is to solve the crime. The police are dragging their feet, and Opal knows if they don’t crack the case soon, someone might get away with murder. If she needs help, she’ll call her BFF who may just be a psychic. Grab your copy of Murder and Moonstones today to immerse yourself in murder, magic and mayhem! Murder and Moonstones is the first book in the Crystal Cove Cozy Mystery series. If you enjoy lighthearted, paranormal mysteries with a fun romance, then you’ll love Cindy Stark’s mystical adventures!

    Fate and fortune.. Murders and atrocities. Insomnia and insanity. Unchecked aspirations and even decapitation. Power-crazed and convinced of his own invincibility, Macbeth, the Scottish war hero, turns into a serial killer, annihilating anybody who gets in his way. A four-page introduction gets you involved, and an abridged text makes the action fast-paced. The text is true to Shakespeare’s original language, setting, and time. This manga edition gets you quickly engrossed in Macbeth’s blood-soaked path to power.

    But when June collides—quite literally—with Saul Angert, sparks fly, and everything June has known is thrown into chaos.Who exactly is this gruff, sarcastic, but seemingly harmless boy who has returned to their hometown of Five Fingers, Michigan, after three mysterious years away? And why has June—an O’Donnell to her core—never questioned her late father’s deep hatred of the Angert family? After all, the O’Donnells and the Angerts may have mythic legacies, but for all the tall tales they weave, both founding families are tight-lipped about what caused the century-old rift between them.As Saul and June’s connection grows deeper, they find that the magic, ghosts, and coywolves of Five Fingers seem to be conspiring to reveal the truth about the harrowing curse that has plagued their bloodlines for generations. Now June must question everything she knows about her family and the father she adored, and she must decide whether it’s finally time for her—and all the O’Donnells before her—to let go.

    The Room and The Dumb WaiterIn these two early one-act plays, Harold Pinter reveals himself as already in full control of his unique ability to make dramatic poetry of the banalities of everyday speech and the precision with which it defines character.'Harold Pinter is the most original writer to have emerged from the "new wave" of dramatists who gave fresh life to the British theatre in the fifties and early sixties.' The Times

    Together, they have travelled the world and fallen deliriously, hopelessly in love. Max is the boy of her dreams—and only her dreams. Because he doesn’t exist.But when Alice walks into class on her first day at a new school, there he is. Real Max is nothing like Dream Max. He’s stubborn and complicated. And he has a whole life Alice isn’t a part of. Getting to know each other in reality isn’t as perfect as Alice always hoped.Alarmingly, when their dreams start to bleed into their waking hours, the pair realize that they might have to put an end to a lifetime of dreaming about each other. But when you fall in love in your dreams, can reality ever be enough?

    It doesn't last long, but its power can stand your hair on end. This splendid anthology contains enough wattage to light up a small city. For in its pages, thirty-two of our finest playwrights hone their skills on a form that has been called the haiku of the American stage. The plays that Nina Shengold and Eric Lane have collected in this volume range from monologues to an eight-character farce. Eminently producible, ideally suited for the classroom and audition, Take Ten is a marvelous resource for teachers and students of drama, as well as a stimulating read for lovers of the theatre. Contributors include: John Augustine, Cathy Celesia, Laura Cunningham, Joe Pintauro, Mary Sue Price, Megan Terry, Jose Rivera, Romulus Linney, David Mamet, Jane Martin, David Ives, and many others.