The book is comprised of a full-length essay on women in the Middle Ages, twenty-three poems by the women troubadours themselves in the original Provencal with translations on facing pages, a capsule biography of each poet, notes, and reading list.

    McIntyreThe July Ward / Sharon N. Farber (as S.N. Dyer)The Kidnapping of Baroness 5 / Katherine MacLeanSpeech Sounds / Octavia E. ButlerThe Ship Who Mourned / Anne McCaffreyA Woman's Liberation / Ursula K. Le Guin

    As she learns how to accept the conflicts of her unorthodox home life and then her fellow students in a boarding school in Switzerland, we follow Katherine through all the torment, loneliness, and adorations and passions of a fifteen-year-old girl as she tries to realize her ambitions in the tumultuous world of the arts and make her own way to maturity.

    Burroughs' attempt to redefine a complacent society's notion of sanity and normalcy and to reinvent their own lives through jazz, drugs, and law-breaking.

    Written to be read over a long commute or a short journey, they are original and exclusively in digital form. This is a poignant novella from Anita Brookner. 'I rather hope I shall die at the hairdresser's, for they are bound to know what to do. At least that is what I tell myself.' Solitude is a familiar burden for Elizabeth Warner. She lives in a basement flat near Victoria and leaves the house only to go shopping and to have her hair done - until a chance encounter at the hairdresser's brings unexpected change. At the Hairdresser's is a deeply moving, unflinchingly observed story about trust and betrayal by one of the greatest writers of contemporary fiction.

    

    The seven stories in this excellent collection demonstrate the author's ability to create memorable tales on themes of love and marriage, divorce, the experience of the artist, high society and its workings and other topics."Souls Belated," a tragedy of mores, focuses on characters overcome by the demands of convention, while "The Pelican" and "The Muse's Tragedy" both present women whose realities differ from their public personae. "Expiation" is a satiric, revealing story about the publishing industry, featuring a writer determined to increase the sales of her first novel. In "The Dilettante," a young man who prides himself on his ability to manipulate women must face ironic consequences when he introduces his fiancée to his supposed lover. "Xingu" is a witty satire on the intellectual pretensions of a group of rich women, while "The Other Two" presents a darkly humorous look at the consequences of divorce.Gathered in this inexpensive volume, these stories provide an excellent sampling of Wharton's masterly efforts in the short story genre, a form of fiction she felt especially suited to her talents and one that enabled her to achieve a focused and intimate realism.

    The Office constructs propositions and documents for the advancement of a natural history of civic surface. Three books of Robertson's poetry have been published: XEclogue (Tsunami Editions, 1993, reissued by New Star, 1999) Debbie: An Epic (1997, nominated for the Governor General's Award for Poetry) and The Weather (2001) (both co-published by New Star in Canada and Reality Street in the U.K.). Her prose has appeared in Cabinet, Front, Jacket, Mix, Collapse, Nest magazine, and many art catalogs and monographs.

    Whether in New Delhi or Manhattan, the characters face the universal quandaries of human experience.

    

    Fishing, swimming, golf, tennis. Seems like the ideal location for a former secret agent posing as a retired police officer and part-time private investigator. Until people start disappearing. Suggested reading order for the Nicholas Colt series: COLT LADY 52 POCKET-47 CROSSCUT SNUFF TAG 9 KEY DEATH BLOOD TATTOO SYCAMORE BLUFF THE JACK REACHER FILES: FUGITIVE THE JACK REACHER FILES: VELOCITY (Novella) THE BLOOD NOTEBOOKS Note: Although published at a later date, the events in COLT and LADY 52 precede those in Jude Hardin's debut thriller POCKET-47. All of the books listed work as stand-alone thrillers, depending on reader preference. Nicholas Colt also appears in several short stories, including the one titled RATTLED and the one titled RACKED. Praise for Jude Hardin’s Thrillers: POCKET-47 sucked me in and held me enthralled. Author Jude Hardin keeps the pace frantic, the thrills non-stop, but best of all is his hero, the wonderfully ironic Nicholas Colt. This is a character I'm eager to follow through many adventures to come. —Tess Gerritsen, New York Times bestselling author of ICE COLD. The best PI debut I've read in years, fit to share shelf space with the best of Ross Macdonald, Sue Grafton, and Robert B. Parker. POCKET-47 is so hot you may burn your hands reading. Highly recommended. —J.A. Konrath, author of the Jack Daniels mysteries Hardin gets everything right in his powerhouse thriller debut, which introduces rock star–turned–PI Nicholas Colt. —Publishers Weekly on POCKET-47 KEY DEATH is an exhilarating thriller that punches way above its weight. It hits you hard and fast with crackling suspense, hair-raising twists and stunning revelations. Word of advice: don't start on this one unless you're prepared to stay up all night. —John Ling, author of THE BLASPHEMER Colt is a physical, no-holds-barred PI, reminiscent of Robert B. Parker's Spenser and Lee Child's Jack Reacher, and his debut is action-packed. With a hefty toll of dead bodies, some described in cringe-inducing detail, this is crime fiction at its rawest. Hard-boiled connoisseurs should make Colt's acquaintance now. —Booklist on POCKET-47 With CROSSCUT, Jude Hardin takes the PI novel and psychological suspense to a new, unrestrained level. Fast, fierce, and relentless. —David Morrell, New York Times bestselling creator of Rambo

    In his latest report on the state of the world, Chomsky discusses a breathtaking variety of topics, ranging from Japan's trade policies to the "war" on drugs, corporate welfare, and much more.

    Long celebrated as a pathbreaking achievement in the social history of the ancient world, M.I. Finley's brilliant study remains, as classicist Bernard Knox notes in his introduction to this new edition, "as indispensable to the professional as it is accessible to the general reader"--a fundamental companion for students of Homer and Homeric Greece.

    Taking seriously Wittgenstein's remark that "philosophy ought really to be written only as a form of poetry," Perloff begins by discussing Wittgenstein the "poet." What we learn is that the poetics of everyday life is anything but banal."This book has the lucidity and the intelligence we have come to expect from Marjorie Perloff.—Linda Munk, American Literature"[Perloff] has brilliantly adapted Wittgenstein's conception of meaning and use to an analysis of contemporary language poetry."—Linda Voris, Boston Review"Wittgenstein's Ladder offers significant insights into the current state of poetry, literature, and literary study. Perloff emphasizes the vitality of reading and thinking about poetry, and the absolute necessity of pushing against the boundaries that define and limit our worlds."—David Clippinger, Chicago Review"Majorie Perloff has done more to illuminate our understanding of twentieth century poetic language than perhaps any other critic. . . . Entertaining, witty, and above all highly original."—Willard Bohn, Sub-Stance