A revealing, lyrical book that uses Joni Mitchell's groundbreaking albums of the 1970s to explore the development of autobiographical songwriting.

    The inclining of the brow, the least furrowing of a look may reveal the -secrets of the heart." Rodin was fortunate to have as his -secretary Rainer Maria Rilke, one of the most sensitive poets of our time. These essays discussing Rodin’s work and development as an artist are as revealing of Rilke as they are of his subject. Written in 1903 and 1907, these meditations mark the entry of the poet into the world of letters. The book sheds light on the profound psychic connection between the two great artists, both masters of giving life to the invisible within the visible, concerned with "the unnoticed, the small, the concealed . . . with the profound and surprising unrest of living things." Over a dozen -reproductions of Rodin’s little known water-colors and drawings will accompany the essays.Rainer Maria Rilke, born in Prague in 1875, is arguably the greatest German poet since Goethe. His major works include his Duino Elegies, The Sonnets to Orpheus, The Notebooks of Malte Laurids Brigge, The Book of Hours, and Letters to a Young Poet.Daniel Slager (Translator) is an editor at Harcourt and a contributing editor to Grand Street. His translations of texts by Bertolt Brecht, Franz Kafka, and Heiner Müller have been widely acclaimed, and his renderings of Durs Grünbein, Marcel Beyer, Felicitas Hoppe, and Terézia Mora have marked these authors’ first publications in the U.S.William Gass (Introduction) is the author of four novels and five books of essays. He has been the recipient of grants from the Rockefeller, Lannan, and Guggenheim foundations. He has received two National Book Critics Circle Awards for Criticism. Gass lives in St. Louis where he is the Director of the -International Writers Center.

    In it, he resumes his investigation of the meta-metaphysics of objects. Like its predecessors, the book is a work of brief meditations, of poetic musings: in a word, of fragments.

    It was the year that ruined him forever. John May's perfectly imagined novel brings New York's giddy pre-Civil War social scene into brilliant focus as it unfolds the spellbinding story of a doomed man and the great love that sealed his fate. By the end of what should have been his crowning year, Edgar Poe was reviled by the same capricious circles that had gathered adoringly at his feet to hear him recite "The Raven" again and again. Swept up in the fervor, Frances Sargent Osgood, then separated from her husband, arranged an introduction to Poe to offer her fealty and her friendship. But what eventually transpired between them was far more than two poets' mutual admiration. Over the course of their brief liaison, the two lovers wrote and published (under pseudonyms) many not-so-veiled love poems, and soon enough, New York's literati were abuzz with their affair. While Poe dallied, his dying wife, Sissy, and her mother were humiliated. And while he despaired, drinking himself into oblivion, Poe's dream of editing his own magazine in New York died on the vine. At the turn of the year, the Poes left New York in disgrace. Deeply in debt and spurned by former fawning admirers, including Horace Greeley, N.P. Willis, William Cullen Bryant, Richard Henry Dana, and Maria Child, American's most renowned writer was a broken man. He had wrecked two women's lives. Even so, both Fanny and Sissy loved him unremittingly to the bitter end. Poe died at the age of forty, alone and having never fathered a child. Or had he? Told with special empathy for Fanny's warm, impulsive generosity as it shimmered alongside Poe's dark genius, Poe & Fanny follows the lovers' story to its logical conclusion: Fanny Osgood's third child was Edgar Allan Poe's. John May brings to life the drama of these lives acted out against the backdrop of nineteenth century New York's vibrant literary world.

    Sly Stone began recording "There's a Riot Goin' On" in late 1970 as afollow-up to the commercially successful "Stand!" In this brisk,inventive book, Miles Marshall Lewis chronicle Sly's descent into a hazeof drug addiction and delirium as he rejects the successful formula -"Dance to the Medley, dance to the shmedley" - and creates one of themost powerful and haunting albums to inspire the hiphop movement.

    Here Campbell explores common religious symbols, reexamining and reinterpreting them in the context of his remarkable knowledge of world mythology. According to Campbell, society often confuses the literal and metaphorical interpretations of religious stories and symbols. In this collection, he eloquently reestablishes these metaphors as a means to enhance spiritual understanding and mystical revelation. With characteristic verve, he ranges from rich storytelling to insightful comparative scholarship. Included is editor Eugene Kennedy’s classic interview with Campbell in The New York Times Magazine, which brought the scholar to the public’s attention for the first time.

    A double-platinum, Grammy-winning bestseller, it lingered on the Billboard charts for more than a year and spawned three hit singles. Odd, then, that its creators saw it as an "ambitious, extended" work, the apotheosis of their anti-rock, anti-band, anti-glamour aesthetic. Populated by thirty-fi ve mostly jazz session players, Aja served up prewar song forms, mixed meters and extended solos to a generation whose idea of pop daring was Paul letting Linda sing lead once in a while. And, impossibly, it sold. Including an in-depth interview with Donald Fagen, this book paints a detailed picture of the making of a masterpiece.

    The first English book about Slayer explores the creation of the most universally respected metal album and its long road to the stores, through original interviews with the entire band, producer Rick Rubin, engineer Andy Wallace, cover artist Larry Carroll, and Def Jam insiders from Russell Simmons to M.C. Serch. From Tori Amos to Pantera's Phil Anselmo, dozens of fans and artists discuss the record's ongoing impact and Slayer's status in the small fraternity of rock's greatest groups.

    It takes Odysseus ten years to reach Ithaca after the ten-year Trojan War. In his absence, it is assumed he has died, and his wife Penelope and son Telemachus must deal with a group of unruly suitors who compete for Penelope's hand in marriage. In this Book you will also find 7 Bonus works for your enjoymentThe complete interactive table of content includes:THE ODYSSEYBonus book: THE ILIAD OF HOMERMore free Bonuses PARADISE LOST-by John MiltonTHE GOLDEN ASS-by Lucius Apuleius "Africanus"PLAYS OF SOPHOCLES•OEDIPUS THE KING • OEDIPUS AT COLONUS • ANTIGONETHE AENEID-by VirgilAll in one book elegantly formatted for ease of use and enjoyment on your Kindle device. Enjoy!

    Bradley put Shakespeare on the map for generations of readers and students for whom the plays might not otherwise have become 'real' at all" writes John Bayley in his foreword to this edition of Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear and Macbeth.Approaching the tragedies as drama, wondering about their characters as he might have wondered about people in novels or in life, Bradley is one of the most liberating in the line of distinguished Shakespeare critics. His acute yet undogmatic and almost conversational critical method has—despite fluctuations in fashion—remained enduringly popular and influential. For, as John Bayley observes, these lectures give us a true and exhilarating sense of "the tragedies joining up with life, with all our lives; leading us into a perspective of possibilities that stretch forward and back in time, and in our total awareness of things."

    Prepared by recognized authorities, its articles treat their topics in sufficient depth and with enough lucidity to satisfy the scholar and the general reader alike. Entries vary in length from relatively brief notices to substantial articles of about 20,000 words.The Princeton Encyclopedia of Poetry and Poetics, published in 1965, established itself as a standard work in the field. Among the 215 contributors were Northrop Frye writing on allegory, Murray Krieger on belief in poetry, Philip Wheelwright on myth, John Hollander on music, and William Carlos Williams on free verse. In 1974, the Enlarged Edition increased the entries with dozens of new subjects, including rock lyric, computer poetry, and black poetry, to name just a few.The New Princeton Encyclopedia of Poetry and Poetics accounts for the extraordinary change and explosion of knowledge within literary and cultural studies since the 1970s. This edition, completely revised, preserves what was most valuable from previous editions, while subjecting each existing entry to revision. Over 90 percent of the entries have been extensively revised and most major ones entirely rewritten. Completely new entries number 162, including those by new contributors Camille Paglia, Barbara Herrnstein Smith, Elaine Showalter, Houston Baker, Andrew Ross, and many more. New entries include those on cultural criticism, discourse, feminist poetics, and Chicano poetry.Improvements cover several areas: All the recent developments in theory that bear on poetry are included; bibliographies of secondary sources are extended; cross-references among entries and through blind entries have been expanded for greater ease of use; and coverage of emergent and non-Western poetries is dramatically increased. Indeed, a hallmark of the encyclopedia is its world-wide orientation on the poetry of national and cultural groups.

    Nominated for the 1998 National Book Critics Circle Award for PoetryRecommended Reading from EmergeAn epic poem on kin estranged, the death of a brother from AIDS, and the possibility of reconciliation and love in the face of loss.

    She's the Chief of Staff at a retirement home, which doesn't sound odd on its own, but when you consider it's a retirement home for witches and other paranormals, the strange factor ratchets up.  And, with a facility full of partly senile but still powerful witches, things go hilariously awry fast. This e-book contains the first three books in the Sunnyside Retired Witches Community series. Book 1: A Bottle Full of Djinn: Zoey Rivers has a pretty great job as Head of Staff at Sunnyside Retired Witches Community. She's good at handling the magical messes that are part and parcel of providing a home for elderly (and some slightly senile) witches. But when the messes turn from slightly sloppy to hugely horrible, Zoey realizes there's more involved than just her residents. If she doesn't figure out who's causing havoc at the Home, the place might not be standing for much longer. If you love crime capers with magic, mayhem, and mystery, you'll adore Zoey Rivers and her comical crew of witch retirees. Please note: This book is a crime caper, not a murder mystery. Book 2: Loony Town: Caring for elderly witches at the retirement home in Sunnyside, California is a full-time job for Zoey Rivers. But when one of them is blitzing, causing magic to act even weirder than normal, things get…well, downright wacky. And when a local insurance agent winds up dead, some of the people Zoey is responsible for become the prime suspects. As the zaniness of the magical blips continues and things get crazier and crazier, Zoey has to work fast and try to stay one step ahead to keep her charges out of jail, figure out who is causing the chaotic blitzing so she can fix it, and also figure out who the real killer is. It’s a tough job, but she's determined to do it. The people who live at Sunnyside Retired Witches Community are counting on her. And she’s not about to let them down now. Book 3: Mummy Issues: Sunnyside Retirement Witches Community gets its fair share of visitors. Some of them like the entertainment and others enjoy volunteering. But when one of the sight-seers ends up dead, Zoey Rivers has to figure out what happened. The residents come up with a fantastic idea: Since the retirement complex seems to have more than its fair share of murders, they figure it might be a good idea to have a psychic on staff. So, Zoey hires Iris. And all the information she pulls from the ghosts of the growing list of victims points to Zoey herself. Except the clues aren't pointing to her. They're fingering someone she'd thought was long dead.Sunnyside Retirement Witches Community gets its fair share of visitors. Some of them like the entertainment and others enjoy volunteering. But when one of the sight-seers ends up dead, Zoey Rivers has to figure out what happened. The residents come up with a fantastic idea: Since the retirement complex seems to have more than its fair share of murders, they figure it might be a good idea to have a psychic on staff. So, Zoey hires Iris. And all the information she pulls from the ghosts of the growing list of victims points to Zoey herself. Except the clues aren't pointing to her. They're fingering someone she'd thought was long dead.

    It is one of the shortest of Plato's dialogues

    Elliott Smith's XO should not be one of them. Smith's 1998 major label debut defies the tortured singer-songwriter stereotype, and takes up this defiance as a central theme. At a time when Smith was being groomed for a particular (and particularly condescending) brand of stardom, he produced a record that eviscerated one of the central assumptions of singersongwriterdom: that pain is beautiful. XO insists that romanticizing personal tragedy can only leave you deaf and dumb and done. And it backs up this claim with some of the most artful and intelligent music of its day. Matthew LeMay writes an original take on a widely beloved album, steering clear of the sensationalist suicide angles that have dogged most analysis of Elliott Smith's extraordinary work.