The creator of the Arthurian romance as a genre, Chrétien is revealed in this work as a witty, versatile writer who mastered both the soaring flight of emotion and the devastating aside and was as skillful a debater of the finer points of love as he was a describer of battles.

    This collection contains, too, many examples of that humorous and epigrammatic genius which captured the London theatre and, by suddenly casting light from an unexpected angle, widened the bounds of truth.

    But the truth is surprisingly simple: over a period of several months, Joy Division transformed themselves from run-of-the-mill punk wannabes into the creators of one of the most atmospheric, disturbing, and influential debut albums ever recorded. Chris Ott carefully picks apart fact from fiction to show how Unknown Pleasures came into being, and how it still resonates so strongly today. EXCERPT The urgent, alien thwack of Stephen Morris' processed snare drum as it bounced from the left to right channel was so arresting in 1979, one could have listened to that opening bar for hours trying to figure how on earth someone made such sounds. Like John Bonham's ludicrous, mansion-backed stomp at the start of "When The Levee Breaks"-only far less expensive-the crisp, trebly snare sound with which Martin Hannett would make his career announced Unknown Pleasures as a finessed, foreboding masterpiece. Peter Hook's compressed bass rides up front as "Disorder" comes together, but it's not until the hugely reverbed, minor note guitar line crashes through that you can understand the need for such a muted, analog treatment to Hook's line. Layering a few tracks together to create a six-string shriek, Hannett's equalization cuts the brunt of Sumner's fuller live sound down to an echoing squeal, revealing a desperation born of longing rather than rage. This is the way, step inside.

    I’m definitely having a midlife crisis…I didn’t expect to be single at forty-five, but I’ve always prided myself on facing up to a challenge. A new town, a better job, and a cozy cottage of my own are all at the top of my To Do list. A new man? Right at the bottom. I’m far too busy for love.Returning to the Devon village of Crows Tor on Dartmoor brings a new lease of life for me – in more ways than one. It turns out my old school friend, Fiona, makes a secret moonshine at her whisky distillery using spring water collected under the full moon. Apparently it enhances your psychic powers, and she tempts me to have a shot… or three.I’m thrilled at the prospect of developing my psychic abilities. And then I look into a crystal ball at the May Day fair and have a vision of a murder. Suddenly it’s not such a fun idea after all, especially when my prediction comes true. Consumed by guilt because I didn’t warn the victim, I’m determined to find the killer, even if it puts me in the very path of danger…*The Midlife Moonshine stories are set on Dartmoor in Devon, England, and contain British English spelling and usage. They are clean reads with no graphic violence, strong language, or sex, but they’re packed with magic, mystery, romance, and history – all starring women in the prime of midlife!

    Rejecting the lure of success, Ursa turns her back on a well-paid corporate research job and a stable, if loveless, relationship with a black academic. Instead, she seeks power and solace in her friendship with Viney. Remaining true to herself involves returning to Triunion, her Caribbean island, where she is forced to confront the moral and political ambiguities that underpin the charisma of her father, a leading politician. With compassion and honesty, Paule Marshall shows how the past always intrudes on the present. For Ursa, this means accepting that her life in the United States is bound by events that took place a long time ago in the Caribbean.

    This one is personal.The dead man, Billy Meadows, was a fellow Vietnam "tunnel rat" who fought side by side with him in a nightmare underground war that brought them to the depths of hell. Now, Bosch is about to relive the horror of Nam. From a dangerous maze of blind alleys to a daring criminal heist beneath the city to the tortuous link that must be uncovered, his survival instincts will once again be tested to their limit.Joining with an enigmatic and seductive female FBI agent, pitted against enemies inside his own department, Bosch must make the agonizing choice between justice and vengeance, as he tracks down a killer whose true face will shock him.The Poet (read by Buck Schirner)Our hero is Jack McEvoy, a Rocky Mountain News crime-beat reporter. As the novel opens, Jack's twin brother, a Denver homicide detective, has just killed himself. Or so it seems. But when Jack begins to investigate the phenomenon of police suicides, a disturbing pattern emerges, and soon suspects that a serial murderer is at work - a devious cop killer who's left a coast-to-coast trail of "suicide notes" drawn from the poems of Edgar Allan Poe. It's the story of a lifetime - except that "the Poet" already seems to know that Jack is trailing him. . .

    Those who are familiar with Parra's work will find the humor more sharply honed and darker, the anger closer to the surface and sometimes breaking through, the language tighter, the compassion deeper and the statements more political--or anyway more social.

    Wessex was the "partly-real, partly-dream" county that formed the backdrop for most of Hardy's writings—named after an Anglo-Saxon kingdom and modeled on the real counties of Berkshire, Devon, Dorset, Hampshire, Somerset, and Wiltshire. The poems deal with classic Hardy themes of disappointment in love and life, and the struggle to live a meaningful life in an indifferent world. Although Hardy's poetry was not as well received as his fiction, he continued to publish collections until his death, and thanks in part to the influence of Philip Larkin, he is increasingly realized as a poet of great stature.

    Included here are many of Galway Kinnell’s best-loved and most anthologized poems. Kinnell has revised some of the poems for this new edition, and comments on his working method in a prefatory note.

    As Greil Marcus shows in this remarkable book, Presley's journey after death takes him even further, pushing him beyond his own frontiers to merge with the American public consciousness--and the American subconscious.As he listens in on the public conversation that recreates Elvis after death, Marcus tracks the path of Presley's resurrection. He grafts together scattered fragments of the eclectic dialogue--snatches of movies and music, books and newspapers, photographs, posters, cartoons--and amazes us with not only what America has been saying as it raises its late king, but also what this strange obsession with a dead Elvis can tell us about America itself.

    The ship contains an experimental quantum device, lost while en route to a research colony on Europa. On Earth, powerful corporate forces are moving to resume unrestricted, inter-AI communications, their objective being to gain complete dominion over the colonized solar system. But the outer worlds are mobilizing to prevent them from achieving their objective, a fight back which is being led by Solomon, a sentient quantum intelligence (QI), also on Europa. However, once word of the crew’s discovery gets out, they soon realize that ownership of this technology could fundamentally change the balance of power within the solar system, and they now find themselves at the very nexus of a system-wide conflict. Their fight for survival plays out across the solar system, from the mining outposts of the asteroid belt to the moons of Jupiter and Saturn, and from the great Martian city of Jezero to the irradiated wastelands on Earth. This is an epic tale of humanity’s struggle for survival and meaning in a time when artificial intelligence has finally out-paced our own ability to control it. About The Belt: The story is set a century or so into the future where humanity has colonized most of the inner solar system. The asteroid belt (The Belt) is now a hive of mining activity and ships ply the trade routes to Earth and Mars. The technology depicted, for the most part, is what I consider to be technically plausible, although I do stretch it a little with quantum entanglement. That said, you won’t need a calculator or a slide-rule to enjoy the story.

    in 1946 and during a longer stay in Brazil, Uruguay, Argentina and Chile in 1949 periods of stress and hectic public appearances, when he was tired, nervous, ill and vulnerable. If these journals were not by Camus, they might be regarded as "meaningless bits and pieces" (his own description) that do not merit publication. But 27 years after his death, almost anything from his pen possesses value for students of French literature. Since many of these fragments later turned up in his published writings, their major interest stems from the fact that they show how Camus passed from rough notes to a finished work. The introduction was written by the author's longtime editor at Gallimard.

    It was an open secret that 'Constant Reader' was Dorothy Parker, though her name never appeared. Her original books of poems and short stories were being published in those same years, but no one collected the Constant Reader pieces - partly, perhaps, because of the convention of pseudonymity, which would have prevented the use of her name. Yet these light-hearted essays about reading and writing played as much part in creating the Parker legend, and were as much a part of the times, as her stories and poems. They were a new and very personal kind of book reviewing. Without pretending to the Higher Criticism, they were still far from being merely fun. In the more close-knit literary world of the late twenties and early thirties, they often made or unmade reputations. And time has confirmed most of her judgments.Of the forty-six Constant Reader pieces that appeared, thirty-one have been reprinted here in whole or in part."

    Full color.

    Liv, an expectant mother, and her husband, Erland, are at an impasse from her reluctance to bring new life into a bewildering world. The couple's journey is charted through conversations, dreams, memories, and meditations, expanding and exploding the emotive capabilities of language and form. A text like no other, it crosses genres, combining verse, prose, and dialogue to achieve an unparalleled understanding of creation and existence.