The latest from Ben Sanders, following his novels American Blood and Marshall’s Law.Rip-offs are a dangerous game, but heist man Miles Keller thinks he’s found a good strategy: rob rich New York criminals and then retire early, before word’s out about his true identity. New town, new name, no worries. Retirement can’t come soon enough, though. The NYPD is investigating him for the shooting of a hitman named Jack Deen, who was targeting Lucy Gates—a former police informant and Miles’s ex-lover. Miles thinks shooting hitmen counts as altruism, but in any case a murder charge would make life difficult. He’s ready to go to ground, but then Nina Stone reappears in his life. Nina is a fellow heist professional and the estranged wife of LA crime boss Charles Stone. Miles last saw her five years ago, and since then her life has grown more complicated: her husband wants her back, and he’s dispatched his go-to gun thug to play repo man. Complicating matters is the fact that the gun thug in question is Bobby Deen, cousin of the dead Jack Deen—and Bobby wants vengeance. The stakes couldn’t be higher, but Nina has an offer that could be lucrative. Maybe Miles can stick around a while longer…

    . . .

    Still unsolved, the mystery remains a national obsession.For legendary hacker and marine Gibson Vaughn, the case is personal—Suzanne Lombard had been like a sister to him. On the tenth anniversary of her disappearance, the former head of Benjamin Lombard’s security asks for Gibson’s help in a covert investigation of the case, with new evidence in hand.Haunted by tragic memories, he jumps at the chance to uncover what happened all those years ago. Using his military and technical prowess, he soon discovers multiple conspiracies surrounding the Lombard family—and he encounters powerful, ruthless political players who will do anything to silence him and his team. With new information surfacing that could threaten Lombard’s bid for the presidency, Gibson must stay one step ahead as he navigates a dangerous web to get to the truth.

    He's on the brink of being fired from his middle-management newspaper job. His fiancée has up and left him. Now, after the sudden death of his father, he's back in his hometown of Miami, slowly drinking himself into oblivion. But when a co-worker he barely knows asks Pete to locate a missing daughter, Pete finds himself dragged into a tale of murder, drugs, double-crosses and memories bursting from the black heart of the Miami underworld - and, shockingly, his father's past. Making it up as he goes and stumbling as often as he succeeds, Pete's surreptitious quest becomes the wake-up call he's never wanted but has always needed - but one with deadly consequences. Welcome to Silent City, a story of redemption, broken friendships, lost loves and one man's efforts to make peace with a long-buried past to save the lives of the few friends he has left.

    Notoriously cunning and ruthless, Gloria shows her eager young protégée the ropes, ushering her into a glittering demimonde of late-night casinos, racetracks, betting parlors, inside heists, and big, big money. Suddenly, the world is at her feet--as long as she doesn't take any chances, like falling for the wrong guy. As the roulette wheel turns, both mentor and protégée scramble to stay one step ahead of their bosses and each other.

    Thing is, you gotta kill it first.”Kevin Pearce—baseball star, honor student, the pride of Brighton—was fifteen when he left town in the back of his uncle’s cab. He and his buddy, Bobby Scales, just committed a heinous act of violence for what they thought were the best of reasons. Kevin didn’t want a pass, but he was getting it anyway. Bobby would stay and face the music; Kevin’s future would remain as bright as ever. At least that was the way things were supposed to work. Except in Brighton, things never work the way they’re supposed to. Twenty-seven years later, Kevin is a Pulitzer Prize-winning journalist for the Boston Globe. He’s never been back to his old block, having avoided his family and, especially, Bobby Scales. Then he learns his old friend is the prime suspect in a string of local murders. All of the sudden Kevin’s headed home—to protect a friend and the secret they share. To report this story to the end and protect those he loves, he must navigate not only an elusive, slippery killer, but his own corrupted conscience.A powerhouse of a thriller, Brighton is a riveting and elegiac exploration of promises broken, debts owed, and old wrongs made right . . . no matter what the cost.

    But Simon never makes it to the office. His running shoes are by the front door. Nothing is missing - except him.Catherine knows Simon must be in trouble. He wouldn't just leave her. He wouldn't leave the children.But Simon knows the truth - about why he left and what he's done. He knows things about his marriage that it would kill Catherine to find out. The memories she holds onto are lies.While Catherine faces a dark new reality at home, Simon's halfway around the world, alive and thriving. He's doing whatever it takes to stay one step ahead of the truth.But he can't hide forever, and when he reappears twenty-five years later, Catherine will finally learn who he is.And wish she'd stayed in the dark.Revised edition: Previously published as The Wronged Sons, this edition of When You Disappeared includes editorial revisions.

    We have chosen the same principle here, and the book's contents do a good job of covering the island, from C.J. Sullivan's Inwood and John Lutz's Upper West Side, to Justin Scott's Chelsea and Carol Lea Benjamin's Greenwich Village. The range in mood and literary style is at least as great; noir can be funny, it can stretch to include magic realism, it can be ample or stark, told in the past or present tense, and in the first or third person. I wouldn't presume to define noir - if we could define it, we wouldn't need to use a French word for it -- but it seems to be that it's more a way of looking at the world than what one sees.The good Samaritan / Charles Ardai --The last supper / Carol Lea Benjamin --If you can't stand the heat / Lawrence Block --Rain / Thomas H. Cook --A nice place to visit / Jeffrey Deaver --The next best thing / Jim Fusilli --Take the man's pay / Robert Knightly --The laundry room / John Lutz --Freddie Prinze is my guardian angel / Liz Martínez --The organ grinder / Maan Meyers --Why do they have to hit? / Martin Meyers --Building / S.J. Rozan --The most beautiful apartment in New York / Justin Scott --The last round / C.J. Sullivan --Crying with Audrey Hepburn / Xu Xi

    A handsome man approaches. He’s charming and sophisticated. She flirts and drinks champagne. And then nothing. Total blackness. Nothing, that is, apart from these two facts: a man is dead and her address is found in his pocket . . .

    After all, there's nothing wrong with being a bellboy at a respectable hotel like the Manton -- that is, until she came along. Marcia Hillis. The perfect woman. Beautiful. Experienced. Older and wiser. The only woman to ever measure up to that other her -- the one whose painful rejection Dusty can't quite put from his mind. But while Dusty has designs on Marcia, Marcia has an agenda of her own. One that threatens to pull the Manton inside-out, use Dusty up for all he's worth and leave him reeling and on the run, the whole world at his heels. A richly-imagined crime narrative of the Oedipal and betrayal, A Swell-Looking Babe is Thompson at his very best -- a cornerstone in Thompson's enduring legacy as the Dimestore Dostoyevsky of American fiction.

     Seventeen-year-old Caleb Ross is adrift in the wake of the sudden disappearance of his mother more than a year ago, and is struggling to find his way out of the small Texas border town of Murfee. Chris Cherry is a newly minted sheriff’s deputy, a high school football hero who has reluctantly returned to his hometown. When skeletal remains are discovered in the surrounding badlands, the two are inexorably drawn together as their efforts to uncover Murfee’s darkest secrets lead them to the same terrifying suspect: Caleb’s father and Chris’s boss, the charismatic and feared Sheriff Standford “Judge” Ross. Dark, elegiac, and violent, The Far Empty is a modern Western, a story of loss and escape set along the sharp edge of the Texas border. Told by a longtime federal agent who knows the region, it’s a debut novel you won’t soon forget.

    After years of trouble and rebellion that enraged his father and nearly cost him his life, he has a steady job in his father's company, he's seriously dating a woman he respects, and, aside from the distrust that lingers in his father's eyes, his mistakes are firmly in the past.One day on the job, Chris and his partner come across a temptation almost too big to resist. Chris does the right thing, but old habits and instincts rise to the surface, threatening this new-found stability with sudden treachery and violence. With his father and his most trusted friends, he takes one last chance to blast past the demons trying to pull him back. Like Richard Price or William Kennedy, Pelecanos pushes his characters to the extremes, their redemption that much sweeter because it is so hard fought. Pelecanos has long been celebrated for his unerring ability to portray the conflicts men feel as they search and struggle for power and love in a world that is often harsh and unforgiving but can ultimately be filled with beauty.

    Higgins, Patricia Highsmith, and David Mamet. Rick and Frank are recovering addicts and accomplished house thieves whose partnership extends beyond their professional lives. They do not steal randomly - - they steal according to order, hired by a mysterious handler who assigns the work to them. The jobs run routinely until they're tasked with breaking into a home and taking a seemingly worthless trophy: an object that generates interest and obsession out of proportion to its apparent value.Just as the robbery is completed, the two are involved in a freak car accident that sets off a chain of events and Frank disappears with the trophy. As Rick tries to find Frank, and the missing haul, he is forced to confront his past, upending both his livelihood and his sense of reality. The narrative builds steadily into a powerful and satisfyingly shocking climax. Reveling in its con-artistry and double-crosses, Just Thieves is a nail-biting, eerily existential and noirish exploration of the working lives of two unforgettable crooks and the hidden forces that rule and ruin their lives.

    But what if, instead of having been founded 50 books ago, Hard Case Crime had been founded 50 years ago, by a rascal out to make a quick buck off the popularity of pulp fiction? Such a fellow might make a few enemies – especially after publishing a supposed non-fiction account of a heist at a Mob-run nightclub, actually penned by an 18-year-old showgirl. With both the cops and the crooks after them, our heroes are about to learn that reading and writing pulp novels is a lot more fun than living them...

    Wheeler’s mistress, Julie Rutledge, who is also a suspect, believes that Creighton is the killer, despite his rock-solid alibi, and she’ll do almost anything in her quest to prove his guilt—even ruin Derek’s career. But the more Derek learns of Creighton’s darker side, especially his bizarre fascination with movie murders, the more he comes to believe Julie is right. The clock ticks down to a shocking ending as Derek and Julie join forces to find the truth. Has Creighton begun reenacting cinema’s goriest scenes? And who will be his unwilling costars? They won’t know until the final SMASH CUT.