Raised by a philosophical and cantankerous killer named Old Raccoon in his crime headquarters, The Library, Reseng has always been surrounded by plots--and by books that no one ever reads. But, when Reseng steps out of line on a job, he risks his future. And when he uncovers an extraordinary plot being cooked up by an eccentric trio of young women--a convenience store clerk, her wheelchair-bound sister, and a cross-eyed obsessive knitter--he will have to decide whether he will be used as a pawn, or if he can take control of the game.Un-su Kim has written that rarest of novels, a cracking commercial crime novel that sings with the soul, wit, and lyricism of real literary craft. The Plotters is page-turning, hilarious, soul-searching, and deeply entertaining. It is a wake-up call to genre lovers and literary readers alike.

    Worse still, the press seem to have it in for him – his every move is headline news. When he discovers that the killer has killed before – that each murder is a homage to a classic crime novel – the fourth estate are quick to coin a nickname… The Novelist…With both men in the public eye, the case develops into a personal duel, each hell-bent on outsmarting the other. There can only be one winner – whoever has the least to lose…

    Now she wants justice. But is she blind to the truth?Christopher J. Yates’s cult hit Black Chalk introduced that rare writerly talent: a literary writer who could write a plot with the intricacy of a brilliant mental puzzle, and with characters so absorbing that readers are immediately gripped. Yates’s new book does not disappoint. Grist Mill Road is a dark, twisted, and expertly plotted Rashomon-style tale. The year is 1982; the setting, an Edenic hamlet some ninety miles north of New York City. There, among the craggy rock cliffs and glacial ponds of timeworn mountains, three friends—Patrick, Matthew, and Hannah—are bound together by a terrible and seemingly senseless crime. Twenty-six years later, in New York City, living lives their younger selves never could have predicted, the three meet again—with even more devastating results.

    Please don’t let it be the boy, Colomba thought. Her silent prayer didn’t go unanswered. The corpse belonged to the mother.'THE ONLY ONE WHO CAN STOP HIM IS THE ONE WHO GOT AWAY...Dante Torre spent eleven young years in captivity - held by a man known only as The Father - before outwitting his abductor. Now working for the police force, Torre's methods are unorthodox but his brilliance is clear. When a young child goes missing in similar circumstances in Rome, Torre must confront the demons of his past to attempt to solve the case.Paired with Deputy Captain Colomba Caselli, a fierce, warrior-like detective still reeling from having survived a bloody catastrophe, all evidence suggests The Father is active after being dormant for decades, and that he’s looking forward to a reunion with Dante...

    Before long, he has identified the deceased as Krister Berggren, a bachelor from the mainland who has been missing for months. All signs point to an accident—until another brutalized corpse is found at the local bed-and-breakfast. But this time it is Berggren’s cousin, whom Thomas interviewed in Stockholm just days before.As the island’s residents reel from the news, Thomas turns to his childhood friend, local lawyer Nora Linde. Together, they attempt to unravel the riddles left behind by these two mysterious outsiders—while trying to make sense of the difficult twists their own lives have taken since the shared summer days of their youth.

    He'll do anything to stay by her side, even if it means working for her husband, a funeral director. But as everyone knows, three's a crowd.

    At first the treatment works, but his stress levels begin to rise when he is passed over for an important promotion and he finds himself lighting up again – but with none of his previous enjoyment.Until he discovers something terrible: he accidentally causes a man’s death, and needing a cigarette to calm his nerves, he enjoys it more than any other previous smoke. What if he now needs to kill every time he wants to properly appreciate his next Benson and Hedges?

    The death of her childhood friend, Alex, is just the beginning. Her wrists slashed, her body frozen in an ice-cold bath, it seems that she has taken her own life.Erica conceives a book about the beautiful but remote Alex, one that will answer questions about their own shared past. While her interest grows into an obsession, local detective Patrik Hedstrom is following his own suspicions about the case. But it is only when they start working together that the truth begins to emerge about a small town with a deeply disturbing past.

    Her pictures of the musicians and hangers on, the infamous, the damned, and the dead, got her into art galleries and a book deal. But thirty years later she is adrift, on her way down, and almost out. Then an old acquaintance sends her on a mercy gig to interview a famously reclusive photographer who lives on an island in Maine. When she arrives Downeast, Cass stumbles across a decades-old mystery that is still claiming victims, and into one final shot at redemption.

    But their comfortable routine life is suddenly shattered when an aggressive new boss walks in ....Now, there's something chilling in the air.Who secretly hates everyone?Who is tortured by their past?Who is capable of murder?

    Police waste no time in making an arrest, but the victim's family isn't convinced that the right man is in custody. They ask Thóra Guðmundsdóttir, an attorney and single mother of two, to investigate. It isn't long before Thóra and her associate, Matthew Reich, uncover the deceased student's obsession with Iceland's grisly history of torture, execution, and witch hunts. But there are very contemporary horrors hidden in the long, cold shadow of dark traditions. And for two suddenly endangered investigators, nothing is quite what it seems ... and no one can be trusted.

    One that now plunges him into the darkest side of love and passion..."This novel should come with a red wrapper marked DANGER: HIGH EXPLOSIVES."--Stephen King

    But just as the little girl—who survived the accident—finally starts thriving, Matt’s former in-laws threaten to take her away via a bitter custody battle. Desperate to keep Anna and in debt to some dangerous local thugs, Matt has no good options. But he does have Jay, one very bad friend. Just out of jail and plagued by drug addiction, Jay tempts Matt with a foolproof kidnapping scheme. But what sounds like the perfect solution to all his problems eventually leads Matt through a nightmarish maze of betrayals and reversals, pushing him to his breaking point—and beyond.

    Then a terrifying reality sets in: her daughter is missing.Days earlier, Estelle discovered her baby’s crib empty in their Brooklyn apartment. There was no sign of a break-in, but all traces of seven-month-old Mia had disappeared. Her diapers, her clothes, her bottles—all gone. Frustrated and unable to explain her daughter’s disappearance, Estelle begins a desperate search. But when the lack of evidence casts doubt on her story, Estelle becomes the number one suspect in the eyes of the police and the media.As hope of reuniting with Mia becomes all she has left, Estelle will do anything to find answers: What has she done to her baby? And what has someone else done to her?

    He beat and choked her to death. I'm told that he was found hanging from a homemade noose in his cell. I want to know why he waited so long to do it." Sydney Brennan isn't sure how to answer her client's question, short of holding a séance, and the Tallahassee detective has some questions of her own. Why does Noel Thomas remember so little about her childhood? Why is she delving into her father's suicide now? And, most importantly, why isn't Noel telling her the truth?Sydney crisscrosses the Florida Panhandle, reconstructing the tragic Thomas family history. The violence that destroyed the Thomas family connects to a present-day web of deceit and corruption through a desperate man willing to do anything to keep his secrets safe. To discover his identity, Sydney must go Back to Lazarus, back to the town where Noel's beautiful but troubled mother began her inevitable descent over twenty years ago. But by following in the footsteps of the murdered woman, does Sydney risk sharing her fate?Rooted in bars and back roads and Panhandle prisons, forgotten towns and forgotten people, at its heart Back to Lazarus is about stories: the stories people tell us, the stories we tell ourselves, and what happens when we realize it's all a lie.